Manifest Your Destiny

https://linktr.ee/crystalfighters

LIVE + DJ Bookings ex-US
Jules.deLattre@unitedtalent.com

Management
Info@giantartistmanagement.com

Moshi Moshi Records started off as a hobby in 1998. Set up by three friends who had jobs working for major record labels. It was intended as a way of working with the bands that they loved but which didn’t fit in with the agenda of the day-job taskmasters. Early single releases from Zan Lyons, Kathryn Williams & Pedro and J Xaverre earned the label some plaudits. And sold a few records. Over the next five years Moshi Moshi slowly started to build a reputation for interesting, slightly leftfield, low-key releases. Then in 2004 things changed. For a start Moshi stopped being a hobby and became a fulltime job. Very soon after, Hot Chip and Bloc Party arrived and Moshi Moshi quickly became a name known to more than a few. Chart success followed with Yeti and The Rakes and higher-profile album releases from Architecture In Helsinki and Au Revoir Simone helped lift the label onto a new level. Then from 2006 onwards came artists such as Hot Club De Paris, Tilly And The Wall, The Wave Pictures, Slow Club, James Yuill, The Drums, Summer Camp, the list goes on.

In late 2006 the two remaining Moshi Moshi founders decided they wanted to get back to their one-off 7” release roots and the Moshi Moshi Singles Club was born. The intention was to try and release one 7” each month by a new up-and-coming artist. It would be limited to 1000 and only be available in a select group of indie stores. The artwork would be restricted to one colour and be designed by the bands themselves. Now some 40+ releases later the singles club’s roster makes an impressive list – (including) Kate Nash, Late of The Pier, Friendly Fires, Lykke Li, Florence and The Machine, Kindness, Dananananayckroyd. Disclosure. In 2011 Moshi Moshi expanded its remit by partnering up with some very talented young A&R folk to set up the imprints Tender Age, Not Even, Apricot and Dream Beach. Working under the Moshi Moshi umbrella these new labels have already yielded a clutch of exciting releases by artists from as far afield as Kenya and Seattle.

At the same time as running the record label Moshi Moshi Management has been quietly guiding the career of Metronomy and Slow Club as well as producers Ash Workman and Ollie Bayston. From 2012 this side of the business started to expand dramatically and now features a sizeable roster of emerging artists.

Looking back on the Moshi Moshi roster (particularly since the label ‘went fulltime’ in 2004) it’s a collection that bears comparison with any of its peers. For a label run by two people with no financial backing, it’s nothing short of an inspiration.

Purchase 'I'll Be Around'
- https://ellisswan.bandcamp.com

"Ellis Swan's other worldly reworked folk tales and murder ballads are unsettling, but incredibly seductive."
- BBC Global Beats
http://www.bbc.co.uk/programmes/p03ktr9j
3/5/16

"...Swan’s LP is a decaying southern gothic world plucked straight from the mind of a displaced soul, a self-reflective odyssey that transports us into a long forgotten era. And it’s unlike anything else you’ll experience in music this year. "
- No Fear Of Pop
www.nofearofpop.net/blog/ellis-swan-ill-be-around
9/24/14

"...exercises of arcane obscurity, occasionally flecked with poetic brilliance; Swan’s I’ll Be Around is a cohesive piece of work, one large tale composed of disparate strands."
- http://bucketfullofnails.com/2015/02/backtracks-ellis-swan-ill-be-around/
2/13/15

<i>"Swan’s songs have patient movement: bass lines that crawl around in circles and fractured washes of texture. His weary, almost exhausted-sounding voice scrapes out a listener’s soul."</i>&#13;
- <a href="http://www.chicagomag.com/Chicago-Magazine/C-Notes/January-2013/Lets-Talk-About-Ellis-Swan-Chicagos-Most-Elusive-Musician/" rel="nofollow" target="_blank">chicagomag.com</a>&#13;
1/15/13&#13;

<i>"...a Canadian artist living in Chicago, and gained some attention last year with his warped, nightmarish ballad Frankie and Charlie. In the bleary-eyed track ‘Evan Williams’, the twisted folk artist takes a more naturalistic route, but keeps that looming, leering edge to his music that makes it so striking."</i>&#13;
- <a href="http://www.dummymag.com/new-music/2012/01/29/ellis-swan-evan-williams/" rel="nofollow" target="_blank">dummymag.com</a>&#13;
01/29/12&#13;
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if interested, see <a href="http://soundcloud.com/dead-bandit" rel="nofollow" target="_blank">Dead Bandit</a>.

i am not checking the PN here on SC, please contact me via email or other socials , thank you. 

Robert Babicz has been redefining the boundaries of electronic music since the early 1990s. His unique artistry encompasses sound, vision, emotion and spirituality. From releasing and performing acid techno as Rob Acid, to his role as a highly-sought after producer and studio wizard infusing technical perfection with deep emotion, to his striking photos, everything Robert does expresses his desire to celebrate beauty and humanity, and to live each moment with utmost consciousness. Robert's art and philosophy are so distinctive there's a word for it: Babiczstyle. 

Photo by Andre M. Hunseler | thinkingpixels.com

Snoop Dogg's Official SoundCloud. Enjoy the music!

BREAKING BEATS SINCE 1988. I refuse to compromise or follow trends when it comes to my sound. My music is purely for entertainment.
Booking: booking@allisrhythm.com 
http://www.guycalledgerald.com

In nine albums and over fifty releases that span a 30-year career, A Guy Called Gerald has built a genre busting body of work that stands out for consistent innovation, excellence and refusal to compromise.

3xo714 is following