@alexisletan @user-85698967 Is this VA release collection of original songs, or are they all edited by you?

Alexis Le-Tan: https://soundcloud.com/alexisletan
Tom Colebrook: https://soundcloud.com/user-85698967 

Attention please christmas kids, the release is free as always, but you can donate for good - all profits goes to https://www.aidboxcommunity.co.uk/, so please help those who needs.

Alexis Le-Tan and Tom Colebrook quite fluidly morph into our lazy initials: ALTC. Our current appreciation for an older psychedelic sound can be traced back to a dirty, careless and omnipotent period in the early 90’s when the sun, the Fridge Club or Space Tribe leggings brought our bodies together in time to these heroic sounds. Then it all sort of just wound down, more abruptly for some, and for a long time. But like old Smaug under the Lonely Mountain, we understood the longevity of gold. A few years just gone we embarked on a restlessly chaotic and passionate re-appraisal of our sonic past - just at a different speed. An ever growing archive and many edits later, we find ourselves still going; we are a happy and volatile little team, Mr. Le-Tan, who needs no introduction here, a Titan of this  slow sound - arguably the original, whose honed booth selections are regularly adorned by loyal crowds all over Europe. Mr. Colebrook, a flash in the pan veteran of the Goa scene, now mainly chief archivist and an Internal wordsmith of ill repute. 
There was a folder that existed in the archive called ‘The Socialists’ and over time as we pondered it, we began to understand the contents as taking on some sort of metaphor for a socialist arc of success and defeat, of growth and change, of hope and loss, of commitment and desertion, of lies and the truth, of battles and peace, emptiness and loss. Heroic themes indeed Comrades. As a musical selection, we wanted to imbue these metaphors with corresponding sonic inflections, sometimes we thought of sounds coming up through the ground to fight and be victorious or perhaps to lose, only to retreat and live another solitary day. Some were sounds for a moment of blissful morning sun soaked success, or the grey pulse of an imagined industrial trench. But above all - this selection of songs shows a commitment to each other and to the time and place they were made, and how they exist here - Now. We hope you enjoy the show!

special thanks: 
https://soundcloud.com/iamkgbk for sound engineering
https://soundcloud.com/user-171330870 for cave painting

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12. It's A One Way Ticket

07. Dismaland

06. Sauerkraut Dreams

Alexis Le-Tan: @alexisletan
Tom Colebrook: @user-85698967

Attention please christmas kids, the release is free as always, but you can donate for good - all profits goes to www.aidboxcommunity.co.uk/, so please help those who needs.

Alexis Le-Tan and Tom Colebrook quite fluidly morph into our lazy initials: ALTC. Our current appreciation for an older psychedelic sound can be traced back to a dirty, careless and omnipotent period in the early 90’s when the sun, the Fridge Club or Space Tribe leggings brought our bodies together in time to these heroic sounds. Then it all sort of just wound down, more abruptly for some, and for a long time. But like old Smaug under the Lonely Mountain, we understood the longevity of gold. A few years just gone we embarked on a restlessly chaotic and passionate re-appraisal of our sonic past - just at a different speed. An ever growing archive and many edits later, we find ourselves still going; we are a happy and volatile little team, Mr. Le-Tan, who needs no introduction here, a Titan of this  slow sound - arguably the original, whose honed booth selections are regularly adorned by loyal crowds all over Europe. Mr. Colebrook, a flash in the pan veteran of the Goa scene, now mainly chief archivist and an Internal wordsmith of ill repute. 
There was a folder that existed in the archive called ‘The Socialists’ and over time as we pondered it, we began to understand the contents as taking on some sort of metaphor for a socialist arc of success and defeat, of growth and change, of hope and loss, of commitment and desertion, of lies and the truth, of battles and peace, emptiness and loss. Heroic themes indeed Comrades. As a musical selection, we wanted to imbue these metaphors with corresponding sonic inflections, sometimes we thought of sounds coming up through the ground to fight and be victorious or perhaps to lose, only to retreat and live another solitary day. Some were sounds for a moment of blissful morning sun soaked success, or the grey pulse of an imagined industrial trench. But above all - this selection of songs shows a commitment to each other and to the time and place they were made, and how they exist here - Now. We hope you enjoy the show!

special thanks: 
https://soundcloud.com/iamkgbk for sound engineering
https://soundcloud.com/user-171330870 for cave painting

01. The Empty Stage

Verslo Pietūs 004:

LT: 
- Dienos pietums norėsiu cepelinų!, - Sušuko @aleksandrl vietiniam Ilunch'e ir skubėdamas sumaigė planšetę. 
- Cepelinais šiandien vaišinsim mes! - Atsakė AAB kolektyvas, ant smūgio pardavę crypto ir pažėrė įelektrintų baksų revolut'e.
Dėka skanių verslo pietų, Aleksandras L. mums pasiūlė dar skanesnę muzikinę selekciją.
Tegyvuoja @electric_shapes. Su gimtadieniu!

EN:

- I’d like zeppelins for lunch today! - @aleksandrl shouted at the local Ilunch restaurant and rushed to tap the tablet.
- Meal is on us! - The AAB team replied, selling some crypto on the blow while giving Revolut gold card to the cashier.
Thanks to a delicious business lunch, Alexander L. offered us an even tastier selection of music.
Long live @electric_shapes. Happy Birthday!

Verslo Pietūs 004: Aleksandr L.

Buy at: luridmusic.bandcamp.com

Alex from Lurid Music:

'Aggelos first approached Lurid Music with the idea for this project a few months ago. We agreed on one condition, that all proceeds be donated to refugee causes, like we did with his Black Sea EP which supported the Syrian refugee crisis. When Russia invaded Ukraine, we decided our focus had to be helping the Ukrainian refugees who were forced to leave their homes in search of safe havens abroad.

We discussed this with most contributors to the project and the consensus was that donations should strictly go to humanitarian groups and not any armament funds. There were also some thoughts about helping conflict-affected peoples in other parts of the world but we decided it was too much to tackle for a relatively small project like this one.

Therefore, donations stemming from the sales of this release will be distributed to the following humanitarian groups currently active in Ukraine or neighboring countries welcoming refugees:

- International Medical Corps: internationalmedicalcorps.org/emergency-…n-ukraine/
- Urgent Action Fund for Women’s Human Rights - Ukraine Urgent Response Fund: urgentactionfund.org
- Polish Humanitarian Action: www.pah.org.pl/en/donate/
- World Central Kitchen: wck.org/relief/activation-chefs-for-ukraine
credits
released April 1, 2022

Original tracks written and produced by Aggelos Baltas.

Remix duties handled by the following, thank you for bringing your "A game" to this project: A Hand, Adhémar, Aditya Permana, Anna vs June, Ayaz, Black Seed, Bunzinelli, BXP, Cantillate, Christian Coiffure, DimDJ, Facets, Frank Butters, GK Machine, Infuso Giallo, Itzel, Jacques Satre, Krokakai, Komodo, Koyil, Misha Sultan, Mr. TC, NVST, Pannotia, Petros Spatharos, Philipp Otterbach, Poperttelli, Sepehr, Skynet 75, A Strange Wedding, Sun Genam, Tadan, Tagliabue, Tassilo Vanhöfen, T.D.O.S., Théo Muller, Vidock, YNV, Zillas On Acid.

We were fortunate to receive pro bono contributions from four highly-esteemed mastering engineers: Taylor Dupree (www.12kmastering.com), Brian Kage (kagemastering.squarespace.com), Dietrich Schoenemann (completemastering.com) and Tim Vitek (timvitekmastering.com). We are thankful for their meticulous work, especially to Dietrich for enlisting his fellow engineers to help with the massive remix load, 44 tracks are definitely too much for one person to listen to in such a short span.

The artwork was provided by Bill Brown, a Maryland native who lives and works in Ukraine. When the war started, he made his way safely to Germany via Poland. This illustration is an homage to Maria Prymachenko’s “May That Nuclear War be Cursed!”, which also inspired the title of this release. You can follow him on Instagram at www.instagram.com/takomabill/.

T-shirt screen printing was kindly provided by Nolan, a grindcore bassist from Washington DC. You can follow him on Instagram at www.instagram.com/malokul202/'

Vol.2

Vortex (Mr. TC Remix)

https://soundcloud.com/transmigration_records
🛒 https://transmigration.bandcamp.com

Once off collaboration between Drum Club’s Charlie Hall and Subsurfing’s Obi that threads a fine line between balearic and drum n’ bass.

The perfect chill out record from a once off collaboration between Drum Club’s Charlie Hall and Subsurfing’s Obi. It threads a fine line between balearic and drum n’ bass creating something remarkably unique. Originally released as an extremely limited run on Japanese label Paratone.

Tracklist: 

a1. Labanba
a2. Housepod
b1. Dreamtech

PREMIERE: Obi and Chalrie Hall - Housepod [Transmigration]

I'd Rather Listen to the Bloody Beats

Strange Forces - This Universal Software Ocean (Fantastikoi Hxoi remix)

port 2 30 bpm take 1 62025

finding time 13 bpm august 9 take 1

port 2 60 bpm take 1 62025

linktr.ee/432hz_social

for promo:
44100hzsocialclub(at)gmail(dot)com

GAIT01: youtu.be/eVxzdAABSFs
GAIT02: https://youtu.be/ZAfPiXsPSzI
GAIT03: youtu.be/wvSqmxbTQ1o
GAIT04: youtu.be/mu6GkR7JZtY
GAIT05: https://youtu.be/WB3gu0eDnpI
GAIT06: https://youtu.be/LGJJQsAp0iU
GAIT07: https://youtu.be/W6JEzvoIBHQ
GAIT08: https://youtu.be/HTHWnfXLfCE

GENRES ARE FOR JOURNALISTS

01. The Empty Stage

44,100Hz Social Club

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