Heaven Tapes

Little Room (Radio Version)

The landscapes of Orlan 19 resembled the dream of a mad cartographer: cliffs were floating above the surface, horizons were bending and vanishing into infinity, and energy vortices were flaring up beneath their feet in psychedelic patterns. The familiar laws of physics didn’t apply here — gravity shifted chaotically, and time flew with unpredictable intensity. As Spacelunch, absorbed in thought, stroked the ground which distorted like a mirage under his touch, Cat’s grumbling echoed simultaneously from the past and future:

— Doc, don’t you think we’re just walking in circles?
— No wonder. That’s how inverse modelling works. Every action we take reshapes the surrounding space.
— Can you explain it in simpler terms? There’s only one genius here.
— Ever heard of the Philadelphia Experiment?
— Of course! You know how much I love sushi rolls!
— Well, I set myself up for this predicament… Back in my university days, we experimented with magnetic fields trying to program them by thought. You get where I’m going, don’t you? The planet is reacting to our intentions. So, focus on visualizing the portal.

The confusion on Cat’s face gave way to a mask of detachment. Clusters of matter began to tremble pulling the threads of reality to their breaking point before finally forming a vortex. Having devoured as much as it could, the vortex snapped shut with a loud pop and dissolved in a blinding flash.

As the scene began to take shape, silhouettes emerged under the soft glow of a desk lamp, evoking an overwhelming sense of nostalgia. A worn desk and a small bed stood by the wall adorned with faded photographs, while the floor let out a gentle creak underfoot. The clearer the interior came to be, the more paralyzing the realization, and the more elusive the explanation for what had happened became.

— Holy…! Cat, are we looking at the same thing?
— Yeah, but… This can’t be real.

Spacelunch slowly approached the window and froze still. A single thought raced through his mind: “The only force strong enough to pull me this far… was love.” 

Pre-order

Upwellings – Magnetic Steps w/ Fingers In The Noise Remix | SPCLNCH13

Eoneria

Recorded on a bright Saturday afternoon at Silence Please, the beautiful hi-fi speaker showroom and listening space in SoHo New York City. This set drifts through ambient dub techno and downtempo grooves. Icy textures, hazy tape hiss, and deep cuts from my own catalog blended with selections from labels MixCult and Spclnch (Space Lunch). As the room filled with people, foggy grooves and stillness in motion slowly gave way to more uptempo dub techno, carrying the energy of the afternoon forward.

4 Hour Listening Session - Silence Please, SoHo New York City - Ambient, Deep & Dub Techno

Guatemalan producer Jorge Galindo, in collaboration with Darío, releases his new single "4 Grados," a proposal that breaks with the usual stereotypes of both artists and offers a fresh vision.

With this piece, born on a balcony in Guatemala's iconic Zone 4, the artists consolidate yet another collaboration that reflects exploration, spontaneity, and an innovative twist on their previous productions. "4 Grados" is presented as a sonic journey that connects the urban with the experimental.

Master by Gabriel Granato
instagram.com/Frecuencia441

Art by Blas García 
instagram.com/blasyx_

Free Download

LTI 038 - Jorge Galindo & Dario - 4 Grados (Original Mix) [Logia Records]

Out now: https://orcd.co/qv002

Matt' Radio Slave' Edwards and Joel Martin's critically acclaimed Quiet Village project follow-up, 2024's 'Reunion' with the Vanessa Daou collaboration, 'Naked Hunger' on September 5th, '25.

'Naked Hunger', which comes in 'Vocal Mix' and 'Spoken Word Mix' versions, sees Quiet Village employ their hypnotic sensibilities to one of house music's most tantalising vocal talents in Daou, resulting in a mid-tempo house cut that completely envelops.

While the vocal mix of 'Naked Hunger' leans into the interplay between Vanessa Daou's cosseting song voice and spoken vocals, with the rest of the track embracing a subtly dubby ethereal musicality, Quiet Village ramp up the instrumentation on the 'Spoken Vocal' version with bass guitar and piano flourishes accompanying her sultry poetic delivery.

'Naked Hunger', Daou's first collaboration with Quiet Village, marks her first release since 2019's 'Little Black Dress'.

Throughout her illustrious career, the acclaimed three-time #1 Billboard Dance Chart topper has collaborated with Danny Tenaglia, David Morales, Mood II Swing, Ralphi Rosario, Terry Farley (Farley & Heller), Charles Webster, Horse Meat Disco's Severino Panzetta, Hifi Sean, and Eli Escobar.

Friends since meeting at Goldie's legendary MetalHeadz sessions at London's Blue Note in the '90s, Quiet Village, aka Matt Edwards and Joel Martin, began releasing their brand of dubbed-out, balearic-and-beyond tracks in 2005 via NYC's Whatever We Want Records. The duo's 2008 'Silent Movie' LP was a critical smash hit that resulted in remix commissions for the likes of Bryan Ferry, The Gorillas, Leftfield, Francois K, Massive Attack and many more.

After a few years in the wilderness, unable to use their nom de plume due to contractual restrictions, the pair launched The Quiet Village label in 2024 with 'Reunion', a stunning 6/8 time urban jazz odyssey, a favourite of the likes of Luke Una, Gilles Peterson and Ryan Elliott.

Buy/Stream

Quiet Village & Vanessa Daou - Naked Hunger (Vocal Mix)

Monopsia - Renegade

GHRS - AG System (Francesco Tamburrano Rmx) [Superordinate Dub Waves]

Onur Özman returns to Sum Over Histories with Panopticon, a powerful four-track statement on the illusion of freedom in modern life, accompanied by a breaks-driven remix from Odd Occasion.

Drawing on the architectural concept where inmates are seen without ever seeing their watcher, Özman explores how society has internalized surveillance, conformity, and consumerism—building a prison without walls.

Panopticon stands as both a mirror to our invisible confines and a map toward liberation—an evocative journey challenging the system from within.

Buy: https://link.mzmgmt.com/panopticon

PREMIERE: Onur Özman - 3AM (Odd Occasion Remix) [Sum Over Histories]

Somewhere in the mobile lab…

“As soon as the instructions have arrived, we will open the portal.”
“Uploading the memory… and done!”

Everything was going according to plan. Two figures in matte suits stood by the station where a smart bracelet was secured. Its flickering indicator showed that the synchronisation and data reading were in progress. The lines from the Protocol lit up on the holographic panel, along with Spacelunch’s face and the message: “Cloning completed successfully. Compatibility confirmed. Double awaiting command.” The professor’s copy looked more convincing than the original. The only thing left was to activate the teleport via a special procedure and send the double to Chinatown, for which the coordinates were preloaded.

For millennia, the best minds of the Aerospace Corporation had built their reputation on cutting-edge tech. But at what cost? The Cybernetics Department had long mastered the art of acquiring — by any means necessary — external breakthroughs and weaving them into their own algorithms. This wasn’t just about innovation anymore. It was a confrontation. And its final result would be a delicacy for any of the Minimal Antagonist’s protégés.

Traffic

Stream / download

Alexander Bogdanov – Traffic | SL84

With a mission to promote overlooked music from the former Yugoslavia, Belgrade's independent label Discom presents you a track "Behind The Soul" by group Consequential from their forthcoming LP compilation MicroComposed 1980-86. 
Consequential was a synth-pop group who was active in the period between 1980 and 1986 in Belgrade.  It was founded by Zoran Jevtic ( DATA, Sizike, Master Scratch Band, Digitron) and Nikolaj Bezek (the founder one of Yugoslavia's first purely electronic music-oriented studios, in Serdar Jola Street, Belgrade). Thanks to studio's essential and, for local conditions very rare, gear like Roland MC-4B analog sequencers, Roland System 100M modular synth, SVC-350 and VP-330 vocoders, Jevtic and Bezek were able to create music that they truly liked: a combination of catchy vocoder-based, experimental 80s electronic, with a strong influence of Italo disco and synthpop!  Their track " Behind The Soul" is a beautiful example of their concept: the catchy sounds of Roland SVC-350 combined with dusty analog experimental sounds of Roland System 100M, SH-101, TR-808,  RSF Kobol, Korg Polysix  and SC Pro-One.

pre- orders taken at: http://discom.bigcartel.com/product/consequential-microcomposed-1980-86-lp-dcm-007-coming-out-in-october-2018

https://soundcloud.com/discom-1

PREMIERE | Consequential - Behind The Soul [Discom] 2018

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for promo:
44100hzsocialclub(at)gmail(dot)com

GAIT01: youtu.be/eVxzdAABSFs
GAIT02: https://youtu.be/ZAfPiXsPSzI
GAIT03: youtu.be/wvSqmxbTQ1o
GAIT04: youtu.be/mu6GkR7JZtY
GAIT05: https://youtu.be/WB3gu0eDnpI
GAIT06: https://youtu.be/LGJJQsAp0iU
GAIT07: https://youtu.be/W6JEzvoIBHQ
GAIT08: https://youtu.be/HTHWnfXLfCE

GENRES ARE FOR JOURNALISTS

PREMIERE | Consequential - Behind The Soul [Discom] 2018

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