Like any artist making a significant amount of noise in the bass music selections of contemporary times, duo HavocNdeeD discovered a passion for electronic music in the drum & bass areas crammed back in the darkest corners of those massive raves of the 1990’s. A recent collaboration between marquis U.S. disc jockeys (OB-one and J. Paul) drew upon their extensive experience in the largest nightclubs of Los Angeles, Las Vegas, Chicago, and Miami. The years behind drums, synths, guitars, and crate after crate after crate of every genre of music from the last 50 years combined with those fond memories at the foot of giant bass bins to create a sound all their own. Their first single "Bass4YaFace" is a testament to that. Creating a buzz on Beatport and getting regular spins from DJs varying from Z-Trip and Jazzy Jeff to The Next Men and Drop The Lime.
HavocNdeeD has followed-up with numerous well received singles to date. The growing reputation of DJ-synth-drum-guitar-vocal combinations in their live shows secured slots at must-attend events over the last year. This includes the 420 Festival and World of Drum & Bass, and pulled them away from North America for performances in Australia and New Zealand. While the releases don the logo of their newly-forged 119 Sound label, dubstep giant Play Me Records saw their potential early on and was instrumental in their growing exposure. The most recent offerings are remixes for Geoffrey Paris and American Idol star Julissa Veloz. Though it was a video posted by Linkin Park that holds the key for tomorrow's projects.
Drawing upon their love of classic hip-hop, HavocNdeeD felt that NWA's "Dopeman" deserved a dubstep remix. This somehow gained the attention of Linkin Park frontman Mike Shinoda who posted a video of it on his blog doing a live remix session. When looking at possible remixers for the new Linkin Park album the duo came to mind. "Our new record is more beat-driven and electronic than our past efforts, so I thought it would be a good fit", explains Shinoda. "Their remix of "Wretches and Kings" came out incredible... the bridge section is massive!” The remix came full circle when Chuck D from Public Enemy cut an original verse for the track giving it a nice blend between classic and modern. Upon fulfilling expectations for the remix, HavocNdeeD continues to open doors to more opportunities. They have since completed a remix for She Wants Revenge and Cypress Hill & Rusko as well as an original collaboration with reggae legend Cutty Ranks. They look forward to exposing even the most mainstream of music fans to the elements they love about independent dance music... and make those people love it too.

For booking info, contact:

mary@lethaltalent.com

DJ/Producer from London.
Co-owner of Virus Recordings & head henchman of Piranha Pool Recordings.
One half of Killbox. Bookings : mark@esp-agency.com 
USA/Canada : saleem@amodeagency.com

An artist synonymous with Drum and Bass, Ed Rush has become a byword for cutting edge, forward thinking
beats. Moving through the sounds of hip hop and electro in his early musical years, Ed Rush soon became
interested in the emerging London jungle scene.
Showing his innate ability to manipulate chopped breakbeats and piles of sub-low bass, it wasn't long before Ed
Rush and Nico dropped the huge 'Bludclot Artattack'. The first classic to Ed Rush’s name, this proved to be a
platform for another collaboration with DJ Trace. Simultaneously developing his own style whilst pushing the
boundaries of a genre, classics such as ‘The Mutant' and 'Guncheck' put Ed Rush’s attitude injected productions
firmly on the map.
One of the pioneers of new sound dubbed Techstep, Ed Rush soon teamed up within another leading light,
Optical; to form what would become one of the most progressive production teams in the scene. In 1998, Ed
Rush & Optical released an album universally recognized as changing the landscape of Drum and Bass forever
with the legendary, ‘Wormhole’ on Virus Recordings. Still regarded as one of the main catalysts for the Neuro and
Techstep sound, ‘Wormhole’ paved the way for household names such as Noisia, Bad Company and many more.
Since then Ed Rush has released a plethora of genre-defining tracks and albums, both solo and with his partner in
crime, Optical. Still busy at work on a new Ed Rush & Optical LP due in late 2013, Ed Rush is not merely content
with helping shape the scene and remaining one of its most consistent producers. Beginning his own venture, he
now looks to the future with the birth of Piranha Pool. An outlet for showcasing new talent and veterans alike,
Piranha Pool represents what will be the future of Drum and Bass.

EMAIL
<a href="mailto:clicksnwhistles@gmail.com" rel="nofollow" target="_blank">clicksnwhistles@gmail.com</a>


TWITTER - @CLICKSXWHSITLES
JORGE - @HEYWHOREHEY
PETEY - @PETEYCLICKS

Some fucking goon hacked my Soundcloud, at first I was like, fine, it's your problem now, but then they started liking Post Malone and Limp Bizkit tracks so I had to take this bitch back.

▼ DJ/PRODUCER ▼ 
😳🥰 #pizzagang #slicegang 

bookings: camila@abtouring.com

Bookings: North America:  saleem @ amodeagency.com  | ROW mark@esp-agency.com

Demo's can be dropped through the Demo Drop on the Blackout page

BOOKING INFO

North America booking - 
Alex@abtouring.com
Brian@abtouring.com

Europe/UK booking -
juliencorre.paris@gmail.com

Figure has been a household name in bass music since its American adaptation , with a catalog that spans over 15 years , more than 14 albums , and hundreds of songs. He's best known for his signature, aggressive sounds mixed with horror themes. Figure continues to release new music with various labels, friends and peers in the bass community. A touring machine, Figure feels at home on the road .. he's been around the globe many times over and recently celebrated the 14th anniversary of his Monsters series of albums and a regular contributor for Universal's Halloween Horror Nights theme parks.

The legendary heavy breaks and beats label, rising from the ashes of what came before. Protest art, born to battle conformity and eradicate mediocrity.
The rebellion continues.....................

North American Bookings:
Ben@circletalentagency.com
Steve@circletalentagency.com
MIke@circletalentagency.com

Rest of World Bookings:
Hotpinkdelorean@gmail.com

BREAKING BEATS SINCE 1988. I refuse to compromise or follow trends when it comes to my sound. My music is purely for entertainment.
Booking: booking@allisrhythm.com 
http://www.guycalledgerald.com

In nine albums and over fifty releases that span a 30-year career, A Guy Called Gerald has built a genre busting body of work that stands out for consistent innovation, excellence and refusal to compromise.

4_D is following