Very nice vibes and original improvisation!

this improvisation tells hidden stories between the notes, each vibration uncovering secret depths, creating an intimate dialogue between the soul and the sound.

I like the mechanical sounds of the piano good close recording

Daily Drops

Krosan by Night

Krosan By Night

It's Stadium Rock time folks , hope you like this , me and Charlotte are working on two more songs at the moment , one of which is a belter !
Next up is Blaffy and I on the 22nd , a great Rap/Rock song , then on the 1st of July is me , Gaz Brownie and Nat Daniels with a super Country song , a sequel is in the making . Then on the 8th is a real Rocker by Andrea Brennan and myself , then on the 15th is a lovely ballad with Tony Harris , it's all go ! Thanks for sticking with 
me !

No Album

This Time

This Time ( Charlie and the Fox )

The track is full of errors, and I have no desire to correct them.

In the picture, taken by the Hubble Space Telescope's Advanced Camera for Surveys in 2003, the 'Sombrero Galaxy' - discovered in the late 18th century by a French (Pierre Méchain) and a German (William Herschel ) astronomer.

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Composed by Michele Ansani (2017).
Posted on SoundCloud: 2024, June 14.

Floating in the perfect future *

Soul Searchin'

Here the sister tracks: https://soundcloud.com/michele-ansani/this-is-them-last-version and https://soundcloud.com/michele-ansani/is-this-you. I must point out that there is no reference to the famous TV series of the same title. The inspiration again obviously came from the short Julio Cortazar story, 'Axolotl'. (here: https://ambystoma.uky.edu/teachers_materials/axolitbook/AxolotlByJulioCortazar.html ).
Cover pictur from Pietro Corrao.

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Composed by Michele Ansani (2022).
Posted on SoundCloud: 2024, June 16.

This is us *

Hbd-Rina4faceMusik

Texte Français et Google traduction
ELLE AVANCE DOUCEMENT

Marquées sur le visage
Des traces de souffrances
Un mal bien avant l'âge
Pourquoi ce manque de chance
Que dire d'un accident
Un mauvais coup du sort
La perte d'un enfant
Parti si vite et mort

Dans toutes ses blessures
Qui l'on marquées à vie
Nombreuses autres brûlures
Lui prennent le cœur aussi
L'absence d'amour
Qu'elle n'a pas accepté
Depuis ce triste jour
Quand lui, il a quitté

Mais elle avance doucement
Se méfie tout simplement
Elle a trop peur de retomber
Créant un nuage pour s'échapper
Car ce n'est qu'en altitude
Qu'elle se retrouve en plénitude

Elle se refait une vie
Toute simple et ordinaire
Dans ses pensées aussi
C'est une douce mère
Mais là-haut bat son cœur
Elle n'oubliera jamais
Mauvais jour de malheur 
Fait de mal et regrets

Elle reste à exister
Et toujours comme elle peut
Essayant d'avancer
En faisant de son mieux
Car ses autres petits
Qui eux n'ont rien à voir
Font aussi toute sa vie
Et mérite ses regards
 
Mais elle avance doucement
Se méfie tout simplement
Elle a trop peur de retomber
Créant un nuage pour s'échapper
Car ce n'est qu'en altitude
Qu'elle se retrouve en plénitude

Elle se fait vivre ainsi
Malgré toutes ses traces
Et attend qu'aujourd'hui
Que le malheur s'efface
Doucement dans sa tête
Pour reprendre un chemin
Et revivre peut être
Ne voyant que demain

Mais elle avance doucement
Se méfie tout simplement
Elle a trop peur de retomber
Créant un nuage pour s'échapper
Car ce n'est qu'en altitude
Qu'elle se retrouve en plénitude

SHE MOVES SLOWLY
Marked on the face
Traces of suffering
An illness well before its time
Why this lack of luck
What to say about an accident
A bad twist of fate
The loss of a child
Gone so quickly and dead

In all his wounds
Who marked them for life
Numerous other burns
Take his heart too
The absence of love
That she didn't accept
Since that sad day
When he left

But she moves slowly
Just be wary
She's too afraid of falling again
Creating a cloud to escape
Because it's only at altitude
May she find herself in fullness

She's making a new life
Very simple and ordinary
In his thoughts too
She's a sweet mother
But up there beats his heart
She will never forget
Bad day of misfortune
Hurts and regrets

She remains to exist
And always as she can
Trying to move forward
Doing your best
Because his other little ones
Who they have nothing to do with
Also do all his life
And deserves his looks

But she moves slowly
Just be wary
She's too afraid of falling again
Creating a cloud to escape
Because it's only at altitude
May she find herself in fullness

She makes herself live like this
Despite all its traces
And wait until today
May the misfortune fade away
Softly in his head
To get back on a path
And maybe live again
Seeing only tomorrow

But she moves slowly
Just be wary
She's too afraid of falling again
Creating a cloud to escape
Because it's only at altitude
May she find herself in fullness

ELLE AVANCE DOUCEMENT

"Lotus grow only in wetlands and thus symbolize the idea of ​​rising from ugliness and unrest." "The lotus is considered a symbol of purity and transcendence, as well as spiritual purification and liberation".

Lotus (For three guitars)

"Hunk of Junk" has been written in a digital 4-track collaboration in February 2024. I started with the guitar track, SPH recorded the organ, Cheslain lyrics and vocals and Mt. Mélodie added drum track and mixed everything. When I started this song, I had no idea how it would turn out, and I am very grateful for the additions and the final mixdown. 

Nadine de Macedo: guitars
SPH: organ
Cheslain: vocals, lyrics
Mt. Mélodie: programming, production

Cover design: Nadine de Macedo
Photography: Travelerchitect / Pexels

Where to find us:
https://nadinedemacedo.bandcamp.com
https://soundcloud.com/sphk
https://mtmelodie.bandcamp.com

==== LYRICS ====

Been driving forever 
On this endless highway 
Cities gone past 
Towns left behind 

Crossed over the horizon 
So many times, yeah 
Scenery flying by the window 

My hands are wet on the wheel 
My foot is cramping on the pedal 
My eyes are weary from staring 
At the cone of my headlights 

It's been scorching hot 
It's been freezing cold 
I've had the sun in my eyes 
And the moon shine on my hood 

Will I ever get home? 
Will this road ever end? 
Purgatory of tarmac 
I feel like I've done my time 

My hands are wet on the wheel 
My foot is cramping on the pedal 
My eyes are weary from staring 
At the cone of my headlights 

Hunk of junk don't you fail me now 
Hunk of junk don't you fail me now 
Hunk of junk don't you fail me now 
Hunk of junk don't you fail me now 

Miles gone, miles left to go 
Miles gone, miles left to go 
Miles gone, miles left to go 
Miles gone, miles left to go 

My hands are wet on the wheel 
My foot is cramping on the pedal 
My eyes are weary from staring 
At the cone of my headlights 

Hunk of junk don't fail me now

Hunk of Junk (Don't Fail Me Now)

Espíritos

The words behind this song of ABBA is very different to the title, which is very appropriate during this years Olympic Games.
So I was tempted to create this instrumental cover.
Hope you enjoy the experience.

The Winner Takes It All-tribute to ABBA

Cast of Characters:

J.J. Terrell-- @j-j-terrell—JJ-- organ, electric piano, drums, synth sax, synth bass, composition, and arrangement 
Llanpsych-- @llanpsych -- Tez – guitar
TexMex Shaman– @texmex-shaman –Stephen– guitar, production, mix, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–ehru 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – lap steel

This ripe piece of funk started with JJ essentially composing it on the e. Piano, organ, drums, synth sax, ands synth bass. He had the Eclectic Collective in mind when he did so, though. JJ actually is playing his drum kit on this one, so funkily that we decided to keep his drums in there. That didn't leave a whole lot of room for Ken to get in on it, but he managed to add a really cool ehru part. The ehru is a two stringed Asian violin with a distinct high percussive sound. JJ's bass line was so well played and solid, we decided to keep it in there, too, which also left Josh searching for a place in the mix. He decided to go last with the lap slide to anchor the foundation of the blues idiom. But he did that after Stephen and Tez cast their spells on the song with their magical guitars. Tez can be heard with the trippy, delay-heavy staccato lines, and Stephen with the silky smooth crying blues lines throughout. 
  Of course, every great song needs a great mixer and producer, and we're lucky enough to have Stephen to do the honors on this one for us.
  This song represents The Eclectic Collective at our funky finest, and we always enjoy and appreciate when JJ starts a song for us. We hope you enjoy listening to this as much as we enjoyed making it. 
  If you really dig it, and have read the whole way to the bottom, please consider sharing this, too. We all appreciate your ears and support.

Sly Willy Blues (Eclectic Collective)

Banishment 135 BPM

08/31/2024

Feelings In Me/ With David Wayne Hardy Guitar

Vital 134 BPM

Choices

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

New piano piece: Live Reflexion#035

Composer on minor keys. I play by ears since my youth days, I love all kinds of music 

All tracks are originals, composed, produced and performed by Rina (myself) except covers  at 4face Musik

If you are intetested to buy my tracks, just email me 
4facemusik@gmail.com

Respect to all Soundclouders, proud to be on this platform and I thank you so Very much..
Peace,
Rina

Hbd-Rina4faceMusik

4face Musik

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