DIOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOS LA FLAUTA

528Hz _ Big Tibetan Singing Bowl Music for Healing & Meditation_256k.mp3

Possible Worlds

Possible Worlds (Applefish Rework)

Embark on a journey through space-time where cosmic melodies and gentle rhythms carry you back home to a place you always felt. A place deep in the heart where time stands still, where you are music itself.

Unseen Worlds Without End

First Source

05 Christina Vantzou - The Way Out Is Back

bonjr // and for a brief moment, we were— — slowed version by weareflorence.

follow playlist for more
https://comfyambient.sbmt.to/

playlist

and for a brief moment, we were— by bonjr — but it's a + slowed version.

follow playlist for more
https://links.ambiqo.nl/stream-dd

stream on all platforms
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ambiqo records
https://bio.site/ambiqo.records

lønelyspirit x distant thunders. - drowsiness

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Rest, Contemplate, and Continue

Pre-order Opalescent on vinyl:
+ Just Music Store: http://smarturl.it/Opalescent2016
+ Amazon UK: http://smarturl.it/Opalescent2016AmznUK
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Opalescent, the debut album from Mercury Music Prize and Ivor Novello award nominated artist Jon Hopkins has been remastered and reissued for the first time on vinyl for its 15 year Anniversary in a special edition 2 LP gatefold with liner notes. (Pre-order from the Just Music Store now).

Back in 2001, (the year of Opalescent’s original release) the process of creating the album was a joyful one. At the age of 20 Jon had just signed to Just Music, so we bought him a PC and with a hotch-potch of software and some basic equipment, he set to work. His only assistance came from friend and regular collaborator, (another Just Music alumni) Leo Abrahams, who plays Opalescent’s sparkling, plangent guitars.

It was a record which, in numerous, enthusiastic reviews, was filed in the then burgeoning “chill-out” genre. But Jon had no interest in making relaxing or therapeutic music, which may help explain why Opalescent still sounds so distinctive, musically and emotionally complex. It was never meant to be enjoyed passively. It is in the contradictions between beauty and bass, gentleness and volume, ecstasy and elegy, that Opalescent derives its enduring otherness. Even 15 years on, it is never quite what you think it is.

For all Hopkins enjoyed making Opalescent, this was an uncertain period in his life. He was a shy and reclusive musician adrift in London and, like any artist, prey to doubts and apprehension. At its most radiant and awe-inspiring (“Lost In Thought”, “Halcyon”), Opalescent is tinged with something wistful, even mournful. The chilly and hollow, piano-led “Apparition” or the lost-in-deep-space ambience of stand-out track, “Cold Out There” (listen below), contain a kind of universal longing, an ache for love or transcendence, that you can hear in instrumental music as diverse as Tangerine Dream and jazz pianist Bill Evans’s solo pieces.

But while Opalescent was a series of tentative steps, it is also already recognisably the work of Jon Hopkins. In the hypnotic minimalism of “Private Universe” (a precursor to “Light Through The Veins” on Insides), or the dense gloaming of the title track, elements of the drum ‘n’ bass, classical and soundtrack influences that have come to define Jon’s work were clearly asserting themselves. In its passages of drone music, its use of repetition, its cinematic scale, its stark piano lines, the album is an audible antecedent of the very different Immunity – Jon’s acclaimed, recent breakthrough album.

Hopkins currently has an audience waiting in anticipation for his fifth album, a work that he is determined to take as far out-there as he can – and Opalescent is the perfect primer.

Listen to the remastered version of Cold Out There:

Jon Hopkins - Cold Out There (Opalescent Vinyl 2016)

This track is from the album Mist and is available for purchase on CD Baby here: http://www.cdbaby.com/cd/tbrennan3

Raingardens

The debut studio album from London based Robin Schlochtermeier is yet another example of introducing a new mighty voice that stands out among a populated modern classical, ambient, and minimal scenes, even as that voice is not exactly new to music. Although Spectral is the very first solo release from this Anglo-German composer, Schlochtermeier has scored numerous award-winning documentaries, television series, and films. And once you hear the beautiful soundscaping of his music, you’ll understand how this experience has played into this brand new work. But it does feel that Robin has retained something a lot more special to create the soundtrack for the film behind his eyelids, as the pieces on his upcoming album for Denovali unequivocally demonstrate. This is more than cinematic music, as the slow and growing tension throughout the progression of his music, melds with melancholy, doubt and beauty, which immediately stops the listener for a pause to hear more. There are many gorgeous arrangements on this 9-track release, which features an upright piano from the 50s and only a few extra layers of textural sounds to keep the palette very limited to explore the available space, but I have picked my favourite piece, titled “Foghorn”, for an exclusive premiere on Headphone Commute, as its particular atmospheric quality captures the feelings I get from his sound.

"My inspiration for the album is tied up in having become a father recently. As my daughter’s consciousness was forming, I would often catch an amazed look on her face or notice that she stopped and stared at some small detail in her environment. This would frequently evoke a profound sense of mystery in me, and I grew curious as to what was causing her to react in such ways. Seeing the world through my daughter’s eyes reminded me of the experiences the world can produce in our minds when we are open, receptive and boundary-less."
— Robin Schlochtermeier

I am excited about the upcoming release on July 31st and happy that Denovali continues to curate their ever-amazing catalogue with some of the essential voices of our generation in music. I recommend that you go for the limited edition of 150 clear 180g vinyl, especially since its price is the same as black wax 12″. And you’ll definitely want to turn up that bass! Oh, and make sure you check out Schlochtermeier’s numerous soundtracks, which you can find on your favourite streaming platform, or buy directly in digital from the label.

Rest, Contemplate, and Continue

4NGX

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