Would really love to know this song?  30.11? 

great art here, epic selection, original and humble at the same time. much love.

Ol mate shazam aint working, anyone know this? Cheers

While dropping their self-titled debut LP with us in August, Anya and Izaak from Loveshadow (@loveshadowdjs) were kind enough to also record a lovely mix and answer a few questions. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Izaak and Anya, nice to have you on board. Both living in Bay Area, how would you describe your daily surroundings? Is it a nice place to be as an artist?

LS: Right now we live in SF. We grew up one town away from each other near the airport, though we didn’t meet until much later. The landscape is inspiring for sure- we spend as much time as we can out in the parks and wild areas and draw a lot from that. The art and music scenes here run deep, though the cost of living and of course covid have made things tougher.
 
MFM: The songs on your debut album as Loveshadow -which will be out in August- sound incredibly fresh where they also remind to certain pop, boogie, funk and even house from the mid and late '80s. What were some of your main influences for this project? 

LS: Thanks! We have to mention the UK act Fashion after whose song we named the group, but our tastes range all over. You could say that Loveshadow is kind of a lap around the 80’s prehistory of today’s dance music, when things were still firmly rooted in pop songwriting but had a simultaneously psychedelic and funky sensibility- one that grew out of dub/disco/punk counterculture. Getting more serious about learning the records at the roots of the whole thing allowed us to see how we might contribute something new to it in a way that was more than a style exercise.

MFM: Of course also the use of specific instruments ad up to that flavor - it seems that for example the Linndrum plays an important role. Did you aim for that sound and gathered the instruments around it, or the other way around maybe?

LS: We had an overall idea in mind that definitely informed the instrumentation but we’re not purists. A lot of the sounds on the record are replications of or deviations from the iconic originals. Those famous drum sounds in particular are like symbols, they impart a particular meaning and we use them to set a mood.

MFM: What's the dynamic between the two of you like in the studio? Is there a certain steady structure or does this change all the time? Maybe you could tell a little about your writing and recording process?

LS: It changes all the time- we’ve lived and worked in so many places separately and together since we started recording. Either one of us might come up with an idea that we’ll design sounds around, demo, arrange, and then throw it all in the trash and start again. Most of the songs on the record have had a few lives.

MFM: It feels that the music from the LP could work really well live on a stage too. Are there any plans for you to go touring? 

LS: We’re going to play a gig in Detroit later this summer that will be sort of a test run! After that, we’ll see. The project started out as an interest in records and recording, but anything’s possible.

MFM: Thanks a lot for contributing! It seems you quite regularly record a mix. Have you both always been busy collecting and sharing records? 

LS: Our pleasure, thanks so much for asking us! We’re always looking for new music. Sharing mixes online has helped us organize our favorites but playing parties is the best. We were gigging around before covid and we’ll hopefully get back to it as things continue to open up. This mix is definitely on the hype side of things- new digs, old favorites, some edits, tunes pals graciously sent our way, and what we’ve been dancing around our apartment to while we were stuck inside.

MFM Mix 030: Loveshadow

Heeeere weee gooo. A little blast from the past. Starting off with slow and sexy swings and quickly upping the tempo to move ya hamstrings. Raphaël Top Secret played an all too sweet set at Post Bar in February 2019 (when most people woulda laughed at the idea of a pandemic hitting in a year, hah). And it’s all on tape. Hit it.

Post Recording 019 - Raphaël Top-Secret

The sequel to the mix which started it all, and Wax’o Paradiso Recordings’ first release on cassette. Presenting WPT001: Wax’o Balearico Vol. II.

Selected and mixed by Edd Fisher and Simon TK, recorded at Motom Studios, designed by Milly Davison.

Cassette available now via bandcamp.
https://waxoparadiso.bandcamp.com/album/waxo-balearico-vol-ii

Wax'o Balearico Vol.II

Wax'o Balearico Vol. II

Jamie Tiller & Lauren Hansom @ The Lot Radio 07 - 24 - 2022

Over the last few months we've been quietly archiving all of the amazing music that gets shared at Paradise every weekend and we're now ready to slowly share those magic moments with the rest of the world.

Our inaugural recording comes courtesy of a first time B2B session that occurred between Josh Cheon of @darkentriesrecords and @barparttime's co-founder @jeremy_castillo at the Bar Part Time x Open Ferment afterparty on September 9, 2022.

Enjoy this two hour glimpse into a high vibe / high consumption evening with two of San Franciscos most talented and warm hearted DJs and be sure to check back often for more additions to the archive!

📸: Karli Fahlman

Paradise Archives Vol. 1 with Josh Cheon B2B Jeremy Castillo

SWAYMIX 001 - Telephones

"A late 2022 recording trodding through a swamp of precarious pop, zooty b-sides and muddy dubs fortified with a peppering of dub siren." - @good-block

B.P.T. Radio 061: Good Block

Live recording of the first to last record played at Giant Steps on Sunday 12 February, 2023.

This sound system haunted our dreams, since they packed it up at Swan Wharf. Came with high hopes and open minds for our first Sunday at the Hackney Wick Baths. What started as a soulful afternoon selection escalated slowly into a rolling dance. A few asked since if it was recorded and - luckily - this time we got the sucker. 

If you were there, thanks for joining us and hope you enjoy the playback as much as we have. If you weren’t, hope you catch the glow of this wonderful setup. Blended with *ahem* human touch on 2 modified Technics and an ISO420 mixer, deeper into the night than we’d expected, under the shimmers of their famous mirrorball.

Customs Live at Giant Steps 2023

Live @ The Garden, Zadar [24/4/2014]

Very honored to have one of the greatest - CC:DISCO! with a very personal selection for your Tuesday blues. Here's what the tireless selector and DJ has to say about it:

"The following is a mix to enjoy while alone, weather its on the bus, plane, sitting in a park, at the beach or when you want to nap... ESP when you want to NAP!!! It takes from the 50s,60s'70s''80's eras, a time when lyrics told you stories and guitars made you feel warm and fuzzy. This isn't a mix of obscure tracks you've never heard to prove my 'diggin clout' but a mix to just sit back and enjoy, Loves songs that relax you and make you drift way and at some points you can even sing along.  It also features a few tracks my mum and dad would sit and play us on the farm (the Everly brothers) and a movie that our family was obsessed with it. (La bamba). These particular tracks take me to a time when I fell in love with the stories in songs and it was the start of my obsession for music you enjoy! NFTCM (not for the chins mix)" 

Peace!

CC:DISCO! (Have a Cry Mix)

Limited cassette version of the 1800 triiip series via @maybe-tonight - Zero ego or flex just smooth as butter blends moving through known, unknown & invisible jams from MT crates. 

Tape Design by Paul Conley

Physical copies available via our bandcamp

Buy - Limited Cassette

1800 triiip - Maybe Tonight - Hors Serie 2020

5918 minutes of music.
No promo. Only personality.
No limitations on genre, style or time. 
Just letting people introduce themselves.

Illustration: Otto Bonnen

CC:DISCO! (Have a Cry Mix)

5918mins.

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