absolute banger do you have an ID for me? 👀@maybe-tonight

Representing the Amsterdam connection, for this next summer mix we’ve invited Redleg On A Roll & Bongo Barns to join forces once again and make sure you get real smooooth through the warm days!
Enjoy 3 hours of killer chillerssss🏖🧊😮‍💨

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***We’ve rolled up a dutchie to enjoy this mix and def recommend you doing the same❌❌❌

ID Requests -> @redlegonaroll & @bongobarns

Redleg On A Roll & Bongo Barns

"Late summer mix of my favorite thing in the world, music! Lots of songs with guitars and singing in a couple different languages. Synthy stuff, downtempo, congas, music for romance or when the sun starts to go down and you’re driving across the border to Mexico. Pairs well with clear wine (mezcal)!!!" - @jeremy_castillo

B.P.T. Radio 053: Jeremy Castillo

Please meet London based DJ and producer, former Cafe Del Mar resident, and our long time close friend Phil Mison (@cantomamusic). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Phil, many know you as one of the DJ's who has played all the best sunset spots across the globe. How did your summer look this year, still been scoring sunsets here and there?

PM: My summer was great. I travelled to Amsterdam, Cork, Copenhagen and Barcelona and had some nice gigs in the UK. My friend Deke has opened a bar on the seafront in Margate, you get pretty epic sunsets down there. I played a few records one evening and managed to fit in a few old cafe classics as the sun disappeared into the sea. 

MFM: Please tell us a bit about how it all started for you?

PM: I grew up in the 70’s, so there were quite a few different influences. David Bowie ‘Life On Mars’ was an early memory, and I was obsessed with Blondie. Parallel lines was the first album I bought. Later it was Northern Soul, Electro, nothing really that mellow! In 87 I met a couple of people who were really into House. I started going to groove records in soho to buy records like Adonis - No Way Back, Ten City - Devotion. Then as 88 rolled around I got into the more Balearic side of things. Later in 89 I’d pop into Reckless Records for second hand stuff and started to browse the New Age section where I got things like Kitaro  ‘Tunhuang’ and Paul Greaver ‘Joy’. Those records were the starting point really. 

MFM: DJing in clubs to make people dance never really attracted you?

PM: I’d say pretty much most of my DJing has been in clubs. I started at the Milk Bar in Soho in 1992 after giving Darren Emerson a tape. Even though I was doing the warm up and playing mellow stuff at the beginning, you had to build it up to a full dance floor by the end. In 1996 and 2000 I was the tour DJ for Lefttfield, playing in front of 1000 odd people. ‘Just get it going before we come on!’ Alongside Ross Allen and Rob Da Bank, I was resident at Bar Rhumba for our Next Level night in 1997. It lasted a year and we opened with Harvey and closed with Andrew Weatherall. I Have to mention Moonboots and Jason Boardman’s night Aficionado too. I always enjoyed playing to a dancefloor there, they’ve kept the Balearic flag flying since 1998. 

MFM: At what point did you got into making music on your own? 

PM: I’d worked on a project for Kenneth Bager in 1994. Then later on he started his Music For Dreams Label, and asked me if I would be interested in making an album.  So the first Cantoma album was started in Copenhagen in 1999, and finished in London in 2003. 

MFM: How do you come up with a new song, is there a certain Phil Mison way to it? Do you write the parts for the musicians?

PM: It usually starts with an idea that pops into my head. Sometimes a memory or travelling will get a melody going, and I’ll sometimes hum it into my phone and use that as a starting point. Ive worked with Engineer/Producer Robin Twelftree on all the Cantoma albums. I’ll go into Robin’s studio and usually start with some basic keyboards, then I’ll play a bassline in. I’ll take the demos away and think about what would work on the tracks. For some musicians the music is written down. Ive worked with Robin Lee from Faze Action on a few Cantoma tunes, and he usually transcribes my basic melodies onto sheet music. Other times I’ll play the melodies on a keyboard or hum the tunes for the musicians to follow along to. On some tracks I’ll write the lyrics too and get a singer to record on a track. There’s a lot of going back and forth until I’m happy with the final cut. The music rarely ends up sounding like the first version.

MFM: Making a mix must have been a piece of cake for you :) What is this mix like?

PM: I went back through my 92-94 selection and picked a selection of the lesser played records. Memories of magic times at the Milk Bar and warm summer evenings at the Cafe del mar.

MFM Mix 044: Phil Mison

"Pulled together a bunch of my favourite records found over the recent summer. Lots of 90s love jams, rap instrumentals and went on a fun downtempo trippp towards the end. All of these tunes make me happy and remind me of all the fun with friends and fam over the last few months, especially at nice wine bars listening to great music...Big love to BPT for the invite, hope I get to visit you soon :)" @daniel_pisano

B.P.T. Radio 067: Daniel Pisano

Next up with magic mix number eighty four is @curiousaboutmusic

Based out of Pembrokeshire he has a penchant for amateur sounding music and has kindly provided us with his take on headphone magic.

Expect an hour of private pressed goodness to help lift those January blues. Enjoy :)

M a g i c a s t - 0 8 4 🎇 - Curious Music

Next up with magic mix number eight five is Harri Pepper & Declan Esau.

Here the Rinse FM rezzy and Rimbombo runner serve up a bugged out, chuggy 3 hour b2b session live from The Gun pub in London for you to enjoy :)

@declanesau
@original-hp
@thegunwellstreet

M a g i c a s t - 0 8 5 🎇 - Harri Pepper x Declan Esau @ The Gun

https://www.instagram.com/enterthelloyd
http://soundcloud.com/enterthelloyd

DREAM ON with Lloyd @ The Lot Radio 02-26-2025

We’re coming up on the Anniversary of the Apollo 11 Flight.
The "Apollo 11 controversy" refers to the conspiracy theory that the Apollo 11 Moon landing, and potentially other Apollo missions, were faked by NASA. Proponents of this theory believe the footage and other evidence were fabricated, and that the astronauts never actually landed on the Moon. However, historians and the scientific community overwhelmingly reject these claims, citing substantial evidence to support the authenticity of the lunar landings.
But One of the reasons we can’t go to the moon is the Van Allen Radiation belt.  One of NASA own scientists say that this radiation is deadly and we have yet to go through it.
Today, with 50 years of better technology, The farthest we can go in space is 250 Miles into space with the space station which is 1/1000th the distance to the moon.  So what they’re really claiming is,  50 years ago, when all of NASA combined had 1/1,000,000 the computing power of a cell phone, they sent astronauts 1000x farther back then than they can today, so the first time in world history technology is greater in the past than in the future.  Seemly how that’s actually impossible, that itself proves we didn’t go to the moon.
Bart Sibrel is an award winning filmmaker, writer, and investigative journalist, who has been producing television programs and films for over 40 years, has deep evidence to prove its fake.  His conclusions inspired this song.


Turn the Camera Off

Beat Meigo Filho Da P*ta

Recorded live @ Giant Steps (London)26/01/19

RTS @ GIANT STEPS (London)

Limited cassette version of the 1800 triiip series via @maybe-tonight - Zero ego or flex just smooth as butter blends moving through known, unknown & invisible jams from MT crates. 

Tape Design by Paul Conley

Physical copies available via our bandcamp

Buy - Limited Cassette

1800 triiip - Maybe Tonight - Hors Serie 2020

Record label || Mix Series || Parties

Worldwide Distro via Rush Hour
Currently not accepting demos or mixes
All inquiries ~> planettriprecords@gmail.com

1800 triiip - Maybe Tonight - Hors Serie 2020

Planet Trip Records

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