no Samples.. only Analog...soundengineering listen better

Am 12. Juli 2003 besuchte Henrik die Love Parade, eine ikonische Party, die für seine mitreißende elektronische Musik und seine bunte, fröhliche Atmosphäre bekannt war. Für Henrik war dies ein einschneidendes Erlebnis – ein Sprung ins kalte Wasser des elektronischen Genres, das bis zu diesem Zeitpunkt für ihn noch vollkommen unbekannt war. Die pulsierenden Beats, die ekstatische Menge und die grenzenlose Energie der Veranstaltung hinterließen einen tiefen Eindruck bei ihm, der sein Leben fortan grundlegend verändern sollte. 
Angespornt von der Begeisterung und der neuen Leidenschaft für elektronische Musik, beschloss Henrik, sich intensiver mit diesem Genre auseinanderzusetzen. Durch den Kontakt zu Freunden und Bekannten fand er 2004 den Mut, seinen ersten Auftritt zu wagen. Was zunächst in seinem Kinderzimmer als Hobby begonnen hatte – mit herumexperimentieren und dem Auflegen von Vinyl – entwickelte sich nach und nach zu einem leidenschaftlichen Pursuit, das er nun auch nach außen präsentieren wollte. 
Von 2008 an trat Henrik dann bei verschiedenen Veranstaltungen auf, darunter Veranstaltungsreihen wie Roter Stahl oder Kombinat 3010, die ihm die Möglichkeit boten, dort mitzuwirken und sein Talent weiterzuentwickeln und zu zeigen. In den darauf folgenden Jahren trat er in bekannten Clubs wie dem Tresor in Berlin und dem Waschhaus in Potsdam auf. Zudem gastierte er auch in Städten wie Leipzig, Magdeburg, Havelberg und vielen anderen Orten im Raum Brandenburg.Er teilte sich die Bühne mit namhaften Künstlern wie Fritz Kalkbrenner, DJ ROK, Talisman, Beroshima, Thomas P. Heckmann und Westbam. Diese Auftritte festigten auch seine Position in der örtlichen Musikszene.
Ein weiterer Meilenstein in Henriks musikalischer Karriere folgte 2014, als er sein erstes offizielles Release auf dem renommierten Label Delude Records (Cat.No.10071019 & 10085757) herausbrachte sowie auf Darknet (Cat.No. DARKNET077D). Seine musikalischen Einflüsse und Vorlieben spiegelten sich klar in seiner Arbeit wider; jegliche Melodie und jeder Beat wurden mit einer besonderen Herangehensweise und einem einzigartigen Stil angereichert. 
Heute ist er ein fester Bestandteil des Skarabaeus Projects und organisiert nebenbei kleinere Veranstaltungen der Reihe Nimmermehr im Raum Brandenburg.
Henrik hat eine Vorliebe für düsteren Techno, der ein melancholisches Gefühl vermittelt – eine Ästhetik, die er gerne in seine Sets integriert. Er experimentiert mit den tiefen, dröhnenden Klängen und lässt sich von der Atmosphäre der dunklen Beats berauschen, die seine eigene musikalische Identität so prägnant prägen. 
Sein Weg, von einem unerfahrenen Zuhörer zu einem aktiven Akteur in der elektronischen Musikszene, ist ein faszinierendes Beispiel für die Kraft der Leidenschaft und die transformative Energie von Musik, die in der Lage ist, Leben zu verändern und Träume wahr werden zu lassen.

KRENZLIN
Will and Persistence against Vitamin B Deficit
Masses over masses try themselves at being a DJ and in the production of techno. Being a newcomer in this overcrowded market doesn't seem appealing at first sight. Putting in a lot of effort to establish one's reputation is not everyone's cup of tea. To stand out of the masses one must buckle down or have the proper Vitamin B. When Vitamins are lacking, what especially counts are a strong will and persistence. Those are guarantors for the opportunity to exhibit one's talent eventually. The rise of Krenzlin followed this principle on one of the surest Newcomer-Floors in the world. After Sebastian Krenzlin started DJing in 2003, it took several years for him to eventually be discovered as a newcomer after his participation at the Tresor Award of Pacou in 2009. Since he played in the Tresor for the first time in September 2010, he is counted among the steady Ensemble of Berlin's legendary club.
With the series of events „New Faces“ and three allies he forms a platform for the performance of new faces. Every first Wednesday in the month he starts his own special event under this flag seeking for new talents who impersonate this spirit.
Even as a producer Krenzlin build up a reputation since 2011. If one reads the list of labels under which he has released since, it is hard to believe that such a fantastic discography can be formed in this short amount of time. With Synewave, BCR, Mastertraxx Records, Slap Jaxx or IF?Records the best pools for exceptional, underground profiles of techno-acts of the last years string together. In the spring of 2012 a co-production with 88uw and Synewave followed and came like a bombshell exactly like the one countless times before in the Tresor... 
Booking Contact:
djkrenzlin@gmx.de

Untersharp | Ellum | Diynamic | Systematic

CONTACT:
waltervelt@hotmail.com

For over 17 years, James has dedicated himself to dance music and the development of a sound that has gained prominence for being truly unique. With an experimental taste, the Santa Catarina native from Joinville mixes indie dance, electro and other influences with a heavy dose of techno, consolidating a powerful and very characteristic sound.
Since 2016 Waltervelt has been developing this aesthetic, and in 2019, he was discovered by Maceo Plex, who highlighted him as one of the big names representing his label, Ellum Audio. His talent continues to cross borders with other releases on renowned labels such as his EP "The Gang 89" which was a global success on Diynamic Music and "Dramatic 2050" on Systematic.
In addition to playing at important national clubs and festivals such as Tomorrowland, Warung, Caos, Ame, Surreal Park, the artist also tours South America, in countries such as Argentina and Colombia.

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Terrorcore, Hardcore, Industrial, hard Techno, Techno
Seit 1999 DJ nebenbei immer Experimente mit Hard,- und Softwaresamplern /-synths
2002 Abi
2003 Tonstudium absolviert
2004 - 2007 Veranstalter der PornoNation Partyreihe in meiner Heimat
2005 Ausbildung zum Veranstaltungstechniker
2006 Gründungsmitglied der KlangAktivisten e.V.
2008 bis heute: Freier Techniker
2009 bis heute: Veranstalter in Berlin/Brandenburg
2010 Gründung "H.A.S.System 23"
2011 FuPa Engagement
2012 ???
2013 Orga-Team Fuckparade / H.A.S.S.23 Truck
2014 Orga-Team Fuckparade / H.A.S.S.23 Truck
bis heute Party Supporter und Auflegen hier und dort

Von mir bespielte Locations: Ampersand BRB, Propeller BRB, Spartacus Potsdam, Airport Briest, IQ Studentenkeller BRB, Stube Kirchmöser, Baikonur/HdO BRB, Ferrum BRB, BaseClub Görzke, JC Golztown, HL Open-Air Hohenlobbese, Simon Store @ HC, JC-Krahne, Zelle-Berlin, RICS PLACE, Tacheles Berlin, EASTTEK 09, Transformer Club Berlin, M-BIA Berlin, Club Rekorder Berlin, Club Spielraum Berlin, Espace des Jeunes Binche (BE), Dirty 54 Berlin, Kili Berlin, Subland Berlin, Wurstfabrik Berlin Lichtenberg, Autobahnsee BRB, Panoptikum Kassel, Turbine BRB, Open Air Bunker Brielow, Kiesgrube Wollin, Musikbrauerei Rathenow, Recede Club Berlin, Void Club Berlin uvm...


eng---
since 1999 DJ by the way experiments with hard,- and softwaresampler/-synths
2002 a-levels
2003 study audio engineering
2004 - 2007 organizer of the "PornoNation" partyseries in my hometown
2005 education to event engineer
2006 founding "KlangAktivisten" e.V.
2008 - today: freelancer in event engineering
2009 - today: organizer of parties in Berlin/Brandenburg
2010 founding "H.A.S.System 23"
2011 engage for the FuPa
2012 ???
2013 Orga-Team Fuckparade / H.A.S.S.23 Truck
2014 Orga-Team Fuckparade / H.A.S.S.23 Truck
until today party supporter and dj'ing here and there

locations i played on: Ampersand BRB, Propeller BRB, Spartacus Potsdam, Airport Briest, IQ Studentenkeller BRB, Stube Kirchmöser, Baikonur/HdO BRB, Ferrum BRB, BaseClub Görzke, JC Golztown, HL Open-Air Hohenlobbese, Simon Store @ HC, JC-Krahne, Zelle-Berlin, RICS PLACE, Tacheles Berlin, EASTTEK 09, Transformer Club Berlin, M-BIA Berlin, Club Rekorder Berlin, Club Spielraum Berlin, Espace des Jeunes Binche (BE), Dirty 54 Berlin, Kili Berlin, Subland Berlin, Wurstfabrik Berlin Lichtenberg, Autobahnsee BRB, Panoptikum Kassel, Turbine BRB,
Open Air Bunker Brielow, Kiesgrube Wollin, Musikbrauerei Rathenow, Recede Club Berlin, Void Club Berlin and many more...

-- Releases:
2009 - BartHase, BrEnStErFetT, Kasse Rolle (Cell Core The Sampler CD / Soldierz of E Rec.)
2010 - Zollpaket (Rausch durch Musik II Sampler CD / Soldierz of E Rec.

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