夜話 곡수연

한숨.m4a  류현준

류현준-동화는 동화니까 동화인거야

류현준-태풍이 지나간 자리

시든 꽃에 물을 줘봤자 -류현준

The gates have opened. The cross has turned.
“Diabolic” marks the darkest, heaviest, and most blasphemous moment in The Black Cross’ history — a twelve-track descent into fire, rebellion, and divine ruin.

Across its molten landscape, Diabolic fuses the crushing weight of doom, the precision of groove metal, and the fury of thrash into one infernal mass of sound.
Michael leads as the voice of destruction and defiance — the fallen preacher who burns the scripture itself — while Lilith rises as the serpent queen, her haunting presence spreading through the ashes like temptation incarnate.

From the apocalyptic grandeur of “Inverted Faith” and the slow-burning menace of “Diabolic,” to the southern steel of “Turn the Cross Upside Down” and the tragic beauty of “Evil Spirits,” every song is a sermon of damnation.
“Demonic Possessions” sees Lilith take full control, a demonic force of nature channeling chaos and power, before the album culminates in the seven-minute requiem “Amen Infernum” — where the fallen king and serpent queen unite in eternal fire.

This is not an album — it’s an inverted gospel.
A book of desecration written in distortion and blood.
A war hymn for those who never prayed, and a crown for those who burned their faith.

Diabolic isn’t where The Black Cross ends —
it’s where hell finally begins.

Old Testament

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