There's only a handful of festivals for 65daysofstatic this year, but amongst them are a few headline slots and also countries where we will be making our live debut.

To celebrate this, here's a free selection of songs taken from our output over the past few years, specifically We Were Exploding Anyway, Heavy Sky, Escape From New York and Silent Running.

Please pass this e,p far and wide and if we be seeing you at any of the festivals this year, be sure to bring your dancing shoes...


<b>65daysofstatic - Black Summer</b>

1.Crash Tactics (from WWEA)
2. PX3 (from Heavy Sky)
3. Come to Me - featuring Robert Smith (from WWEA)
4. Burial Scene (from Silent Running)
5. Space Theme (from Silent Running)
6. Retreat! Retreat! live from Radio City Music Hall (from Escape From New York)
7. Tiger Girl (from WWEA)

Black Summer Festival Shows:

12th July - Cockpit, Leeds (Festival Warm-up show, TICKETS)
13th July - 2000 Trees, Cheltenham (SOLD OUT)
15th July - Ilosaarirock Festival, Joensuu, Finland (TICKETS)
21st July - Truck Festival, Oxford (TICKETS)
22nd July - Tramlines, Sheffield (Free Festival - INFO)

7th August - Terraneo Festival, Croatia (TICKETS)

Xth September - Magnolia Parade, Milan, Italy (TICKETS)

Crash Tactics (from We Were Exploding Anyway)

Infinite Wisdom Delicious Breakfast is the least professional musician mother fucker you'll ever lay your ears on but it's the thought that counts

For over 20 years, impulse nine was a private home studio project, but has expanded to include musicians from Tucson and around the world. After hundreds of demos and untold hours, impulse nine is being presented to the world as a mostly-instrumental amalgam of shoegaze, hard rock, and post-rock, with influences from ambient, 90s rock, and other places.

Not your run-of-the-mill working-class Eastern European non-binary DJ. The producer, vocalist, but also visual and digital artist strives for innovative sound design and visceral body response, despite (or maybe coupled with) raw emotion that permeates their musical output. They’re a proud member of the Ciężki Brokat crew (with whom they run the annual Warsaw Pride official afterparty), co-creator of Radio Kapitał, Polish ambassador for Keychange and SHAPE Platform 2021 resident.

Their own music has morphed several times throughout the last 15 years – from industrial or purely synthetic timbres, through polyphonic singing with Pleśni to a perplexing fusion of rhythmically and sonically jagged compositions, bass-heavy club tracks on their EPs, 'Gusła (Human Rites)' on Tańce, a limited vinyl release on London-based 51-53 Records, 'Doolska' and the latest, more experimental 'Lamenty' EP.

They presented their music during numerous festivals (Unsound, CTM, Schiev, Up To Date, Tauron Nowa Muzyka, Les Siestes Electroniques, Audioriver) and an assortment of clubs (including the legendary Berghain) in Poland and abroad (Berlin, London, Prague, Oslo, Copenhagen, Ljubljana). They remixed tracks by Kamp and Baasch, recorded mixes for Resident Advisor, DJ Mag, HӦR and CRACK, composed and created impromptu live music for interactive theatre plays: Method of National Constellations, quadraphonic sound for Jawić się, music for a Women’s Strike street theatre Manifesta and original score for Ideologix, a US-written and directed queer opera.

In the club their seventeen-year experience of supporting queer, anti-fascist and underground scenes results in an almost annoyingly disparate selection of the most forward-thinking sound offered by today’s scene. In their series of DJ-sets and club nights they blend unusual rhythmic patterns kicked up a notch with their improvised vocals.