Salut !✨ Sur ce profil, 🎧 je partage les titres que j'apprécie, une autre façon de promouvoir vos réalisations/compositions... 🎶Je vous souhaite une belle aventure musicale ! 🎹🤟 Peace
Hi ! ✨On this profile, 🎧 I share the tracks I like, another way to promote your realizations or compositions...🎶 I wish you a nice musical adventure ! 🎹🤟 Peace

The Official Regina Spektor Soundcloud Account

Pouria Rostami, known as ROSTAMACE, is a pioneer in Steel Mace Training and an exceptional music producer and composer. He skillfully merges the ancient art of mace training with his captivating musical creations.

Pouria's journey began at age 10 with martial arts, learning from seasoned practitioners and developing the innovative Rostamace Routine, which prioritizes functionality over sheer strength. His training is deeply influenced by his heritage as a descendant of the legendary warrior Rostam.

In music, Pouria's talent emerged early. By age nine, he had completed formal lessons and began rigorous training in composition and production. Under the moniker ROSTAMACE, his music transcends language, weaving tales of love, passion, and joy, inviting listeners into a world where melody is the universal language.

About Me
Hi, I’m Krissie 💜 I have high-functioning autism, which I proudly call a gift, though sometimes it drags me into beautifully bonkers territory. I played saxophone for over ten years (seriously, I could wail)... until I got ill and my arms went on strike. But music? It stuck around. So now I do what I can, I write, engineer, and produce my own songs, shaping them with whatever magic I’ve got left, plus a few emotional plot twists. I mostly post them here on SoundCloud because, let’s be real, this place is easier to manage than the rest of the digital circus.

Since joining, I’ve met some incredible, like-minded humans, some aliens too I'm pretty sure. If you want to be friends, yay! Come say hi, I don’t bite unless provoked 🐍 Just please don’t offer to promote me or “grow my following.” This isn’t a career move, it’s not business, this is soul work, glitter therapy, a creative outlet with mood swings. I’m here for the music, the honesty, the connections that don’t feel like marketing.

PSA: I’m a little insane. Hahaha. But in a “lost my sock under the bridge of my own song” kind of way. 🎶🧦💫

To the SoundCloud community, thank you 💜

All my life, I’ve had to hide who and what I am. I’ve never been what the world calls “normal.” As I say in 'I Don’t Write Songs "I Survive"', my brain just isn’t wired the way it should be. I’ve been called weird, not right in the head, bonkers, even crazy. So I learned to mask, to shrink, to pretend. But here… here, I get to breathe. To be.

And it’s not just the music. It’s the comments, the replies, the strange and sparkling conversations where I finally feel like I don’t have to filter myself. I can be full-volume, full-chaos, full-heart, and somehow, that’s not just accepted, it’s welcomed.

You beautiful humans (and possible aliens) have given me something I never thought I’d find, a place to be fully myself. To speak how I feel, to show what I see, and to turn it all into sound and words without shame. The way you’ve welcomed me, supported me, seen me, there are no words. (Yes, I know. Me. The Queen of Words. Speechless. Don’t get used to it.)

My heart is so full of love and gratitude, I’m honestly surprised it hasn’t burst into glitter. Thank you. All of you. From the very bottom of my shoelaces 🖤🎶🧦

PS: I think I may have reached my final form. Please advise the fridge accordingly. 🧃🌀👽

Après le silence, la Musique. Il suffit juste d'écouter... 
Elle nous fait voyager vers nos souvenirs, nous inspire et nous apaise, nous  fait vivre en harmonie avec notre  sensibilité. 


Je ne suis ni professionnelle ni musicienne. 
Je crée simplement avec plaisir, passion et imagination. 

J'utilise  les voix, instruments et banques de sons de diverses applications et logiciels (FL Studio, Music Maker Jam, BandLab, Magix Music Maker... ). 

Merci pour votre écoute et  tout ce que vous nous  partagez🎵🌺

https://youtube.com/@user-jo2zt2ch2s?si=DwyZ1tsLIGrS5-gF


After the silence, the Music. We  just have to listen...
It takes us on a journey back to our memories, inspires and soothes us, makes us live in harmony with our sensitivity. 

I am not  professionnal, not a musician.
I simply create with pleasure, imagination and passion. 
I use vocals, instruments, sounds and loops  from various apps and software (FL Studio, Music Maker Jam, Bandlab, Magix Music Maker...). 

Thank you for listening And everything you share with us. 


From France to you❣️




🌊 A bassist-guitarist living in Nantes, France.
An artist driven by a passion for percussive bass and powerful drums.

Heavily inspired by British rock influences and cinematic music, I create an fusion of rock, film, and video game music. 
Experience my infectious rhythms and let them transport you to fantastic worlds.

My debut album is now available worldwide. 
This first opus invites you to journey through my universe of diverse influences.
It will also allow you to discover many talented artists from all over the world (Los Angeles - California, West Yorkshire – United Kingdom, Paris - France, Central Coast - Australia).

Allow the waves to carry you along with me 🌊

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🌊 Bassiste-guitariste vivant à Nantes en France.
Un artiste animé par une passion pour les combos basses / batteries efficaces et équilibrés.

Fortement inspiré par le rock anglais et la musique de film, je crée une fusion de rock, de films et de musique de jeux vidéo.
Découvrez mes rythmes entêtants et laissez-vous transporter dans des mondes fantastiques.

Mon premier album est désormais disponible partout. Ce premier opus vous invite à voyager dans mon univers aux influences multiples.
Il vous permettra également de découvrir de nombreux artistes talentueux d’un peu partout (Los Angeles - Californie, West Yorkshire - Royaume Uni, Paris - France, Central Coast - Australie).

Laissez-vous porter par les flots avec nous. 🌊

 The story of UB40, and how this group of young friends from Birmingham transcended their working-class origins to become the world’s most successful reggae band is not the stuff of fairytales as might be imagined. The group’s led a charmed life in many respects it’s true, but it’s been a long haul since the days they’d meet up in the bars and clubs around Moseley, and some of them had to scrape by on less than £8 a week unemployment benefit. The choice was simple if you’d left school early. You could either work in one of the local factories, like Robin Campbell did, or scuffle along aimlessly whilst waiting for something else to happen.

By the summer of 1978, something else did happen, and the nucleus of UB40 began rehearsing in a local basement. Robin’s younger brother Ali, Earl Falconer, Brian Travers and James Brown all knew each other from Moseley School of Art, whilst Norman Hassan had been a friend of Ali’s since school. Initially, they thought of themselves as a "jazz-dub-reggae" band, but by the time Robin was persuaded to join and they’d recruited Michael Virtue and Astro – who’d learnt his craft with Birmingham sound-system Duke Alloy – the group had already aligned themselves to left-wing political ideals and forged their own identity, separate from the many punk and Two Tone outfits around at that time. The group had nailed their colours to the mast by naming themselves after an unemployment benefit form. Their political convictions hadn’t been gleaned second hand either, but cemented in place whilst attending marches protesting against the National Front, or rallies organised by Rock Against Racism.

By the time Chrissie Hynde invited them to tour with the Pretenders during the summer of 1980 and their debut single "King b/w Food For Thought" had sailed into the UK Top 5, all the essential elements of UB40 were already in place. Their line-up will remain unchanged for almost thirty years, and they will continue playing a mix of original material and inspired choice of reggae covers in a style that’s instantly accessible with its bright melodies and sweeping horn arrangements – one that’s allied to a formidable rhythm section, capable of holding its own with anything from Jamaica.

UB40’s first album was released the following September, on Graduate Records. Their deal allowed them more creative freedom than if they had signed with a major label. The cover artwork memorably duplicated an unemployment benefit card, with the title "Signing Off" rubber-stamped in red, but it was the music that quickly worked its way into the affections of a young, mainly student crowd with its knowing lyrics, solid reggae rhythms and dubby, instrumental passages, offset by warm horn solos and Jamaican style scatting. There was nothing else like it at the time. As a multi-cultural band from Birmingham, UB40 weren’t drawn into trying to sound "authentic," and there was considerably more depth to their music than that of many punk and 2Tone bands. "I’m a British subject, not proud of it, whilst I carry the burden of shame," they sang on one of the tracks. Accepting the truth of their own situation amidst a sea of other reggae songs proclaiming black heritage gave us a valuable insight into where UB40 were coming from. They were unafraid to stand up and be counted, and British audiences instinctively loved them for it. "Signing Off" duly went to No. 2 in the UK and stayed on the nation’s album charts for 72 weeks.

On September 2nd, 2013, UB40 released their latest album ‘Getting Over The Storm’ on Universal/Virgin Records.

Underground 20 years. . . www.youtube.com/@MouthKeevin

Music composer and digital artist

Welcome to my profile 🌸 Share if you like 🌸

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