001 - SIX DIMENSIONS


(interview & english version below)

Als erste Podcast-Ausgabe präsentieren wir euch das DJ-Duo SIX DIMENSIONS, das 2019 die Veranstaltungsreihe 6D. in Hamburg gegründet hat. Ihre Mission ist einfach: ein echtes Underground-Erlebnis zu bieten, das sowohl lokale als auch internationale Talente in einer inklusiven Umgebung präsentiert. Der Fokus liegt dabei darauf, hochwertige Musik zu liefern, ohne Ablenkungen durch Hype oder kommerzielle Agenden.
SIX DIMENSIONS Sound ist inspiriert aus zeitlosem Techno, der auf moderne Weise ausgedrückt wird und von unzähligen gemeinsamen Erfahrungen die in den letzten 15 Jahren auf verschiedensten Dancefloors gesammelt worden sind. Ihre Hingabe und ihre Skills haben ihnen eine Residency im bekannten PAL in Hamburg eingebracht. 


INTERVIEW 
Was ist eure liebste gemeinsame Dancefloor-Erfahrung?

Dimi: Pollerwiesen Minus Open Air 2013 in Leverkusen - Richie Hawtins Closing am Ende des Tages als die Sonne unter ging und diese alienartige Musik aus den Speakern kam. Der Vibe auf dem Dancefloor, unbezahlbar!
Enes: Auf einem Open Air in Hannover 2012, als Richie Hawtin gespielt hat und seine Effekte hat reinspielen lassen, er war so gut! Dimi und ich konnten nicht glauben, was er da macht.

Welche Musik abseits von Techno inspiriert euch?

Enes: Ambient, Micro House, OG Trance von früher, aber auch Oldschool Rap aus den 90ern
Dimi: Hip Hop (90er), Jazz, Blues
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As the first podcast edition we present you the DJ duo SIX DIMENSIONS who founded the event series 6D. in Hamburg, Germany in 2019. They focus on delivering quality music without the distractions of hype or commercial agendas ever since. Their mission is simple: to provide a genuine underground experience, featuring both local and international talent within an inclusive environment. SIX DIMENSIONS are crafting their sound from timeless techno expressed in a modern way inspired by countless shared experiences  for over 15 years on various dance floors. Their dedication and skills made them earn a residency at the well known PAL in Hamburg.

INTERVIEW
What is your favorite shared dancefloor experience?

Dimi: Pollerwiesen Minus Open Air 2013 in Leverkusen - Richie Hawtin's closing at the end of the day when the sun went down and this alien-like music came out of the speakers. The vibe on the dancefloor, priceless!
Enes: At an Open Air in Hanover in 2012 when Richie Hawtin played and had his effects played in, he was so good! Dimi and I couldn't believe what he was doing.

What music apart from techno inspires you?

Enes: Ambient, micro house, OG trance from the past, but also old school rap from the 90s
Dimi: Hip hop (90s), jazz, blues

Artwork: Janu Krohm

6D. Podcast 001 - SIX DIMENSIONS

002 – USAW live

(interview & english version below)

Als zweite Ausgabe unseres Podcast präsentieren wir euch den live act USAW aus Berlin. Das Duo will ein unverwechselbares Erlebnis schaffen, ohne dabei das Hauptaugenmerk von Techno zu vernachlässigen: die Leute zum Tanzen zu bringen. Ihre Releases erschienen bei OECUS sowie bei Suara und ARTS. Das Liveset wurde am 31.05.2024 im OHM Berlin bei der ‚Kind Intimate Sound Session‘ (KISS) aufgenommen.


INTERVIEW
Wie habt ihr euch kennengelernt und beschlossen, gemeinsam Musik zu machen?

Wir sind in unserer Heimatstadt in Italien in denselben Club zum Tanzen gegangen. Von da an wurden wir Brüder, das ist mehr als 10 Jahre her. Als Lawrence 2021 für die Sommerpause nach Italien zurückkehrte, trafen wir uns wieder und gingen in Giuse's Studio, um zu jammen und einen Nachmittag zusammen zu verbringen. 
Am Ende des Tages waren wir beide der Meinung: „Ja, das funktioniert, es muss passieren, und zwar jetzt“.

Wie plant ihr eure Live-Sets? Gibt es einen festen Ablauf oder improvisiert ihr viel?

Ein bisschen von beidem. Wir sind uns bewusst, dass unsere Tracks eine gewisse Wirkung auf den Dancefloor haben. Also nehmen wir sie auseinander (Bass, Kick, Melodien, MIDIs, etc.), vereinfachen sie und stellen sie live nach. Daraus schöpfen wir die meisten Teile unserer Sets. Zusätzlich gehen wir auch einfach mit dem Flow und improvisieren mit unseren Hardware-Synths.

Gibt es besondere Momente oder gemeinsame Erlebnisse, die eure Zusammenarbeit geprägt haben?

Auf jeden Fall das erste Mal, als wir zusammen live gespielt haben. Nachdem wir fertig waren und auf den Stopp-Knopf gedrückt haben, hatten wir beide einen Moment der Erkenntnis, in dem wir dachten „Moment mal, das ist wirklich passiert!“. Vor allem, weil die Idee, ein Live-Set zu machen, in einer Zeitspanne von etwa 2 Wochen überlegt und umgesetzt wurde. Wir wussten einfach, dass dies die Richtung war, die wir einschlagen mussten, also haben wir uns voll und ganz in die Vorbereitung des Sets gestürzt und uns selbst gepushed, es zu verwirklichen.

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As the second edition of our podcast, we present you the live act USAW from Berlin. The duo aims to create a distinctive experience without neglecting techno's main focus: to make people dance. Their releases were published on OECUS, followed by Suara and ARTS. The live set was recorded on 31 May 2024 at the OHM Berlin at the ‘Kind Intimate Sound Session’ (KISS).


INTERVIEW
How did you get to know each other and decide to make music together?

We used to go dancing at the same club in our hometown in Italy. From there on we became brothers, that’s more than 10 years ago. In 2021 when Lawrence went back to Italy for the summer break we met again and we went to Giuse’s studio just to jam and to spend an afternoon together. 
At the end of the day we both were like “yeah this works, it needs to happen and it needs to happen now”.

How do you plan your live sets? Is there a set schedule or do you improvise a lot?

A little bit of both. We are aware that our productions have a certain impact on the dancefloor. So we strip them down (Bass, Kick, Melodie, MIDIs, etc.) and recreate them live. Then we have most parts of our sets in which we just go with the flow and we improvise with the hardware synths that we have.

Are there any special moments or shared experiences that have characterised your collaboration?

Definitely the first time we played live together. After we were done and we hit the stop button we both had a moment of realization where we both were like “wait a second, this really, really happened!”, especially because the idea of doing a live set was conceived and realized in a time span of roughly 2 weeks. We just knew it was the direction we had to take so we fully immersed in the preparation of the set and pushed ourselves to make it happen.

Artwork: Janu Krohm

6D. Podcast 002 - USAW live

003 –  ANAZ

(english version & interview below)
Als dritte Ausgabe unseres Podcasts präsentieren wir euch Anaz. Er ist ein queerer DJ und Techno-Produzent aus Hamburg, der für seine Fähigkeit bekannt ist, die Tanzfläche zu fesseln. Ursprünglich aus Süddeutschland stammend, machte Anaz Hamburg 2015 zu seiner Heimat. Seine Musik verkörpert einen Stil, der auf der einen Seite von tiefen und trippigen Klängen und auf der anderen Seite von kraftvollen, hämmernden Beats geprägt ist. Anaz' Sets sind ein Zeugnis seines Engagements für die Underground-Szene und seiner queeren Identität, wodurch eine inklusive und elektrisierende Atmosphäre entsteht.


INTERVIEW

Wie erlebst du die Hamburger Techno Szene als queerer DJ?

Für mich ist die Techno Szene schon immer ein sicherer Raum gewesen. Ich finde wichtig dies wertzuschätzen und offen dafür zu sein, dass Menschen diese Räume kennenlernen. Ich finde es auch wichtig, dass dafür gesorgt wird, dass sich alle gut fühlen können. Gleichzeitig habe ich das Gefühl, dass wir in Hamburg einen guten Blick dafür haben Räume zu schaffen, die den Feiernden gerecht werden, selbst wenn uns die Stadt vor die ein oder andere Herausforderung stellt.


Gibt es einen Gig der dir besonders in Erinnerung geblieben ist?

Die Kinky Sundays an Weihnachten 2022 war für mich ein sehr besonderer Gig. Ich spielte das Closing bis in die Mittagsstunden. Die Energie im PAL an diesem Tag war krass. 

Gibt es Abseits der Musik andere Kunstformen die dich inspirieren?

Selbstredend. Ich habe ein Faible für die bildenden Künste. Am meisten inspiriert mich der Kubismus. Ich versuche mich auch selbst an eigenen Projekten und kann mich in meinen Bildern nochmal anders als in der Musik kreativ ausleben.

___________________________________________________________

Anaz is a queer DJ and techno producer from Hamburg, known for his ability to captivate the dance floor. Originally from southern Germany, Anaz made Hamburg his home in 2015. His music embodies a style characterized by deep and trippy sounds on one side and powerful, pounding beats on the other. Anaz's sets are a testament to his commitment to the underground scene and his queer identity, creating an inclusive and electrifying atmosphere.

INTERVIEW

How do you experience the techno scene in Hamburg as a queer DJ?

For me, the techno scene has always been a safe space. I think it's important to appreciate this and be open to letting people discover these spaces. It's also crucial to ensure that everyone feels good there. At the same time, I feel that in Hamburg, we have a good sense of creating spaces that cater to the needs of partygoers, even when the city presents us with challenges.

Is there a gig that stands out in your memory?

Kinky Sundays at Christmas 2022 was a very special gig for me. I played the closing set until the late hours of the morning. The energy at PAL that day was incredible.

Are there other art forms besides music that inspire you?

Absolutely. I have a penchant for the visual arts. Cubism inspires me the most. I also try my hand at my own projects and can express my creativity differently in my paintings compared to my music.

6D. Podcast 003 - ANAZ

004 –  ATOMLUI

(interview & English version below)
Als vierte Ausgabe unseres Podcasts präsentieren wir euch Atomlui, sie ist Resident im Bunker Kiel und Teil des Kollektivs „Humble Encounters“. Dancefloor orientiert bedient Atomlui sich einer diversen Bandbreite an Genres, vor allem aber der House-Musik. Lebendige Rythmen und raumfüllende Tunes bilden die Essenz dessen. In unsere Podcastreihe zeigt sie jedoch einen technoideren Teil ihrer Collection.

INTERVIEW
Du bist Resident im Bunker Kiel, was macht das Auflegen dort für dich besonders?

Im Bunker Kiel ist die No-Photo-Policy etabliert, das finde ich für die Kieler Clubkultur besonders. Nach einer Clubnacht gibts es keine Videos und Fotos. Für mich als auflegende Person eröffnet es den Raum im Moment zu sein und sich der Musik offen zu widmen. Das Hinterzimmer, wo ich als Resident regelmäßig auflege, ist durch seine kleine Größe ein intimer Floor, auf dem sich kollektiv Menschen zum tanzen zusammenfinden. 

Wenn du mit einem Artist deiner Wahl b2b spielen könntest, wer wäre das und warum?

Zum einen wäre das Shanti Celeste, weil sie stark im Digging Game ist. Ihre b2b Trackselektion sind immer passend, außerdem bin ich interessiert an ihrer Platten Sammlung. Dann wäre da Skee Mask. Ich bewundere ihn als Produzent elektronischer gebrochener Klänge und liebe seine Alben. Als DJ beweist er seit Jahren eine super vielfältige Auswahl an Tracks und ein sehr individuelles Mixing.

Wie siehst du die aktuelle Techno/House-Szene und ihre Entwicklung in Kiel?

Bestimmte Subgenres von Techno und House treten verstärkter auf als andere, das kann manchmal einseitig wirken. Auf der anderen Seite gibt es tolle Veranstaltungsreihen und Kollektive in Kiel, denen es ein Anliegen ist Vielfalt innerhalb der elektronischen Musiklandschaft zu präsentieren. Unser Kollektiv Humble Encounters zum Beispiel bringt regelmäßig Podcasts raus, die auch Techhouse aus den 90ern, Ambient oder Breakbeat aufzeigen.
____________________________________________________________________

For the fourth edition of our podcast, we present Atomlui. She is a resident at Bunker Kiel and part of the collective "Humble Encounters." Dancefloor-oriented, Atomlui draws on a diverse range of genres, but primarily house music. Lively rhythms and space-filling tunes form the essence of her style. However, in our podcast series, she showcases a more techno-oriented part of her collection.

INTERVIEW
You are a resident at Bunker Kiel. What makes DJing there special for you?

At Bunker Kiel, the no-photo policy is established, which I find particularly important for the club culture in Kiel. After a night out at the club, there are no videos or photos. For me as a DJ, this creates a space to be in the moment and fully dedicate myself to the music. The backroom, where I regularly play as a resident, is an intimate floor due to its small size, where people come together collectively to dance.

If you could play a back-to-back set with an artist of your choice, who would it be and why?

One would be Shanti Celeste because she is very strong in the digging game. Her b2b track selections are always fitting, and I’m also interested in her record collection. Then there's Skee Mask. I admire him as a producer of electronic broken beats and love his albums. As a DJ, he has proven for years to have a super diverse selection of tracks and a very individual mixing style.

How do you see the current techno/house scene and its development in Kiel?

Certain subgenres of techno and house are emerging more strongly than others, which can sometimes seem one-sided. On the other hand, there are great event series and collectives in Kiel that are committed to presenting diversity within the electronic music landscape. Our collective Humble Encounters, for example, regularly releases podcasts that showcase tech house from the 90s, ambient, or breakbeat.

Artwork by Janu Krohm

6D. Podcast 004 - Atomlui

005 - JAN GOERTZ

(interview & english version below)
Als fünfte Ausgabe unseres Podcasts präsentieren wir euch Jan Goertz. Jan hat sich in über zehn Jahren einen eigenen detailreichen Sound erarbeitet, der durch eine umfangreiche Collection an Tracks und Tools geprägt ist. Besonders bekannt ist er für sein 4-Deck-Mixing, mit dem er immer wieder die Grenzen des Technischen auslotet. Diese Herangehensweise hat ihn zu einem festen Bestandteil der Techno-Szene gemacht – als DJ, Produzent und als Veranstalter seiner eigenen Partyreihe. 

INTERVIEW
Du hast eine eigene Veranstaltungsreihe namens „Hyperfokus“, wodurch zeichnet sie sich aus?

Die Idee ist ein bisschen mit den gängigen Konventionen zu brechen, wenn es um das Cluberleben geht. Ich möchte gerne, dass Menschen für einen bestimmten Sound und den intimen Vibe, nicht für Headliner, zu uns kommen. Für das Booking liegt der Fokus vor allem auf Inhalt und Authentizität der Künstler*innen. Ein großer Dank an dieser Stelle an Sofi, die mich dabei unterstützt.

Welche Künstler oder Alben haben dich am meisten beeinflusst?

Das ist natürlich immer sehr abhängig von der jeweiligen Lebensphase und über all die Jahre ich hätte ich wohl immer wieder andere Antworten gegeben. Momentan inspirieren mich sehr: Polygonia, Quelza, DVS1, Malin Genie, Casual Treatment. Ein besonderes Album und ein Artist, von dem ich productionwise allgemein viel halte: Stefan Goldmann – Alluvium.

Gibt es ein Projekt oder eine Vision, die du eines Tages unbedingt verwirklichen möchtest?

Das gibt es und das verwirkliche ich auch gerade - seit einiger Zeit arbeite ich schon an einem ganz besonderen Projekt. Mehr kann und will ich zu diesem Zeitpunkt noch nicht verraten.
Und natürlich ist da noch der Traum von einer eigenen Location, das wird irgendwann ganz sicher auch passieren. Ob Club oder Off Location - das wird die Zukunft zeigen.


____________________________________________________________________________________
(english)

For the fifth edition of our podcast we present you Jan Goertz. Jan has spent over ten years developing his own detailed sound, which is characterised by a vast collection of tracks and tools. He is particularly known for his 4-deck mixing, with which he constantly pushes the boundaries of technology. This approach has made him an integral part of the techno scene - as a DJ, as a producer and as the organiser of his own event series.

INTERVIEW
You have your own event series called "Hyperfokus", what makes it special?

The idea is to break with the usual conventions a little when it comes to the club experience. I would like people to come to us for a certain sound and the intimate vibe, not for headliners. The focus of the booking is primarily on the content and authenticity of the artists. A big thank you at this point to Sofi, who supports me in this.

Which artists or albums have influenced you the most?

That of course always depends on the phase of life and over the years I would probably have given different answers. At the moment I am very inspired by: Polygonia, Quelza, DVS1, Malin Genie, Casual Treatment. A special album and an artist who I generally think highly of in terms of production: Stefan Goldmann – Alluvium.

Is there a project or a vision that you definitely want to realise one day?

There is one and I am currently making it happen - I have been working on a very special project for some time. I cannot and do not want to reveal any more at this point.
And of course there is the dream of having my own location, that will definitely happen at some point. Whether it is a club or off location - only time will tell.

Jan Goertz
https://soundcloud.com/jangoertz
https://www.instagram.com/jan.goertz

Artwork by Janu Krohm

6D. Podcast 005 - Jan Goertz

006 - ESSHAR

(interview & english version below)
In unserer sechsten Ausgabe unseres Podcats präsentieren wir euch Esshar. Esshars Sets erinnern an eine kosmische Reise, geprägt von dunklen Synthesizern, verspulten Atmosphären, ekstatischer Momente, gebrochenen Beats und treibenden Rhythmen - subtil und zugleich energetisch. Mit diesem Set eröffnete Esshar am 17.08.24 vor Joel Mull den Südpol.

INTERVIEW
Wie bist du zur elektronischen Musik und insbesondere zum Techno gekommen? 

Den ersten technoiden Impact bekam ich 1997 als 8 jähriges Kind mit dem Track 20Hz von Capricorn. Beim Herumfahren mit meiner Oma im Auto holte sie die Single CD raus, ein Spontankauf, ab dem Moment war der Grundstein gelegt. Im gleichen Jahr kaufte ich mir mein erstes Album, Scooter - Age of Love, ab da wusste ich, dass elektronische Musik für mich funktioniert und began sie zu genießen und zu erforschen. 20hz beeinflusst mich noch heute und umfasst alle Ecken und Kanten meines heutigen Stils. Sphärische Synthesizer, non-konforme Rhythmen, Verspultheit und ein Hauch vom sich Treiben lassen.

 Du gibst FLINTA*-DJ Workshops in Hamburg. Was für Erfahrungen hast du dort gesammelt und wie versuchst du dein Wissen weiterzugeben? 

Da ich einen technischen Background durch meine Ausbildung in der Veranstaltungstechnik habe, liegt mein Fokus in den DJ-Workshops auf die Vermittlung der Grundlagen in der Tontechnik und deren Hardware. Das Interesse an den Workshops ist unglaublich hoch. Es freut mich riesig zu sehen wie groß die Begeisterung der Teilnehmenden nach den Workshops ist und welche Talente dort bisher geweckt wurden. Für mehr FLINTA* an den Decks!

Du bist Resident-DJ im Südpol, was macht das Auflegen im dort für dich besonders?

Der Südpol ist ein Ort des Ausprobieren und Wachsen für mich. Ohne den Support und das Vertrauen in meinen musikalischen Output hätte ich wohl kaum meinen heutigen Stil finden und ausarbeiten können. Die Möglichkeit im Nebel zu pulsierendem gedimmten Licht das Publikum mit auf eine Reise zu nehmen macht für mich den Ort mehr als besonders.

______
(english)
In our sixth edition of our podcast, we present Esshar. Esshar's sets are reminiscent of a cosmic journey, characterized by dark synthesizers, twisted atmospheres, ecstatic moments, broken beats and driving rhythms - subtle and energetic at the same time. With this set, Esshar opened for Joel Mull at Südpol on August 17, 2024.

INTERVIEW
How did you get into electronic music and especially techno?

I got my first technoid impact in 1997 as an 8-year-old child with the track 20Hz by Capricorn. While driving around in the car with my grandma, she pulled out the single CD, an impulse buy, and from that moment on the foundation was laid. In the same year I bought my first album, Scooter - Age of Love, from then on I knew that electronic music worked for me and started to enjoy and explore it. 20hz still influences me today and encompasses all the nooks and crannies of my current style. Spherical synthesizers, non-conformist rhythms, a sense of being unhinged and drifting.

You give FLINTA DJ workshops in Hamburg. What experiences have you had there, and how do you pass on your knowledge?

Since I have a technical background through my training in event technology, my focus in the DJ workshops is on teaching the basics of sound engineering and hardware. The interest in the workshops is incredibly high. It makes me really happy to see the enthusiasm of the participants after the workshops and to witness the talents that have been awakened. Here's to more FLINTA* on the decks!

You are resident DJ at Südpol. What makes playing there special for you?

Südpol is a place for me to experiment and grow. Without the support and trust in my musical output, I probably wouldn’t have been able to find and refine my current style. The chance to take the audience on a journey, in the fog and under pulsing, dimmed lights, makes this place truly special for me.

Artwork by Janu Krohm

6D. Podcast 006 - Esshar

007 - RILL

(interview & english version below)
In der 7. Podcast-Ausgabe stellen wir euch Rill vor: DJ, Produzent aus Berlin und Co-Head des Labels Syntop. Mit verschiedensten Releases, darunter ein aktueller Track für Rødhåds Fabric-Compilation, stellt er seine Produktionsfähigkeiten immer wieder unter Beweis. Sein Sound: zeitlose Techno-Soundscapes mit kreativem Sounddesign, inspiriert vom Techno der frühen 2010er. Rills atmosphärische, perkussive und groovige Track-Auswahl sowie der präzise Einsatz von Synths und Effekten schaffen ein hypnotisches, immersives Erlebnis.
Der Mix wurde am 27.09.24 bei der Neer in Berlin aufgenommen.

INTERVIEW
Du bist Co-Founder und Resident des Kollektivs Syntop, wodurch zeichnet es sich aus?

Wir sind ein Kollektiv aus Freunden, welches sich vor 7 Jahren gegründet hat. Angefangen mit Open Airs in Potsdam, haben wir über die Jahre in verschiedensten Berliner Clubs Partys veranstaltet, Charity Kampagnen organisiert und kuratieren nebenbei eine Podcast Reihe, bei der wir versuchen verschiedenste Genres elektronischer Musik zu bedienen. 
Aktuell bin ich für das Booking und unsere Podcast Reihe verantwortlich, was mir sehr viel Spaß bereitet, da ich dadurch Künstler*innen, die ich mag persönlich kennenlernen und supporten kann.

Deine Tracks werden von vielen und großen Artists gespielt. Was denkst du, schätzen die sie besonders an deiner Musik?

Oft kriege ich das Feedback, dass meine Tracks sehr minimalistisch sind aber dennoch total divers und interessant durch verschiedenste FX Elemente, Noises und atmosphärische Sounds. Ich kann mir vorstellen, dass meine Tracks für die Artists oftmals eine kleine Abwechslung bzw. Auflockerung in ihrem Set bewirken.

Gibt es noch unentdeckte Genres oder Stile, die du ausprobieren möchtest?

Tatsächlich habe ich das Gefühl, dass sich mein Techno Musikgeschmack regelmäßig ändert. Mal deep und atmosphärisch, mal reich an Texturen, mal simpler und mal ein wenig schneller und “härter“. Oft spiele ich in meinen Sets auch 1-2 breakige Tracks, um ein wenig aufzulockern.
__________________________
(english)

Rill is a Berlin-based DJ, producer, and co-head of the label Syntop. With multiple releases, including a recent track for Rødhåd’s Fabric compilation, he consistently demonstrates his production talent. His sound is timeless techno, enriched with creative sound design and inspired by early 2010s techno. Rill’s track selection combines atmospheric, percussive, and groovy elements, while his precise use of synths and FX creates a hypnotic, immersive experience.
The mix was recorded on 27.09.24 at the Neer in Berlin.

INTERVIEW
You are a co-founder and resident of the Syntop collective. What distinguishes it?

We are a collective of friends that was founded seven years ago. Starting with open-air events in Potsdam, we have organized parties in various clubs in Berlin over the years, organized charity campaigns, and in the meantime, we curate a podcast series where we try to cover a variety of genres of electronic music. Currently, I am responsible for booking and our podcast series, which I really enjoy because it allows me to personally meet and support artists I like.

Your tracks are played by many and big artists. What do you think they particularly appreciate about your music?

I often receive feedback that my tracks are very minimalist but still totally diverse and interesting due to various FX elements, noises, and atmospheric sounds. I can imagine that my tracks often provide a little variety or lightness in the artists' sets.

Are there any undiscovered genres or styles that you would like to try? 

Actually, I feel that my taste in techno music changes regularly. Sometimes it's deep and atmospheric, sometimes rich in textures, sometimes simpler, and at other times a bit faster and "harder." I often include 1-2 breaky tracks in my sets to add a bit of variety.

@rill-syntop

Artwork by Janu Krohm

6D. Podcast 007 - Rill

008 - ENIGMA TRAX

In our 7th podcast edition we introduce you to Joachim, aka Enigma Trax, from Rotterdam:  He produces and plays groovy, deep techno and his sets mainly consist of unreleased tracks that he recorded live in his studio.

INTERVIEW
You recorded your first live set for us, how did that make you feel? 

First of all, thank you for the invitation! Yes, that’s true. I’ve been creating tracks with hardware for about three years now, recording everything in live takes. However, I’ve never attempted to record a live set before, as it requires significant preparation and a deep understanding of the patterns and tracks you’ve created on the machines. It was a rewarding challenge, and it definitely pushed my musical boundaries in a positive way.

What equipment and software do you mainly use in the studio?

Zu meiner Hauptausstattung gehören die Elektron Digitakt und Syntakt für die Drums, die ich durch einen alten Tascam-Mixer einpegle, um eine schöne Sättigung hinzuzufügen. Bei den Synths verlasse ich mich hauptsächlich auf den Digitone, Vermona Mono Lancet, Moog Grandmother und Prophet 10, die ebenfalls durch denselben Mixer geroutet werden. Meine textures kommen hauptsächlich aus dem Octatrack, wo ich lange Textur-Samples hochlade, die ich in Ableton erstellt habe, und sie dann weiter auf der Maschine bearbeite. Um alles aufzunehmen, sende ich das Signal an Ableton, wo ich etwas zusätzliches Bus-Processing vornehme, bevor es auf die Masterspur geht. Für Performance-Effekte nutze ich hauptsächlich das Reverb von Ableton und Valhalla Supermassive sowie einen High-Pass-Filter, die ich alle über einen MIDI-Controller steuere.

You live in Rotterdam, the Netherlands. How does this influence your music?

Honestly, Rotterdam doesn’t have much influence on my music, as there aren’t many good clubs here. My main musical influences have come from my trips to Colombia, especially a festival called Freedom. In my opinion, it’s one of the best-curated festivals today. Another significant influence has been Arthur Robert, he’s an excellent teacher who helped me elevate my music from sounding "okay" to sounding professional, which motivated me to continue creating.

@enigma-beaker

Artwork by Janu Krohm

6D. Podcast 008 - ENIGMA TRAX live

009 - SHIMMY ROBIN

(interview & english version below)
Shimmy Robin ist DJ aus Hamburg und Teil des OSZIL-Kollektivs. Gemeinsam mit dj blip veranstaltet sie die Reihe blipmotif im legendären Golden Pudel Club. Ihre Sets führen durch ihre musikalischen Inspirationen und verbinden fesselnde Vocals mit orchestralen Akzenten und einer fein abgestimmten Dramaturgie.

INTERVIEW
Du bist musikalisch sehr divers aufgestellt: Welche Vorteile und Herausforderungen siehst du darin, viele verschiedene Genres aufzulegen, und wie beeinflusst das deine künstlerische Entwicklung?

Ich schätze die Abwechslung in Musik und Bewegung, die durch meinen klassischen Klavierhintergrund und den Einfluss von R’n’B und Soul geprägt ist. Es fasziniert mich, verschiedene Stile zu kombinieren und dabei etwas Einzigartiges zu schaffen.

Gemeinsam mit dj blip hostest du die Veranstaltungsreihe „blipmotif“ im Golden Pudel. Kannst du uns mehr über die Vision dahinter erzählen und wie sie entstanden ist?

Seit Herbst 2022 bin ich Teil dieser Reihe und dankbar, mit dj blip – Mentor & Best Friend –  die unterschiedlichsten Künstlerinnen einzuladen. Während wir bei unserem jährlichen Sommerfest überwiegend unsere fav. local Heroes dabei haben, konzentrieren wir uns die anderen Monate auf Artists, die uns kürzlich oder schon lange inspirieren und die wir der Szene hier vorstellen wollen.

Was war deine Lieblings-Dancefloor-Erfahrung und warum?

Tricky, weil es nicht die „Einzige“ Lieblings-Erfahrung gibt. Aber Momente völliger Hingabe zur Musik bei geschlossenen Augen mit herausragendem Sound und Lichttechnik, einer Handvoll guter Friends wie beim Climate of Fear, dem Nachtiville oder im Berghain bei Rene Wise’s Closing Set.

______________________________________________________________________

Shimmy Robin is a DJ from Hamburg and part of the OSZIL collective. Together with dj blip, she organizes the blipmotifseries at the iconic Golden Pudel Club. Her sets take listeners on a journey through her musical inspirations, blending captivating vocals with orchestral nuances and a carefully crafted dramatic tension.

INTERVIEW
You have a very diverse musical approach: What are the advantages and challenges of playing many different genres, and how does this influence your artistic development?

I value the variety in music and movement, shaped by my classical piano background and the influence of R’n’B and soul. I’m fascinated by combining different styles and creating something unique in the process.

Together with dj blip, you host the event series “blipmotif” at the Golden Pudel. Can you tell us more about the vision behind it and how it came to be?

Since autumn 2022, I’ve been part of this series and am grateful to collaborate with dj blip – mentor and best friend – in inviting a wide range of artists. While our annual summer festival focuses mainly on our favorite local heroes, the other months highlight artists who have recently or long inspired us and whom we want to introduce to the scene here.

What was your favorite dancefloor experience and why?

That’s tricky, as there isn’t a single “favorite” experience. But moments of complete surrender to the music, with closed eyes, outstanding sound and lighting, and a handful of good friends – like at Climate of Fear, Nachtiville, or Rene Wise’s closing set at Berghain – are unforgettable.

@shimmyrobin

Artwork by Janu Krohm

6D. Podcast 009 - Shimmy Robin

010 - MAASYM

(interview below)
Maasym, originally from near Frankfurt/Main and now based in Hamburg, stands for hypnotic, atmospheric techno with refined sound design. He has been active in the scene since 2015, founded his own label Vorm last year and has released on renowned labels such as Token Records, Illegal Alien, Flash Recordings and Planet Rhythm. His style is characterised in particular by the organic, raw sound that he consciously incorporates into his productions.

INTERVIEW
You founded your own label ‘Vorm’ last year. Was there a specific moment or thought that gave the go-ahead for this project?

There wasn't a specific moment for the starting shot, rather a thought. Many of the tracks that were being played and released at the time often sounded very similar to me and also a bit uncreative. I got a bit bored with the scene at the end of 2023, beginning of 2024 and came up with the idea of launching a new label and releasing tracks in the subgenre that I play or listen to a lot myself. I also wanted to give something to the scene and push artists who work hard, are creative and have their own style. But also, of course, to be able to decide for myself what to do with the music I produce. I then decided to kick things off with a record release.

Is there a track of yours that has a special emotional meaning for you?

My track ‘Intermediate Direction’ has a special meaning for me. I started making music in my teenage bedroom when there were no masterclasses or private courses. I sat in front of Ableton and my synthesiser for hours, trying to make my tracks sound like the music I was listening to. One label that I really loved back then (2016) was ‘Token’. Accordingly, the track means a lot to me and I am very happy that I got the chance to release on ‘Token’. Personally, it's still one of my favourite tracks.

Is there any other art form, apart from music, that inspires or excites you?

I listen to a lot of techno & hip-hop/rap, but I'm also a big rock and heavy metal fan. In general, this organic sound from the 70s, 80s or even 90s totally inspires me. There's a lot of life in it and it can often be very ‘rough’ and ‘dirty’. I always try to get this ‘life’ into my tracks when I record my patches or sequences. It doesn't always have to be perfectly produced. Sometimes it's more about the vibe that you feel at that moment when you're making music. Even if the sound is a bit too filtered or creaky.


@maasym_vorm

Artwork by Janu Krohm

6D. Podcast 010 - Maasym [Vinyl only]

011 - VINCENT NEUMANN

(interview below)
Vincent Neumann, DJ and label owner from Leipzig, has built a loyal underground following with his energetic, enduring sets and legendary closing performances. A resident at Distillery since 2012, he also runs the label Unitas Multiplex. By day, he works as a psychotherapist; by night, he captivates audiences with enthusiastic, precise sets. For him, authenticity comes before fame – and anyone who experiences one of his ten-hour closing sets will immediately understand why.

INTERVIEW
You play regularly at Berghain. What does the club mean to you personally and how does this club influence your approach to a DJ set?

Berghain was and is the ultimate club and the ultimate experience for me (on many levels). I've heard so much great music, spent so many days and met so many people in and through the club that my life would be completely different without it. Since I was allowed to play there, I've been even more passionate about techno and the sets there have also taught me to play even better through long sets and to get a different feel for sounds and timing for tracks at certain moments. I try to transfer all of this to other clubs.

In addition to your DJ career, as some people probably already know, you also work as a psychotherapist. Do you see parallels between music and therapy? Are there elements from your work that are reflected in your sets or your approach to music?

People in the club sometimes tell me that they can hear that I'm a full-time psychotherapist, I don't have that on my radar myself, but I think that perhaps it gives me a different approach to emotions and allowing them in. And sure, music can be super therapeutic, I think every person reading this knows that. At the same time, therapy is also sometimes musical, it needs a sense of rhythm (saying the right words at the right time, or sometimes nothing at all) and you have to pay attention to each other (like instruments that stay in time) otherwise it becomes unpleasant (or sounds like shit).

You launched your own label, Unitas Multiplex. What was your motivation behind it, and what musical vision are you pursuing with the label?

I wanted to set up Unitas Multiplex as a label to give other musicians the chance to release their music (often for the first time) on vinyl. The focus should be on timeless club music. That and the fact that my name is followed by my own label in brackets, which is pretty cool.

@vincent-neumann

Artwork by Janu Krohm



6D. Podcast 011 - Vincent Neumann

012 - BENABOU

(interview below)
- This set was recorded at Tresor Berlin -
Benabou emerged from Europe’s vinyl labyrinths into the vibrant world of techno. Influenced by labels like Token, Polegroup, and Hypnus, her experimental sound blends ambient, ethereal synths with early inspirations from jazz, soul, and psychedelia - drawing listeners into a dark, hypnotic realm. 

INTERVIEW
Berlin is such a heavy influence for so many artists. How has living there shaped your evolution - musically or personally?

As a DJ, being in the « core » of the electronic music field has been quite enlightening.
I’ve been exposed to a lot of different vibes, which has made me more aware of what I’m really sensitive to, what I truly like, and what I don’t.
I moved here mainly to grow as a mastering and cutting engineer, and I’m grateful because things are going in the right direction. I’ve already had the opportunity to work with great labels, to cut great music, and my knowledge keeps getting refined.


You’re a mastering engineer—doing something that’s often an invisible part of making music. How has that deep, technical listening influenced the way you produce music or your approach to selecting tracks to play?

I’m not sure if my work as a mastering engineer directly influences the way I produce music, and I don’t feel comfortable mastering my own tracks. However, it does somehow play a role in how I pick tracks to play. I’m naturally more sensitive to details and I do pay close attention to how a track sounds ; in my opinion, a great track loses 50% of its potential if the mix or mastering isn’t optimized for it.
I also always consider how a track will translate on a big sound system - and on which one specifically. For example, if a track has a particularly wide or busy low end, I’ll think twice before playing it, depending on the venue and its acoustics. Not all sound systems transmit sound accurately and it’s something to take into consideration


Your mix for 6D. comes straight from the floor of Tresor Berlin. What kind of journey were you hoping to create for the audience there?

It was my very first closing, and naturally I felt a bit nervous before. In the end I could play whatever I felt like playing, went with the flow and the vibe, picked my fav tracks.
That night I learned that: it doesn’t matter who plays before, at any BPM speed, any intensity, any kind of vibe: the closing - just like opening - is a slot that offers a lot of freedom, which makes it so special and exciting. It was such a rewarding experience. Hope you’ll enjoy the set !

@benabou

Artwork by Janu Krohm

6D. Podcast 012 - Benabou

013 - TEMASA

(interview below)
Temasa is a Hamburg based Techno DJ and Producer. As Resident of the renowned nightclub [PAL] he already made his way on the radar of the scene. In 2023 he launched his new event series 'NEOGEN' which focuses on emerging artists, who represent and rethink the genre's primal themes.

INTERVIEW
Tell us about your beginnings - how did your journey into music and DJing start?

My musical journey started very early - I started playing different instruments at the age of five. So music has always been an important part of my life. When I was 14, I discovered electronic music - especially minimal techno, dubstep and drum and bass. These genres immediately fascinated me and inspired me to become active myself. That's how I eventually got into DJing.

How do you envisage your sound developing over the next few years?

My sound is currently characterised by hypnotic, driving and groovy techno - and this core will remain in the future. At the same time, it's important to me to constantly evolve. I always want to have new influences to keep my sound modern and lively, without losing sight of the classic basic themes and the essence of techno as a genre.

If you could design your dream night - line-up, venue, vibe - what would it look like?

My dream night is not a classic headliner event. I really like discovering new artists and being surprised - that's why I appreciate parties where the line-up is carefully curated and up-and-coming acts are deliberately given a stage. If you avoid big names, the entrance fee can also remain more affordable, which in turn gives more people access to the event. I also like it when new venues are opened up or I can get to know new clubs. This mixture of openness, curiosity and community vibe often brings with it a very special energy and makes for the perfect night for me.

Artwork by Janu Krohm
@temasaaa

6D. Podcast 013 - Temasa

014 - EBASS

(interview below)
Ebass is an emerging force in the techno world, known for driving beats and immersive soundscapes. As a DJ and producer, he blends the raw energy of underground techno with atmospheric detail, creating hypnotic, emotionally charged sets.
With passion and perseverance, he’s steadily earning a reputation for powerful, visceral performances that resonate with techno lovers worldwide. Whether in the studio or behind the decks, his dedication shines through - where precision meets creativity to deliver a complete experience.

INTERVIEW
Was there a specific track, night, or experience that sparked your interest in electronic music or techno?

A moment that truly shifted my perspective was the first time I stepped into this small club in my city. It was intimate, niche, carefully curated. Up until then, I had been used to much larger, more mainstream venues. But this place was different, was dark, raw, with a wall of Funktion-Ones pushing out this bleepy, hypnotic techno. That night, I realized what I was really after, where my ambition was pointing.
If I had to name one track that first sparked that feeling, and still in some ways embodies the vision I’ve held onto ever since, it would be Exium - Subshell (Pfirter Remix). It has everything: tension, groove, and that spatial depth that made me fall in love with techno.

In what way did your move from Italy to Amsterdam influence your musical journey? What motivated that change at the time?

Absolutely. The decision to move was entirely driven by music. That was, and still is, my main focus. I’ve always dreamed big, and I couldn’t accept giving up this passion just because I wasn’t in the right place - or living with that “what if” in my head.
Then, as often happens, other signs and circumstances made things even clearer.
Once I got here, the environment played a big role. It pushed me. I arrived alone, with no connections, but being surrounded by certain energies constantly motivates you to do more, evolve, and learn something every day. Above all, this is where I truly learned what it means to persevere - no matter what.

Are there specific moods or energies you intentionally try to capture when producing – and if so, how do those emotions shape your workflow or your studio setup?

Maybe I’m a bit particular, but when I produce, I try to leave my moods outside. I overthink a lot, and making music helps me shut the world off and tune into myself.
When I hit that flow and things move on their own, that’s when it works. 
The hardest part isn’t usually the technical side, but quieting the mind and finding full focus. The energy in a track reflects me in the most honest way. When everything clicks - when I find a natural, simple workflow that still tells a story - that’s when I feel truly satisfied.

@ebass_off

Artwork by Janu Krohm

6D. Podcast 014 - Ebass

015 - KATIA

(interview below)
Originally from Bogotá, Colombia, Katia has quickly made a name for herself within Madrid’s music scene. Her sets are defined by a refined narrative flow, marked by precision, subtlety, and a clear minimalist aesthetic.


INTERVIEW
You are originally from Bogota, Colombia. To what extent has this influenced you and your musical career?

Colombians are very passionate and hardworking people. We don't give up easily. I think this characteristic has helped me a lot to not give up and stay focused even when everything seems so distant and complicated.


You've been living in Madrid for a few years now. How would you describe the scene in Madrid, what do you like best, but what are perhaps also challenges there?

I would describe the Madrid scene as passionate and deeply multidisciplinary. It's inspiring to see how different artistic expressions converge through music, and how collectives manage to integrate them in an authentic way.
What I value most is the sense of community: growing alongside my friends and colleagues, sharing processes, and seeing how each person evolves both artistically and professionally. The most original and stimulating projects often emerge precisely from this local scene, driven by closeness and collaboration. 
As an emerging artist, one of the main difficulties I face is the lack of visibility and the unfavorable conditions we often face. In an environment where not having an agent or support figure can mean you aren't taken seriously, it's also common that, due to the need to gain space and exposure, we accept proposals that don't always adequately value our work.


Is there a DJ or a particular set that has had a significant and lasting impact on you?

I'm deeply grateful for the incredible musical experiences I've had this past year; they've taught me in unimaginable ways.
If I had to name a DJ, it would be Fumiya Tanaka or Danny Daze. Their sets were so impactful that they helped solidify the new musical path I've been exploring.
It's incredible how one DJ set can change everything, and for me, they certainly did.

@katia_musik

Artwork by Janu Krohm

6D. Podcast 015 - Katia

016 - MICHAEL IUS

(interview below)
For our 16th podcast episode we introduce you to the romanian DJ and producer Michael Ius who blends classical roots with a deep passion for techno.

INTERVIEW
You took classical guitar lessons for 14 years and studied music at university – what was the decisive moment or thought that led you to dedicate yourself entirely to techno production?

All my life I performed other people’s music, whether it was classical or pop. Later I was a guitarist in multiple cover bands. In 2012, I attended a music festival in Bucharest where Luciano was playing. It was melodic techno and it was also the first time I connected with myself on a deeper level. My musical synapses suddenly opened and I instantly fell in love with synthetic sounds. Loved the lowend and the punch! I started producing electronic music in 2016, step by step, and in 2023 I found my current sound and stayed consistent with it.

You're part of the Techno Diatom collective in Bucharest – how would you describe the collective's musical vision and vibe, and what makes your approach different compared to the international scene?

Me, together with Techno Diatom, wanted to bring something different to the local techno scene on a bigger scale. We wanted to actively promote it (via social media ads) to reach more people who like techno and let them know that a “new” subgenre is now present in Bucharest through Techno Diatom. Here in Bucharest and Romania in general, most techno events are focused on Rominimal (which is really good) with slow BPM, Tech House (very commercial), and Hardcore Techno (very fast). Nothing in between.
Compared to the international scene, there’s no real comparison – we’re basically inspired by the international Deep Raw Hypnotic Techno scene, and we’re grateful for that. Western Europe’s electronic music has been going on for generations, and here in Romania we’re just starting to scratch the surface.

In classical music, you work a lot with sheet notes, but these days you probably work more with software and sounds – how has your creative process changed since switching from sheet notes to electronic music production?

Having strong music theory behind me, plus jazz harmony and colorful chords, helped me understand a lot of things faster. I used that knowledge a lot when producing melodic techno in the beginning. But when I went deeper into the real underground minimal techno sound, the theory became useless. Techno has a lot of tension, and if you stay in key, it often sounds too static or melodic. Now the only thing I really use is the octaves. If you “play” the “lead” or “stabs” in the right octave, it works. Everyone can do this by analyzing techno tracks with a frequency analyzer, hovering the mouse on the frequencies when you hear something, and you’ll see in which octave it was played.

@michael-ius-techno
Artwork by Janu Krohm

6D. Podcast 016 - Michael Ius

017 - DANYA

(interview below)
Danya is a Germany-based DJ, producer, and member of the 6D. collective with residencies at PAL (Hamburg) and Bunker Club (Kiel). Since her debut EP Self Destructive Mechanism (2023), she has released on labels such as Nyxii, Kluster, and Sine Space 7, with her first solo vinyl Sonata (2024) circulating in DJs’ record bags worldwide. She has performed across Europe in clubs such as Tresor (Berlin), Rex Club (Paris), and PAL (Hamburg). Beyond her music, she is engaged in neuroscience research, working at the crossroads of sound, perception, and the brain.

INTERVIEW
How do you balance your identity as a researcher and your identity as an artist — do they blend, or do you keep them separate worlds?

They definitely blend. My work in neuroscience constantly shapes how I think about sound, rhythm, and perception, and I can’t really separate that from what I do as an artist. I am now building a project where these worlds meet more explicitly. My vision is a platform or environment where neuroscience and sound art directly inform each other. That intersection is what excites me the most.

If someone listened to one of your sets or tracks with no context, what would you want them to feel or understand about you?

I’d want them to feel like there’s thought behind every sound, even if they don’t know the story. I try to make tracks that move and evolve, so that people can get lost in them. Even without context, it’s important to me that the music communicates some energy and emotion. I’d like people to sense curiosity and exploration. And ideally, to leave them a little inspired or reflective.

What do you wish the techno scene would talk about more openly?

I think we need to have a more honest conversation about the culture itself. The very culture that claims to empower us is still built on dynamics that endanger us. Harassment and abuse are still happening behind the scenes, and a lot of it gets quietly ignored. It’s time to question the framework we’ve accepted. I’d love to see us reset a little, put the community and the values back at the center, and open the door to more diverse and respectful voices.

@its_danya
Artwork by Janu Krohm

6D. Podcast 017 - Danya

Techno event & podcast series made in Hamburg.

New podcast episode every 6th of the month. 
No likes, no plays, just music. 

booking@6d-collective.com


- Events -

Upcoming:
13.09. GÄNGEVIERTEL

Past:

29.03.25 6D. w/ ISABEL SOTO // NTSC a division of [PAL]
31.01.25 CONNECT w/ blipmotif & neogen

06.12.24 6D. w/ VINCENT NEUMANN // HAFENKLANG
09.11.24 6D. FLINTA Edition w/ MARINA GEORGE // HAFENKLANG
18.10.24 6D. w/ USAW live & JAN GOERTZ // HAFENKLANG
31.08.24 DEMORAVE 6D. x NEOGEN
14.06.24 6D. // HAFENKLANG HAMBURG
19.04.24 DEMORAVE x 6D. x DANS // HAFENKLANG
23.02.24 DEMORAVE x 6D. // HAFENKLANG

20.09.23 RE:TOX w/ RØDHÅD // PAL 
16.09.23 6D. w/ BLANKA // PAL
30.04.23 6D. w/ LYRIC // TURMZIMMER
 17.03.23 RE:TOX w/ LEA OCCHI & INTROVERSION // MOIRÉ

29.10.22 6D. w/ ARTHUR ROBERT // MS STUBNITZ HAMBURG 
24.09.22 RE:TOX w/ VIL // FUNDBUREAU HAMBURG
25.06.22 RE:TOX w/ IGNEZ // FUNDBUREAU HAMBURG

*RE:TOX curated with 6D.

- Residents -

DANYA (6D. / PAL / Bunker Kiel)
GRØMM (6D. / PAL)
SIX DIMENSIONS (6D. / PAL)

Soundcloud artworks by Janu Krohm

Est. 2019

6D.

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