Tacto: The Departure is a sound work/music album by wellsgoodness (Inwoo Jung @inwoojung) corresponding to the Interactive LARP performance by Paula Pedraza which carries the same name and was originally drafted between 2021 and 2022. The project thematizes the situation of upcoming death and brings attention to the act of palliative care.
The album consists of 8 separate tracks which create a somewhat liminal almost ghostly atmosphere that manages to capture the temporal quality of end-of-life situatedness in sound. Inwoo Jung uses sampling, sound collaging and audio-fx processing techniques to achieve a clearly plunderphonic aesthetic which seems less concerned with recognizability than with treating audio as a material foundation in order to explore the vast ontological spectrum of human existence in between being, becoming, leaving and returning.

Composed by Inwoo Jung
Produced by Inwoo Jung and Paula Pedraza
Mixed by Inwoo Jung
Mastered by Timm Roller
Published by 76666

Cover by Rainer Rudolf Benoit, taken from ‚Tacto: The Departure‘ Larp by Paula Pedraza on 23rd of Jan of 2022 at Weltkunstzimmer, Düsseldorf
‚Waiting Room‘ and ‚Tacto‘ contain sounds sampled from the album ‚Delusive Tongue Shifts - Situation Based Compositions‘ by TIBSLC, published by sferic
‚Clutter Segments‘, ‚Covert Touch‘, ‚Sumire (The Hauntant)‘ and ‚Tremolo Melancholia‘ contain sounds sampled from the album ‚Zwischen‘ by Jan Jelinek published by Faitiche

Thanks a lot Jan Jelinek and TIBSLC for the kind permission.

Tacto: The Departure by Wellsgoodness

Tacto: The Departure is a sound work/music album by wellsgoodness (Inwoo Jung @azdner-wellsgoodness) corresponding to the Interactive LARP performance by Paula Pedraza which carries the same name and was originally drafted between 2021 and 2022. The project thematizes the situation of upcoming death and brings attention to the act of palliative care.
The album consists of 8 separate tracks which create a somewhat liminal almost ghostly atmosphere that manages to capture the temporal quality of end-of-life situatedness in sound. Inwoo Jung uses sampling, sound collaging and audio-fx processing techniques to achieve a clearly plunderphonic aesthetic which seems less concerned with recognizability than with treating audio as a material foundation in order to explore the vast ontological spectrum of human existence in between being, becoming, leaving and returning.

Composed by Inwoo Jung
Produced by Inwoo Jung and Paula Pedraza
Mixed by Inwoo Jung
Mastered by Timm Roller
Published by 76666

Cover by Rainer Rudolf Benoit, taken from ‚Tacto: The Departure‘ Larp by Paula Pedraza on 23rd of Jan of 2022 at Weltkunstzimmer, Düsseldorf
‚Waiting Room‘ and ‚Tacto‘ contain sounds sampled from the album ‚Delusive Tongue Shifts - Situation Based Compositions‘ by TIBSLC, published by sferic
‚Clutter Segments‘, ‚Covert Touch‘, ‚Sumire (The Hauntant)‘ and ‚Tremolo Melancholia‘ contain sounds sampled from the album ‚Zwischen‘ by Jan Jelinek published by Faitiche

Thanks a lot Jan Jelinek and TIBSLC for the kind permission.

Milk Clock

Tacto

Sumire (the Hauntant)

Covert Touch

Clutter Segments

Tremolo Melancholia

Nervous Correspondence

Waiting Room

add new layer
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76666world@gmail.com
www.76666.world