A Raw, unpolished rendition of another "remembered" cover, one of my favorite songs of all time.  This time I recorded the scratch track with the zoom h1 essentials with a metronome on my phone only as guide.. Pulled it up on Logic Pro, and then did the voice and the electric guitar at the same time, using the two inputss of the Volt 276.  One is the P170 condenser pencil mic on the guitar amp (guitar amp running a slow tremolo and the skyfurfer reverb), and the other input the P420 large condenser about a feet from me and my electric.  Did the main vocals and the chime-like spread triad guitars.   Then I overdubbed a couple of acoustic tracks with the p170 trained on the acoustic and left the p420 there for room and ambience tone.  Recorded dry in logic, and then added some presets to the vocal tracks and the acoustic guitar.  On the main stereo out added a space designer 0.7s room reverb and then whatever the mastering algorithm gave me.  I am trying to achieve an intimate rehearsing room the aesthetic.  No editing, all were one takes through the whole song.  ---- thanks for clicking! July 2025. Recorded on a bedroom somewhere in  Mexico, with Love!  Gear: Brawley Guittar with P90's on neck pickup, AMP is a Behringer V-AMP on the tweed setting running the TC electronic choka tremolo and the skysirfer reverb on the effects loop.  Martin 000 acoustic guitar, UA Volt 276, p170 condenser mic, p420 condenser mic.  MacBook Air M1 chip.  

Creep (Radiohead cover)

I recently discovered a love for analog pedals, and this is an experiment.  I recorded this straight from the amp with a zoom h1 essentials.  Opened in Logic Pro and added the synth pad via the musical typing keyboard.   No added effects on Logic Pro, other than the synth pad defaults.  (I believe it was the cloud shimmer pad or something like).   This is the start of documenting weird, experimental sounds.  The distortion fuzz and overdrive are three different pedals by tc electronic: the honey pot, the grand magus, and the cinders overdrive -- they go into a choka tremolo and then a skyfurfer reverb on plate mode - plugged in into an old behringer analog modeling amp the V-tone GM110.  Settings on the amp: tweet, us speakers.  No drive (gain) master volume at about 5, bass mid and treble at about 5.   The guitar used is a SANTANA SE with a SD distortion pickup in the neck (which I never cared for much until last night). ---- 

Cluster One.

A work in progress.  Trying to figure out what guitar parts and voice to add.   Recordied on a zoom h1n vocals and guitar played live on top of a bluetooth speaker with drums and keyboard (thru Logic Pro).

WIP - Si tu no Vuelves (miguel Bose Cover)

Added guitar and voice via microphones.  Still need to work on the guitar voicing, and better singing.

7noise - draft 2 added vocals and guitar - still WIP si tu no vuelves bose

(update 7/29/2025) Pulled back a little on the drums, added slight ambience reverb... Still a WORK IN PROGRESS- -- need to rerecord and rethink the solo, and track the vocals again. 

7noisw - drFT 3 si tu no vuelves adde dvocals and guitar WIP

more tweaking with eq's and level, on the master volume added a master eq.  I also adjusted the limiter threshold on the voice track.

7noise - Si TU no Vuelves Draft No.5 Miguel Bose cover

SAME AS DRAFT 5 JUST MUTED THE VOICE SO I CAN LISTEN TO THE ARRANGEMENT BETTER.  WORK IN PROGRESS

7 noise - SI tu No vuelves Miguel Bose Cover - Draft 5 no voice

I think thins the pre final full arrangement.  need to rerecord the guitars, the solos and the voice.

7 noise - Draft 6b SI tu No vuelves Miguel Bose Cover - Draft 6b no voice

Ambient western instrumentals. Reverb-soaked guitar, late-night pedalboard musings, and echoes of Gilmour and Frisell.

Cluster One.

@7noise