The first of many! A beginner in mixing/producing music, promise i'll learn more :)

Lyrics:

Sometimes I wish that I could see through you
You say a thousand words
Then paint a different picture
Thought we harmonize
But you sing to a different tune
Darling now, where am I supposed to look?

Walking on thin ice
Slowly towards your path
Oh I seem to recognize
But I guess I got the wrong map
Flickering lights, dancing 'round the bay
Now I know, you were never meant to be chased
Oh well

But I like it anyway
Just a smile from you's okay
Oh I'll do it again
Even though I know it's hard
And my patience's running out
Oh I'll do it again

Although I know these things are never fair
I would gladly throw away all my remaining spare
Towards that wishing well
You know I don't believe in them
But I'd wish for you
Over and over again

Walking on thin ice 
Slowly towards your path
Oh I thought I knew every side
But then you show up with a new one
Blinking lights, dancing 'round the stage
Now I know, you were never meant to be chased

But I like it anyway
Just a smile from you's okay
Oh I'll do it again
Even though I know it's hard
And my patience's running out
Oh I'll do it again


composed, arranged and mixed by Majo Tendenilla

Again

Get the new Patawawa 'Bedroom' EP on 26/01/18 on Splinter

Pre order the EP here - http://listen.lt/PatawawaPatagonia

Follow & Support Patawawa :

facebook.com/patawawa
twitter.com/patawawa
www.instagram.com/patawawa/
open.spotify.com/artist/5D65DHzw4qysvKA2VJzOtC

Find Splinter online at:
www.splinter.fr
open.spotify.com/user/splinterrecords
www.facebook.com/Splinterparis/
www.twitter.com/splinter_music

Straight out of Matlock comes Patawawa a trio whose blend of blood-pumping beats, glittered guitar riffs and bass lines that bite results in irrepressibly infectious DIY disco. Hailed by the NME as sounding like "if Calvin Harris time-travelled back in time to Studio 54" with "hints of early Foals and Two Door Cinema Club" and by the Guardian as cooly radiating the sound of "peak-period Nile Rodgers/Bernard Edwards or early Madonna", the band have already scored a huge international hit with their collaboration with French producer Ted Cazey clocking up more than 4 million plays on Spotify alone.

A succession of singles for new French imprint Splinter in 2017 have seen the band cement their position as one of the most exciting new acts around earning support from the likes of BBC 6 Music and leading to brand hook-ups with the likes of Adidas, H&M and Abercrombie & Finch and now the band are getting ready to drop their debut EP, 'Bedroom', titled for the humble space where all their songs have, to date, been written and recorded. Featuring 5 tracks that will light up any dancefloor Set for release in early 2018, 'Bedroom' features 5 tracks that will light up any dancefloor and comes complete with a video from France's hottest digital artist, Regards Coupables.

The kind of band that can look at the reflections of car lights in the puddles of a provincial English town high street & see the bright lights of Downtown Manhattan, Patawawa's music is just like the original disco from the '70s the perfect, momentary, escape from a world spinning out of control.

Patagonia

Do I Wanna Know? - Arctic Monkeys 
Production: Chase Eagleson

Do I Wanna Know?

MY KIND OF WOMAN - MAC DEMARCO COVER

'Her Majesty II' is taken from The Green Child's self-titled debut album out January 12th through Upset The Rhythm.

Available to pre-order here now:
upsettherhythm.bigcartel.com/

Artist: The Green Child
Title: The Green Child

Label: Upset The Rhythm
Catalogue Number: UTR102
Release Date: Friday 12 January

Track listing:
01. Traveler
02. Her Majesty II
03. Bertha
04. New Years Eve
05. 46 Timelines
06. Walking Distance
07. Marie Elene
08. Destroyer

The Green Child is the long distance musical collaboration of Mikey Young and Raven Mahon, who met in 2013 when their bands, Total Control and Grass Widow played a show in Oakland, California. They started writing songs together in Australia in 2014 and the project has been on a slow burn since. Their self-titled debut album is the culmination of few years of putting ideas together internationally and periodically recording in Mikey's home studio. Some of the lyrical content and the band's name was inspired by Herbert Read's 1935 utopian, communist, sci-fi novel called The Green Child.

With such a choice name, it’s no surprise that The Green Child draw their sound from an illusory past as much as they stalk into pastures new. Broadly retro-futuristic in scope, verdant acres of lushly evocative synthesizers and blippy drum machines underpin most of their upbeat yet decidedly uncanny songs. Raven’s calmly scenic and measured vocal flits like a will-o’-the-wisp throughout the tracks, proffering a guiding hand as she walks us through the often eerie, electronic concoctions.

‘Traveler’ opens the album all redolent, beat-minded and labyrinthine. Twisting melody lines swirl and envelop like a sandstorm, whilst Raven coolly projects on a “solitary man” lost to “green oblivion”. Similarly, ‘Her Majesty II’ glistens with its playful yet plaintive vocal and iridescent arpeggios, whilst ‘Bertha’ slows things down with tumbling chimes and stately use of space.

The Green Child are adept at atmosphere, their songs are refined from gently unfolding ideas that never fail to realise and build to their potential. Tracks like ‘Walking Distance’ (featuring Al Montfort on saxophone) and ‘New Years Eve’ are exercises in evolved composition with ideas budding off and blossoming into truly resonant dimensions. The band’s cover of ‘Marie Elene’ (by Keith Pearson) and closing track ‘Destroyer’ are further crowning achievements, both pieces subtly handled with poise and ample melancholic grandeur. The Green Child fix their sights on the heights they want to reach within their songs and much like the project itself don’t want to rush to the finish line. When it becomes more about the unfurling journey, why not take the time to enjoy the trip and burn slower?

‘The Green Child’ is due for release on January 12th through Upset The Rhythm on 180g black vinyl, accompanied by some spirited sleeve design by James Vinciguerra.

The Green Child

The Green Child - 'Her Majesty II'

01/10/18
Lyrics:
if i wasn't shy i'd be in love
but i'm so scared of what you say 
when i'm away
let your guard down and
let me breathe
i'm too brittle to keep tricks 
up my sleeve

but you seem to like me too
so why the hell am i still shy
so many times i've been left behind
but you seem to see that through

who are you to me
i've seen you in my dreams
but that doesn't mean its
meant to be
talk to me with some life
i'm not living inside
of a dream

but you seem to get that don't you
so fuck my temper you're so mild
no i won't be left behind this time
and you seem to see that through

placid.

self portrait

Clara Borges & Diego Vargas

L:
sittin on the grass
petting my horse
wouldn't expect less
unless u knew of course

always on the run 
even when im not
if i lived in the sun i wouldnt ever get caught.

im in the m00n tonight 
expecting u to come this time
i think u should make it right
so i can reach u tonight

uuuuuuuuu

so where do we hide
keep them all outside
i could give in to your lovable Kepler tide

i'll be a hero
the one among the zeros
all golden stars are meant to ignite

im in the m00n tonight 
expecting u to come this time
i think u should make it right 
so i can reach u tonight     

ive been dreaming about us 
every night
and i just want u by my side

whenever u want just 
press rewind
and ill be coming back in
the speed of light

im in the moon tonight 
excpeting u to come this time
i think u shpuld make it right
so i can reach u tonigh          2x


uuuuuuuuuuuuuuuuuuuu


 after >>>>>>>neil armstrong

Moon

Chamber of Reflection (Mac DeMarco Cover by Yang Jahz)

On lmtd ed clear square 7": www.therestalk.bandcamp.com

https://open.spotify.com/album/02Zr7frLPOBU3JmUprxdzj?si=Ik2feJAeQrKAMA4VTSxKfg

Recorded by Ian Pellicci at New, Improved Recording
Additional recording by There’s Talk 
Mixed by Beau Sorenson 
Mastered by TW Walsh 
Photograph by Paul Hoi

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