from the Black Moth Super Rainbow album "Cobra Juicy" out October 23 2012. 
available on Vinyl and CD in stores and at www.radcult.net

Cobra Juicy

Black Moth Super Rainbow - I Think I'm Evil

Take Me Somewhere Nice - Mogwai

turtleneck

One of my rockiest songs, I just broke up with somebody and I was all sorts of pissed at them.  If you've ever been there, you should be able to relate. I made this back in 2006.

Fine By Me

Single off the forthcoming album TBA
Cover by Jon Mai

bxdrms.com

Intro (Santa Barbara)

Get the new Patawawa 'Bedroom' EP on 26/01/18 on Splinter

Pre order the EP here - http://listen.lt/PatawawaPatagonia

Follow & Support Patawawa :

facebook.com/patawawa
twitter.com/patawawa
www.instagram.com/patawawa/
open.spotify.com/artist/5D65DHzw4qysvKA2VJzOtC

Find Splinter online at:
www.splinter.fr
open.spotify.com/user/splinterrecords
www.facebook.com/Splinterparis/
www.twitter.com/splinter_music

Straight out of Matlock comes Patawawa a trio whose blend of blood-pumping beats, glittered guitar riffs and bass lines that bite results in irrepressibly infectious DIY disco. Hailed by the NME as sounding like "if Calvin Harris time-travelled back in time to Studio 54" with "hints of early Foals and Two Door Cinema Club" and by the Guardian as cooly radiating the sound of "peak-period Nile Rodgers/Bernard Edwards or early Madonna", the band have already scored a huge international hit with their collaboration with French producer Ted Cazey clocking up more than 4 million plays on Spotify alone.

A succession of singles for new French imprint Splinter in 2017 have seen the band cement their position as one of the most exciting new acts around earning support from the likes of BBC 6 Music and leading to brand hook-ups with the likes of Adidas, H&M and Abercrombie & Finch and now the band are getting ready to drop their debut EP, 'Bedroom', titled for the humble space where all their songs have, to date, been written and recorded. Featuring 5 tracks that will light up any dancefloor Set for release in early 2018, 'Bedroom' features 5 tracks that will light up any dancefloor and comes complete with a video from France's hottest digital artist, Regards Coupables.

The kind of band that can look at the reflections of car lights in the puddles of a provincial English town high street & see the bright lights of Downtown Manhattan, Patawawa's music is just like the original disco from the '70s the perfect, momentary, escape from a world spinning out of control.

Patagonia

'Her Majesty II' is taken from The Green Child's self-titled debut album out January 12th through Upset The Rhythm.

Available to pre-order here now:
upsettherhythm.bigcartel.com/

Artist: The Green Child
Title: The Green Child

Label: Upset The Rhythm
Catalogue Number: UTR102
Release Date: Friday 12 January

Track listing:
01. Traveler
02. Her Majesty II
03. Bertha
04. New Years Eve
05. 46 Timelines
06. Walking Distance
07. Marie Elene
08. Destroyer

The Green Child is the long distance musical collaboration of Mikey Young and Raven Mahon, who met in 2013 when their bands, Total Control and Grass Widow played a show in Oakland, California. They started writing songs together in Australia in 2014 and the project has been on a slow burn since. Their self-titled debut album is the culmination of few years of putting ideas together internationally and periodically recording in Mikey's home studio. Some of the lyrical content and the band's name was inspired by Herbert Read's 1935 utopian, communist, sci-fi novel called The Green Child.

With such a choice name, it’s no surprise that The Green Child draw their sound from an illusory past as much as they stalk into pastures new. Broadly retro-futuristic in scope, verdant acres of lushly evocative synthesizers and blippy drum machines underpin most of their upbeat yet decidedly uncanny songs. Raven’s calmly scenic and measured vocal flits like a will-o’-the-wisp throughout the tracks, proffering a guiding hand as she walks us through the often eerie, electronic concoctions.

‘Traveler’ opens the album all redolent, beat-minded and labyrinthine. Twisting melody lines swirl and envelop like a sandstorm, whilst Raven coolly projects on a “solitary man” lost to “green oblivion”. Similarly, ‘Her Majesty II’ glistens with its playful yet plaintive vocal and iridescent arpeggios, whilst ‘Bertha’ slows things down with tumbling chimes and stately use of space.

The Green Child are adept at atmosphere, their songs are refined from gently unfolding ideas that never fail to realise and build to their potential. Tracks like ‘Walking Distance’ (featuring Al Montfort on saxophone) and ‘New Years Eve’ are exercises in evolved composition with ideas budding off and blossoming into truly resonant dimensions. The band’s cover of ‘Marie Elene’ (by Keith Pearson) and closing track ‘Destroyer’ are further crowning achievements, both pieces subtly handled with poise and ample melancholic grandeur. The Green Child fix their sights on the heights they want to reach within their songs and much like the project itself don’t want to rush to the finish line. When it becomes more about the unfurling journey, why not take the time to enjoy the trip and burn slower?

‘The Green Child’ is due for release on January 12th through Upset The Rhythm on 180g black vinyl, accompanied by some spirited sleeve design by James Vinciguerra.

The Green Child

The Green Child - 'Her Majesty II'

01/10/18
Lyrics:
if i wasn't shy i'd be in love
but i'm so scared of what you say 
when i'm away
let your guard down and
let me breathe
i'm too brittle to keep tricks 
up my sleeve

but you seem to like me too
so why the hell am i still shy
so many times i've been left behind
but you seem to see that through

who are you to me
i've seen you in my dreams
but that doesn't mean its
meant to be
talk to me with some life
i'm not living inside
of a dream

but you seem to get that don't you
so fuck my temper you're so mild
no i won't be left behind this time
and you seem to see that through

self portrait

Tinkered Belle

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