Map Out A Plan B

Written in the summer of 2024 about a girl Sean was seeing who used to phone call him at ridiculous times of the night. When recording we tried to add claps but all we ended up with was sore hands and it sounded pants. 

Midnight Hour

The first decent song that Sean wrote way back probably in 2016. It sounds like something that could have been on Nirvanas Unplugged when it kicks off. Halfway through when the drums and synths enter it then takes on a dancy vibe. Brendan wrote a brilliant bass line to it and Sam Williams guests on drums. It's the first time Sam sang on an original song and the first time we had ever tried to record and produce a track. You can kinda tell with the quality.

Angel

waterside 7.23.25

The Love I Imagine" is reflecting on how love can be both beautiful and scary. From childhood to adulthood, I’ve seen love misused or taken for granted—through my own experiences and those of others. This song is a reminder that I deserve a love where I feel safe, seen, and heard. Until I find that with someone else, I have myself—and that kind of love is just as important.

The Love I Imagine

O QUE VOCE QUISER (DEMO)

Until We Meet Again

this is a cover of the song "Everlong" by Foo Fighters

Everlong

Não ha vagas

I wanted to learn how to play this on guitar from the moment I heard it on the train going home.

Ya no te hago falta - Sen Senra (cover)

apart

A cover of Shirley Collins and Davy Graham's 'Hares on the Mountain' by Scott Whitten.
Recorded on July 23rd, 2025, in one take with minimal post-processing.

Sally my darling
I wish I could wed you
She smiled and replied
"Then you'd say I misled you"
If young girls could sing like blackbirds and thrushes
How many young men would go beating the bushes?
If all the young girls were hares on a mountain
How many young men would take guns and go hunting?
Oh Sally oh Sally
It's you I'd be kissing
She smiled and replied
"You don't know what you're missing"
If all the young men were ducks on the water
How many young girls would undress and dive after?
If all the young men were hares on the mountain
How many young girls would take guns and go hunting?
If all the young men were hares on the mountain...

Based on a traditional English song.

Hares on the Mountain (Shirley Collins and Davy Graham cover)

“Not Just My House” is a country song straight from the gut — about working hard, trying to do right, and coming home to someone who just doesn’t see it.

It’s for anyone who’s ever felt like no matter how much you give, it’s never enough. You fix what’s broken, hold the weight, stay loyal — and still get told you’re not helping.

This one’s not about heartbreak from cheating or leaving… it’s about staying. Showing up. Holding on when it’s hard.

I wrote this from a real place — it’s raw, it’s honest, and it’s my way of saying: this ain’t just my house... it was supposed to be ours.

Not Just My House

As the closing track to our upcoming debut album, this one intends to step away from the usual heavy formula and focuses on acoustic chords and clean singing to add some contrast and bring a brighter element to round everything off.

Vanisher

Iterum

bloody poems

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bear's song (demo)

never remember me

From a young age, music wasn’t just sound to me; it was survival. I found solace not only in the raw strum of a guitar or the tender notes of a piano, but in the stories woven through lyrics. At 16, I started pouring my own heart into words, crafting poems and lyrics that spoke the truths I couldn’t always say out loud.

In my early twenties, I took a leap — deciding to share my songs with the world. My music is best described as powerful, vulnerable, healing, and deeply validating. I write from the marrow of my own experiences, and sometimes from the stories others entrust to me, because I believe in creating a safe space where it’s okay to feel everything — even the things we’re too scared to say out loud.

As an artist, I want to tell my story for anyone who might be quietly living a similar one. Because in this big, small, messy world, none of us are truly alone — and through my music, I hope you’ll feel seen, heard, and a little less afraid to embrace every piece of who you are.

►Music Producers : D.i.n BEATS on the guitar, Kanda on the drums, Arándano on the keys & Jazzy Rhodes on the saxophone ♫
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https://ffm.to/liljas-r_speakonmysanity
Debut EP - “24/7” out now!
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A place for my demos.

Some unreleased, unfinished songs. Here are my official releases: https://soundcloud.com/starshipgazelle

other demos: thewindinthetrees.bandcamp.com

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

This is my virtual notepad to try out my ideas on different devices. It’s a log of chords, structures and tempos in a sprite that can take me around the world and in the pub to show these ideas in their embryonic stages.

If you’re somehow offended by this material I suggest your problem is with you from now on.

These are file to be kept for my children and other musicians to hear as processes of semi original songwriting. 

Some of you may like the newer ideas and want to collaborate, seeing where the idea can head. You’re welcome to contact me. If you enjoy them as they are, I’m grateful.

This site is a communication device for me to talk about elaborate and dramatic ideas. 

With musicians and audiences alike.

Para voar, é preciso acreditar quem tem asas.

New tracks tagged #acoustic