Autumn DeFloria, known professionally as DJ Affinity, builds experiences the way others build songs—layer by layer, beat by beat, until precision becomes emotion.  Her work blurs the line between performer and architect: whether commanding a room behind the decks or designing immersive escape games, she treats every environment as a live instrument.  Beneath the control and structure runs an investigative mind—skeptical, intuitive, and relentlessly honest—always dissecting what makes people engage, react, and connect.  Her art is less about spectacle and more about authorship: the act of orchestrating chaos into something deliberate, intelligent, and unforgettable.

CODE 1611 DJ & Producing 
Safety Room Germany

Welcome to The Fermentation Cycle – a 1940s industrial-noir duology told as a slow-burn audio experience.

Every day I drop a new chapter with its own lofi score running through a crackling 1940s radio: low drums, hiss, distant horns, machinery in the walls. You’re not just reading a book – you’re inside a failing dockside brewery, listening to the pipes, the ledgers, and the rats under the floor.

Book I follows The Violet Boar, a once-powerful brewery in a corrupt coastal city, held together by heat, debt, queer love, and bad decisions. It’s adult, cerebral, immersive: pressure, politics, undercity tunnels, rat “choirs,” and a city that launders violence into paperwork.

Start at the Prologue and move forward a chapter a day, or let the playlist run like a haunted late-night radio station.

🔧 Tone: harsh 1940s noir, queer, anti-capitalist, psychological, slow escalation
🎧 Sound: lofi, tape-hiss, radio crackle, industrial ambience
📚 Project: The Fermentation Cycle Duology – The Violet Boar & Rats

The Fermentation Cycle is an adult industrial-noir duology set in 1940s Brineford, where Dockstring Ward runs on steam, rumor, and the kind of “civic” language that ruins people with clean hands.
At its center squats the Violet Boar Brewery, a once-proud Kiln now being slurred as a Loom, sweating heat and debt into the street like a confession.
Elara Wexley inherits the place and its failures, walking under a city that keeps score even when it pretends it doesn’t.
Every pipe, ledger mark, and shipment becomes leverage in a quiet war between rival breweries, supply yards, and the polite enforcers who call it regulation.
The Ward itself is a chorus — bars, docks, backrooms, and watchers — deciding what the Boar is worth, and what Elara is allowed to be.
Below the surface, the undercity’s layered infrastructure and rat-choir ecology mirror the city’s neglect: history stacked like rot you can’t fully scrub.
The story turns pressure into plot: money, heat, reputation, and intimacy all pushing until something breaks and the break changes the map.
It’s harsh, cinematic, and funny in the dark, obsessed with inheritance, survival, and the cost of naming what’s really happening.

Inspired by culture of the '80s and '90s.
So emotional sound delivers the lyric softly, with gentle passion.
The music was influenced by various genres of rock music, such as psychedelic and grunge.

Patybora.com
Tuer l'envie de tuer disait Gandhi
Faites votre révolution humaine, c'est de l'intérieur que provient le changement.
ESPOIR ET PAIX et JOIE
Poèmes , textes, mots, transmissions, envolez vous vers la 5 ème dimension aux sphères spirituelles....
Cela ne sert à rien de vouloir changer le monde. Le véritable changement vient de l'intérieur.....

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