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“And so with the sunshine and the great bursts of leaves..." -FSF

DADA

Trio

SoundCloud Weekly mar 04 19

Aleah - Vapour (Mirco Niemeier EDIT)

my electronic edit of Max Richter - Vivaldi Recomposed - Spring One

Max Richter - Spring 1 - Davodintei Edit

02. Super Flu - Fibi Maybe

Pryda - F.A.T
OUT NOW on Beatport http://bit.ly/PRY026

Pete Tong makes F.A.T, the B-side of the upcoming Pryda EP, Essential New Tune on BBC Radio 1.

Buy on Beatport

Pryda - F.A.T

i love the interpretation by Max Frisch and realy enjoyed this last part of Deep Love in Amsterdam.

Max Richter - Spring 1 (mixed in Vaal & Tijn - Deep Love in Amsterdam)

Joy Is Pain  (Original Mix)

Champa (feat. Monsoonsiren)

Our reading of this sparkling Oscar Peterson Trio arrangement of the standard. From the CD "Stockholm Jazz Trio - Trio Reflections"

Stella By Starlight

Various Artists

Product Information
Courtesy of Heavenly Bodies Records

Cat # ACS018
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Groove Da Praia - Hung Up (Miko Jackson Rmx)

Jelly For Babies, Brit Chick - All Night Long (5prite Dirty Remix)

If you've listened to Top 40 radio or flipped through the video channels during the past few years, odds are pretty good you know something about John Legend. He played piano on Lauryn Hill's "Everything Is Everything" and might as well be considered Kanye West's sidekick, having assisted the producer and MC on several sessions — Jay-Z's "Encore" and Slum Village's "Selfish" being two of the more prominent 2004 singles featuring his work. A former choir director, he has also released a handful of energetic live discs, some of which are credited to his less hubristic birth name, John Stephens. And though he claims "I've got something new," you've also heard substantial chunks of Get Lifted in records made decades ago by Sly & the Family Stone, Curtis Mayfield, Quincy Jones, and Bill Withers. This might not be a problem for listeners who crave anything that recalls the music they first heard in their youth, but Legend's over-reliance upon his inspirations is an impediment as much as a slick way to grab attention. That's because he has more than enough talent and charm to get by on his own. His own lyrics and hooks are unique and clever enough to get the point across that he's no everyday R&B artist and, just as importantly, he has a personable and instantly fetching voice you could listen to all day long. However, the association with West — whose Sony-distributed boutique label released the record — is very helpful. Without it, Legend would likely be zoned into neo-soul (2003's Live at SOB's New York City really makes this notion apparent), thereby standing little chance of reaching the ears of anyone younger than 30. The production work supporting his songs strikes a fine balance between soul and hip-hop, allowing him to appeal to those who are coming from either angle. This is a very good record. It's a given that Legend is destined to make at least two others that top it. 

Ordinary People

Love is in the air.
_______________

Spotify: https://spoti.fi/3LFCaFI
Original by https://soundcloud.com/anatu

You may use in videos if you attribute & include the name, title and spotify link.

⬇ Free Download

Anatu - Bleach (Til Kolare Remix) fka Liftboi

Stream/buy: smarturl.it/PromisesxAmtrac
Facebook: www.facebook.com/promisesltd
Twitter: www.twitter.com/promisesltd

Promises Ltd. is the union of Jeremy Malvin otherwise known as electronic musician Chrome Sparks and Charlie Brand of the band Miniature Tigers. The duo's eponymous debut EP is out now.

Days Of Lavender (Amtrac Remix)

Daydream song taken from 'Daydream EP'.
Music performed, produced and recorded by
Meghan Currie
https://www.meghancurrieyoga.com/creations/music.html
Nenad Radosevic
Sound Arch Production
http://www.sound-arch.com

Daydream EP

Daydream (feat . Meghan Currie and The Blend Orchestra)

First Landing

The Life Aquatic

Stream & Download

Berky - You Don't Understand

Milestone

Get Up

Yoav Ilan - White Waltz [HD]

Facebook

Cro - Ein Teil (Thomas Heat EDIT)MST

For more information visit: http://www.klassikakzente.de/recomposed/home 

Some works are so familiar that it is almost impossible to hear them afresh, but that is what Max Richter has achieved with Vivaldi “Recomposed”. This is no mere arrangement; instead Richter has absorbed Vivaldi’s The Four Seasons into his own musical bloodstream. At first Richter followed the example of other works in the “Recomposed” series, which re-mix existing recordings, but, he says, “I wanted to open up the score on a note-by-note level, and working with an existing recording was like digging a mineshaft through an incredibly rich seam, discovering diamonds and not being able to pull them out. That became frustrating. I wanted to get inside the score at the level of the notes and in essence re-write it, re-composing it in a literal way.”Richter calculates that, in the process, he has discarded around three-quarters of Vivaldi’s original. He opens with what he describes as “a dubby cloud which I’ve called Spring 0. It functions as a sort of prelude, setting up an electronic, ambient space for the first Spring movement to step into. I’ve used electronics in several movements, subtle, almost inaudible things to do withthe bass, but I wanted certain moments to connect to the whole electronic universe that is so much part of our musical language today.” Other resonances are no less unexpected: Richter describes part of the first movement of his Summer as “heavy music for the orchestra. It’s relentless pulsed music, which is a quality that contemporary dance music has; and perhaps I was also thinking about John Bonham’s drumming. Then, in the second movement of Autumn I asked the harpsichordist Raphael Alpermann to play in what is a rather old-fashioned way, very regularly, rather like a ticking clock. That was partly because I didn’t want the harpsichord part to be attention-seeking, but also because that style connects to various pop records from the 1970s where the harpsichord or Clavinet was featured, including various Beach Boys albums and the Beatles’ Abbey Road.” Clearly, Richter has brought his own frame of reference to the project. As he says, “Vivaldi’s music is made of regular patterns, and that connects with post-minimalism, which is one strand in the music that I write. That felt like a natural link, but even so it was surprisingly difficult to navigate my way through it. At every point I had to work out how much is Vivaldi and how much is me. It was difficult but also rewarding because the raw material is so fascinating.”Just as Richter’s Seasons plays tricks with the way we hear Vivaldi’s original, so it also asks questions of the soloist, Daniel Hope. “Violinists have Vivaldi’s The Four Seasons hardwired in their brain. Daniel is likely to play the original I don’t know how many times in a year, and for him to have my parallel text going on in another part of his brain is a challenge. I think he did a wonderful job. He brought to it a deep engagement with the original, but he was fully prepared to cut this new swathe through the text.”


Spring One - Vivaldi Recomposed - The Four Seasons

Spring 1 (2012)

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Encompassing all of his musical and spiritual gifts; 2012’s Spirit Bird is Xavier Rudd at his best. 

Spirit Bird

Mystery Angel

Not all music has to be destruction with sound waves... This music really spoke to me, so I fiddled around for a bit and came up with this... Very beautiful beautiful music by Max Richter!

Max Richter - Spring 1 (mixed in Vaal & Tijn - Deep Love in Amsterdam)

DailyRoutine