Dog Days V

Believe

/
08-13-25 / Midweek - ResisDance in da House, or not? 
Dance of Death or Awakening
/

/

/

08-13-25 / Midweek - ResisDance in da House, or not? Dance of Death or Awakening

Meet ___________ (insect and spider species, when my computer is fixed)

Calm and Steady tracks series no. 583

created: 2025/08/15

Picture CREDIT (none yet, there's no picture so far ; )

Capitalized tags in the "Additional tags" field are SoundCloud's.

hk_calm-steady_tracks_583

SUMMER CALLS FROM SUCH PEOPLE

Ft.JUNZO-Anything Goes-IPG1,FRAWSTAKWA&RiZLiX , 8tech --- Glory

// FRAWSTAKWA / Paploviante --- This is how it’s done (frawstakwa&Paploviante) //

// Lillithe & Paploviante & 2nick8 --- Once in a Life Time feat. 2nick8 & (Paploviante-E Bass)//

Syntaleta --- But I've Got the Wings , 8tech --- Glory

Someone In House

Recorded before the war... A big thank you Houman Check out Houman on #SoundCloud
https://on.soundcloud.com/HHxiZ for mastering!

Close To The Rainbow

My first work recorded in Kharkiv during the war. They will never steal our peace of mind... My dear Dad was always with me when I was a child, but now we've been apart for over 2 years due to the war. My parents' home exists only in my memory. I wish all the children in Ukraine whose fathers have to defend the country peace and reunion of their families.
Remastering by Houman https://soundcloud.com/houmans. Please check his beautiful music.

Daddy's Lullaby

This is a track created by RiZLiX called "Anything Goes" with my guitar playing added to it. Thanks to IPG1, FRAWSTAKWA and RiZLiX for welcoming this recording.

RiZLiX featured the legendary vocalists IPG1 and FRAWSTAKWA in its work.
The original sound source for this track is below.

IPG1 X FRAWSTAKWA X RiZLiX - Anything Goes
https://soundcloud.com/rizlix/ipg1-x-frawstakwa-x-rizlix-anything-goes?si=49dd5edb56dc4d3b8365d78903231471&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Anything Goes Vocals 106 BPM
https://soundcloud.com/ipg1/anything-goes-vocals-106-bpm?si=305926b2ac484229a750cdd8d3d7cd52&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Frawstakwa – Stbb-110bpm-frawstakwapella
https://soundcloud.com/frawstakwa/stbb-110bpm-frawstakwapella?si=10cfff4bf183400abfc314c04624d7f4&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

I recommend that anyone learning to play the guitar listen to this piece over and over again, playing the Gm/B♭pentatonic scale in various ways, and trying to find a phrase that you like.

The volume adjustment during mixdown is optimized for the environment when using the earphones that come with the iPhone. If you feel that the volume of the guitar playing in this work is low, please use earphones and check the volume balance of this recording. It seems that earphones other than those that came with the iPhone do not have any problems. When using an Android device and when connecting an audio interface to a PC, I connected inexpensive earphones and confirmed that the guitar volume can be heard at a roughly appropriate balance.

There is another way. I have embedded a SoundCloud player on my blog to introduce my works, but I noticed that this work sounds harder (mid-high tones are clearer) than when played directly in the browser. If the guitar volume seems low or the sound quality sounds cloudy, please open the following and play this recording with the SoundCloud player embedded there.
https://junzo.seesaa.net/article/509999749.html?1738554041

▼△▼△▼△▼△▼△▼△▼△▼△▼△▼△▼△▼△▼△▼△▼△▼△▼△▼

IPG1
https://soundcloud.com/ipg1/tracks
FRAWSTAKWA 
https://soundcloud.com/frawstakwa/tracks
RiZLiX
https://soundcloud.com/rizlix/tracks

IPG1 X FRAWSTAKWA X RiZLiX - Anything Goes - ft.JUNZO on electric guitar

Shyheim - Furious Anger Ft Big L - Beekool Beat

Please welcome to join Syntaleta community on www.patreon.com/syntaleta
Remastered by Houman (https://soundcloud.com/houmans)

But I've Got the Wings

Persephone's Fields
Valhjim 

An ethereal, dark ambient, dreamlike Berlin-School type, "Persephone's Fields" enwraps the listener in an Otherworldly atmosphere of magic and myth. In our imagination, we see Persephone in a field of flowers, follow her chant to the horizon, witness Hades lurk, approach, and snatch her away.
**********

Valhjim: Synthesizers, Samplers, guitars
Martin Miers: drums

© 2025 Valhjim. All rights reserved. Original music by Valhjim.

Persephone's Fields — Valhjim w/Martin Miers

BLACKED OUT...

More on the 705th weekly Disquiet Junto project, Book Start — The Assignment: Let the beginning of a book help you begin a new piece of music — at https://disquiet.com/0705/. This week’s project was proposed by Neil Stringfellow.

disquiet0705 - Lubadh

Cool Rush

Las Palabras lo dicen mar de laguna musical…

link descarga
https://www.safecreative.org/user/Jeshdez

3.Mar de Laguna

front porch picking

Not my song: (credit goes to Wifiskeleton.)   |May he also rest in peace🕊️|

Stop reminding me I’m human (cover)

This “song” is entirely in DeeP. speech. I am interested in music and moods, not messages. My close contact with the Clockworkgod enables me to speak this language fluently and convey moods completely authentically. ;-)
You must listen to the song beyond the 1:37 mark, otherwise you will miss something essential!
Everything was done artistically and technically by DeeP.

Float

Glory

Worker Bee (2025) Remastered

Glory(Cloudedit)

People disapprove. 1369 ( 1993 ) Margareta Theorin ( Margareta )

wave

mid-deep listening groove electronic ambient dub

fresh aire day

believe 3

Night Gradation

Japanese traditions:festival drums and fireworks!

YOMATSURI (TAMAYAH!)

SUCH IS LIFE
Written, Performed & Produced
by Andrew Borderick Copyright 2025 AB Music

V1
IT'S ANOTHER ECLIPSE OF THE CITY
SOUNDS LIKE YOU'VE BEEN AWAY
S S SAILING AWAY
WHEN I FLOTE INTO YOUR EYE'S
LOOK'S LIKE YOUR FAR AWAY
THERE TO STAY
(CHORUS)
IT'S ALRIGHT, YOU'LL BE FINE
GET OFF THE GROUND, TO TAKE MY HAND
AND FALL AGAIN, TO FALL AGAIN
WE CAN HIDE AND TRY TO DEFINE
SUCH IS LIFE
V2
WE ALL LIVE IN THE CRIME OF THE FUTURE
FEELS LIKE THE END OF TIME
REALING AWAY
NOW YOU'VE SLID INTO THIS STYLE
IT'S NOT THAT YOU HAD TO STAY
I'M HERE TO SAY
(CHORUS)
IT'S ALRIGHT, YOU'LL BE FINE
GET OFF THE GROUND, TO TAKE MY HAND
AND FALL AGAIN, TO FALL AGAIN
WE CAN HIDE AND TRY TO DEFINE
SUCH IS LIFE
(BREAK)
(CHORUS)
END

SUCH IS LIFE

Photo from left to right: JJ, Josh, and Ken
Cast of characters:
The Beautiful Dark -- @thebeautifuldark -- Carl — Ovation guitar, lead vocals, lyrics, and compostion
Mistermark-- @user-432503709 -- Mark –- VST Chinese gong and VST cello
J.J. Terrell– @j-j-terrell – light VST Latin percussion, synth, and piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass, chant vocals at the end 
TexMex Shaman– @texmex-shaman –Stephen — ebow, production, mix, and mastering

 This song is the fourth Carl has written and composed with a member of Eclectic Collective in mind. This time JJ is being honored, and we all agree that he deserves it, too. Carl is a wonderful singer, songwriter, composer, and musician, and we're all grateful that he's joined our collective. 
  Here's what Carl had to say about it. "The music for this was a personal song written to myself which I never really released as I was trying to say goodbye to my own ego in the song. From that point of view I have always seen the piece as a great bit of personal therapy for me. None of the original lyrics survived and JJ gets painted by the new words .. But I thought it would be nice to reuse the composition for this. There was no big reason for it only when I decided to start a 60bpm song for JJ on piano .. I started playing Goodbye Ego and the rest is history..."
  We tackled this song like we would any other, though. Mark was first up on this, adding his VST magic in the form of a Chinese gong, as well as the cello you hear throughout. The subject of our adulation came next, with JJ adding not only his hot, yet minimal Latin percussion and essential piano, but moody synth, as well. Ken added his spicy drums after that, and once they were down, Josh jumped in with his four string fretless bass to complete the rhythm section. Josh also added the vocal chant at the end.
  All that was left was for Stephen to mix it all down for us, which he did in his always pro manner. But before he did, he also added some subtle, yet stirring ebow on his guitar. 
  As stated above, this is a continuation of our songs about us. Hope no one thinks it's arrogant. When Carl presents us with these little treasures, it's hard not to run with them, though. Always a ton of fun to make music together. We hope you enjoy listening to this as much as we enjoyed creating it.
Original lyrics by The Beautiful Dark:

Praying hands
Whatever cause
Once our greater good not lost
Bored children create their fun
We shelve French horn for this fine one
"Nice one lads" We read it all!
Vacation taken
To JJ calls
Neighbour to good Mickey Moore
Find Michigan piano pure

JJ calls
Just for us
Love lit up
Just for us

Down the road city of cars
To Howell front deck
Dad and Guitars
We jam that love then tell the world
Love and service human highway knurled
Good bi-product of happiness sought
With Croatian fun to cloud we court

Terrell Terminator in Jungle
Predator for good
Keys like Mr Bungle
Faith in more like we could
He Thanks you
It's lifestyle
Built from a porch
Good collective friend
Keep lighting that torch

Some moments sealed, marked and moulded
Pure intention
Dark blindfolded
Howl from human to Howell good soul
Keyed keystone as collective role

JJ calls
Darkness falls
Love lit up
Just for us
Love lit up
Just for us
Love lit up
Just for us
JJ calls

JJ calls
Just for us

JJ Calls (Eclectic Collective)

(Music: Hans-Michael Albers, Lyrics: Terry Reeves)
Terry Reeves:  Vocals
Hans-Michael Albers: All instruments, Arrangement & Production

Today, 22nd. August 2025, marks 13 years since our dear brother Bri succumbed to the deadly combination of leukaemia and Guillain-Barré syndrome.  Watching him through 2012, unable to do anything for himself and increasingly confined to a hospital bed is something none who loved him will ever forget.  
He has never been (and never will be) forgotten, not only for the music he created but for the force of nature he most certainly was.  In 1964, our Mum & Dad bought him an entry level acoustic guitar as a Christmas present and his progress on the instrument was something to behold.  By the time he was 18, he’d bought himself a Gibson Les Paul on HP (24 payments of five pounds and thirteen shillings per month) from Selmers in Charing Cross Road, London.  He joined a band, somehow co-opting me in as lead singer at the tender age of 15 (still a schoolboy, no less) and over the ensuing ten years, formed bands of whose line-up I was always a part, graduating from singing to percussion and eventually drums.
There being guitars laying around the family home, Tel took to playing and encouraged by Bri, never stopped.  Fast forward another five years and he too started writing songs so that by ’82, the 3 of us decided to form a band (Root Division) to play them.  It’s a truly special thing to be in the same band as your brothers and recording those songs became something Tel and me still remember with an abiding nostalgia.  No wonder we still talk about those days…
This song started life as an instrumental, written by Hans and of course, it’s brilliant as is but Tel liked it so much, he asked if he could write some lyrics and a vocal melody.  Being a generous fellow, our dear friend from Hamburg said he’d love to hear what Tel had in mind.
His basic idea was to incorporate as many references as he could to Cripple Club tracks, in celebration of the firm friendship we have formed in together recording what amounts to over 50 songs.  There may be a few of you who can spot one or two…
So this is for you, Bri.  We love and miss you, sweet brother.
(Gary Reeves)

Last Summer day reasons
Hamburg always shines
Shadows of Superheroes
Another surprise will come in time
Click toward a pension
From birth but never knew
Surprised to find a blackbird
In the flames as the music grew

Touch wood for satisfaction
CC music every day
Root of strong existence 
Step off the world to feed the phrase
Another Titan message
Titanic stories past
Image of a fraying edge
Never thought hang of time would last

It’s the time, it’s the place
It’s the only performance I can show my face

Last chance for singing
Avoid resistant tide
Pleasing distant garage
Remember 4 to 3 to 5
Stars in space that linger
Soaking up the blue
Palette of sunshine yellow
Mix to green for go - but for who?

T,G & H, Two and you!

LAST SUMMER'S DAY BLUES - CRIPPLE CLUB

Oh Baby I need you   (Open collaboration offer Paploviante)
Backing Track: 
https://soundcloud.com/paploviante-and-friends/still-think-positive-open-collab-offer
Lillithe: Mix, Arrangement and Production

Oh Baby I Need You (Open collaboration offer Paploviante)

Reflective / Open Collab Offer Paploviante  
 Paploviante: E-Bass, Music, Composing, Arrangement, Mix and Mastering 
BPM 90
Free Download
Feel free to adding something !
If you publish it, you have to mention me in the description and title!

Reflective (Open Collab Offer Paploviante)

Rough

Thank you for listening!

Vocals: Clara Sorace

soundcloud.com/emilio-gs/sets/cinematic-music-by-emilio-gs

The Survivors

This is how it’s done / FRAWSTAKWA & Paploviante
Lyrics and vocals written and performed by FRAWSTAKWA
@frawstakwa
https://soundcloud.com/tobedetermined-frawstakwa/this-is-how-its-done-160bpm
Paploviante: Music, Bass, other Instruments, Mix and Mastering

This is how it’s done (frawstakwa&Paploviante)

Here is  one I made earlier :-)  Thank you for your kind shares plays , and playlists.

Added  Organ piano strings and percussion   Annette
(C) Vocalatti 2025

In  A Haze

Vocals: 2nick8
https://www.looperman.com/acapellas/detail/19830/once-in-a-lifetime-90bpm-rock-acapella
Second Vocal: Leslie dancing in the Moonlight
E Bass: Paploviante
https://soundcloud.com/paul-racle
Lillithe: Arrangement and Mix

Once in a Life Time feat. 2nick8 & (Paploviante-E Bass)

Songster version was a little ‘copla’ about not being able to be with, nor without, a loved person.  As usual, I’ve ‘upgraded’ it, process from which you only get the final result, normally. 

But, following lyrics’ contradictions, I not only serve parts with different levels of (dis)order in heavy rock - flamenco sauce, but raw vs very cooked parts as well, starting with the improvised phone recording of the very first idea I had to develop the song, so please excuse my failures and noises.

Letra  /  Translated lyrics:

Te veo venir (No te vuelvas a ir)  /  I know where you're coming from (Don’t you leave again)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pena,        /  when you come with that sweet sad face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes llorando sin que te duela,     /  when you come crying without any pain,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando dices que quieres hablar conmigo,  /  when you say that you want to talk to me,
te veo venir,                                                  /  I know where you're coming from,
cuando quieres estar al lado mío,                /  when you want to be by my side,

te veo venir (x3)                                           /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pilla,          /  when you come with that sweet sly face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes con esa sonrisa, chiquilla,    /  when you come with that smile, little girl,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

ER33FI03 RUIZZO©1996 – FRANCÉS RECORDS®2016
