Performed by and written for Heather Roche.

As if on a hunt for matsutake mushrooms—which can only grow in areas disturbed by humans—the faltering but desired pitches only reveal themselves as a result of precarity between agencies. Heather must allow her instrument to bloom, but dismiss or restrict any promising buds. As a result, the porousness of the instrument and Heather is highlighted; the two become entangled, an ever-transitioning assemblage of plateauing possibilities, encouraging a mode of being that delves into the contextual nature of instability.

...to notice autumn aromas, through...

track 3 from “Yosde” by Betts(JP) @japanese-betts
name your price at https://stereoscenic.bandcamp.com/album/yosde

"The water level is rising and the waves are getting stronger. I looped the sound of rough waves and the sound of empty cans floating in the river hitting the shacks. I used a minimum of guitar phrases to express the changing scene while feeling a slight headache as the air pressure drops."

Yosde

Betts(JP) - Yosde 03

it's hard not to keep going with these arp2600 loops... but i will move on.... for some reason this came out after watching the A Tribe Called Quest documentary tonight.

February 10, 2022 (midnight)

@subplant_records is brand new label from the Glasgow underground. They've just released their first compilation. Proud to be a part of the first part of the journey with my new track "User Connected".

Show some love over at bandcamp
https://subplant.bandcamp.com/album/subplant-vol-1-various-artists

User Connected

Slow Dub-house for after-hours operations.
Hear us monthly on Bloop London Radio:
https://blooplondon.com/artist/orikum-vault/

Search Block - Antioquia

The story is told in two acts;

both acts are ‘‘é®±’Ω˙, using only

vaguest of: colours, movements, and shapes.

-

**ACT I**

Colours: blue and orange, interspersed with a bit of red, green and smudgy white;

Movements:

* erratic (chaos)
* multidirectional and short-lasting, as if viewing a galaxy from outside an event horizon*
* swirl that makes sense for only a few moments but keeps swirling,
upholding momentum but no,
no story or:

*no correlation between the sprawling, sculpting lines.*

*dimply smudged, incomplete.
* unwavering
* undisturbed, spacious movements that follow each other almost seamlessly;
* high contrast, stronger hue and light against darkness, clear black and white colours.

* laconic
* exactly two movements are shown before an interval between them.
* after the interval,
a new movement is shown.
* This continues in a repetitive loop.

Shapes:

* a simple, a very simple shape is shown repeatedly.
* the shape is painted a clear colour; the drawing is

almost technological in

a way, purely outlines and

a simple pattern.

Time:
* the first act has two sequential musical compositions by Ocsid.
* the two compositions are shown along with two identically long repetitions: of

music and visuals.

* the compositions stay in medias res.

**ACT II**

Colours: bright, opaque white, pitch black and subtle smudgy beiges.

Movements:

* short, staccato and fast
* light, quick brush
strikes against the paper, adding light, white pigment onto the beige, almost white canvas.

* slightly slower in both moves, but overall very quick and comprised:

of four different movements that are in a repetitive loop.

* controlled
* follows some invisible lines,
sometimes a movement or two branches out and then follows the main line again.

* pixelated

* at first the movement is

a continuosly fluid one, but towards

the end of the composition,

it seems like the movement

is comprised of countless small movements;

technically it still is

a fluid movement, but

visual it seems that these

small movements are

composed of smaller

moves and so on –

the brush-stroke can

be seen as individual blobs:

two in one, four in one, eight, sixteen and so on.

Shapes:

* a line is drawn against

the paper, growing thicker and

thicker as the movements expand and

multiply; it is thick enough

to be called a hexagon,

but with a few quick movements

it becomes a line again.

Time: the second act
* has a longer

composition, which

starts out with

a wibe, and

almost slow,

dragging

movements

and slowly builds

up to a

stronger,

blistering,

pythonian

signature

ﬁnale.

.˛˘ ⁄>\\⁄√/|¸ •.

been a year since the last one of these - yikes how time flies.
hope you enjoy me selection. ☮ ♥︎ ⎋

Wax Dub Sesh #2

2 Eggs, 100gr flour, a load of sugar and some chopped cherries. Bake for infinity and serve with a canny dolphin.

tmtrue2

8tech