WWW.DJDANK.COM

BOOKINGS  
BRIAN.W.ATWOOD@GMAIL.COM

MANAGEMENT 
Onno@IntoTheMusicManagament.com

DANK
Ultra Music, Insomniac, Funky Element Records, U.S.A. 

DANK is an electronic dance music producer based out of New York City. He has remixed for artists such as Daft Punk, Britney Spears, Rihanna, Shakira, Iggy Azalea, Rita Ora, Yoko, Ono, Pitbull, Avicii, Deadmau5, Nicky Romero and Paul Oakenfold to name a few. Official remixes on labels such as Sony, RCA, Universal, Columbia, Ministry Of Sound, Disney, Virgin / EMI, Ultra Music, LE7ELS, and Armada.  Dank is an overall best selling producer in multiple genres.  In addition, he is also the CEO & Founder of Funky Element Records for the past 20 years. A DJ/ Producer/ Re-mixer/ & Label Owner, DANK has been at the forefront of electronic culture since its early inception years ago. This New York City native considered to be a pioneer of the sound currently coming out of the city that never sleeps, represents raw electronic dance music from the school of the hard knox and is knee deep in it. Fused with sexy bass and super funk, Dank has played along side some of the hottest talent on the planet. His own live performances have been considered thunderously captivating, crossing all genres of the electronic movement. DANK is an exclusive recording artist with Ultra Music. With his signature style, of bass in your face "Don't Talk About It... Be About It" DANK vows to continue on his path of moving dance floors till the early morning.

'Piano' is out now everywhere! ➡️ https://AvB.lnk.to/PianoYA

Armin van Buuren has been a global ambassador for electronic music for over thirty years, with a Grammy nomination, five #1 spots in the DJ Mag Top 100, and nine full-length artist albums to his name. Through his exemplary productions, groundbreaking live
shows (e.g. his new ‘THE ORB’ world tour) and his weekly A State of Trance radio show (44 million listeners from over 80 different
countries), event series and album series, he cultivates a massive global following.

Armin van Buuren headlines tens to hundreds of shows per year at leading festivals and venues around the world, including Electric Daisy Carnival (Las Vegas, New York), Ultra Music Festival
(Miami), Lollapalooza (Chicago. Berlin) and Tomorrowland (Belgium, Brazil), plus residencies on Ibiza and in Las Vegas, and his own A State of Trance events in Rotterdam, London, Mexico and beyond. 

As a producer, Armin van Buuren has joined forces with the biggest artists in dance music and beyond, from Hardwell, David Guetta and Martin Garrix, to Moby and Jon Bon Jovi. In June 2025, he released his ninth studio album, ‘Breathe’.

Armin van Buuren is also the co-founder of Armada Music, the world’s biggest independent dance music label.

LISTEN TO DJ Z-TRIP  - 
www.djztrip.com
Contact info: 
info@djztrip.com

Michael Alvarez, also known as 8th&M, is a Cuban-American electronic music producer and singer-songwriter from California. His debut album Something Proper was released on January 28th, 2014 on iTunes and other major digital retailers. He continues to produce and write for other local and national artists.

https://phantogram.komi.io/

Fall In Love Again (Desmond Remix) Out Now
Move In Silence feat. Big Boi Out Now

Sparked by a color or song that recalls the most joyful and tragic moments in your life, a sense memory vaults you into the distant past. These subtle triggers remind us that memory isn’t confined to the mind; it lives in the body, too. Phantogram’s fifth album, Memory of a Day, captures that disorienting sense of time travel. “We put these songs together as a capsule, thinking about how a certain sound or melody can bring you back instantly to a memory of a day,” Phantogram says. 

While they were recording, the duo fixated on life calendars, a gridded sheet in which each unit represents a single week of a person’s life on the planet. As you fill in the grid, you witness the progression of your life in stark terms. The older you get, the darker the grid becomes, reminding you of how much time you have lived, and how little you may have left. “It’s this exploded view,” Phantogram says. “Like an image of Earth from a distance.” The life calendar is both morbid and nostalgic, a physical representation of our ephemeral time on Earth. 

“Days are only numbers,” Sarah Barthel sings on the chorus of “Come Alive.” That lyric became a north star for the duo as they set forth to make Memory of a Day. At once heavy and ebullient, “Come Alive” distills the lasting impact Phantogram has made on popular culture. Since their 2010 debut, Eyelid Movies, Phantogram has been comparable to no one, futurists who still manage to stay ahead of the curve more than a decade into their career. Their genre-bending approach to pop has led them to work with everyone, from Big Boi, with whom they founded Big Grams, to Subtronics, Future Islands, Deftones, the Flaming Lips, Tom Morello, and Miley Cyrus, to name just a few. A festival staple across the globe, Phantogram has also toured with Queens of the Stone Age, Arcade Fire, the XX, and many more. “We’ve always been proud of that: not being afraid of the experimental.”

Though their music has always been future-facing, to make Memory of a Day, Phantogram looked back. “Recording this album, it felt like how it did when we first started making music together,” Phantogram says. Alongside special collaborators like Mikky Ekko and Dan Wilson, Phantogram was joined in the studio by producer John Hill, who helmed Phantogram’s second album, Voices. The duo experimented in the studio and indulged in the music that brought them together in the beginning, artists such as J Dilla, Prince, Slowdive, and so much more. They reference new wave acts like the Talking Heads, ESG, and Liquid Liquid as influences on the percussive punk track “Feedback Invisible,” which is followed by the wistful burst of color “Attaway.” It’s a shoegaze song so sumptuous “you can almost see the grain in the guitar sounds.” 

Phantogram think in images when they write, drawing on scenes from films that linger with them years on. “Ever since Eyelid Movies, our work has been visually driven,” Phantogram says. In the video for the fuzzed-out waltz “All a Mystery,” snippets of human lives coalesce into a montage of experience. “Erase all the tapes in my mind/ Throw them all away,” Barthel sings, accompanied by a bittersweet swell of synths. “Turn back the tables of time/ Let all those memories die.” A swirl of memories, both triumphant and tragic, surface on Memory of a Day. “Come Alive” was written after Barthel experienced a transformative live show on her own, while the title track recounts the moment Josh Carter had to put his dog down. “It’s what you wanted, but couldn’t say,” he sings. “I’m not afraid of dying or what it feels like”

The album’s penultimate track, “Happy Again,” is a thrumming, bass-heavy rock song with a chorus that sounds like a wave crashing against the sand. “Another empty summer sunset/ Feeling homesick,” Barthel sings ahead of the bridge, her voice catching on the breezy, luminous production. “Can you believe this is your life?” It’s a moment of realization Phantogram compares to the dour scene in Forrest Gump, where Lieutenant Dan, “mega depressed and drunk,” throws a bummer New Year’s Eve party. Still, the song ends with an enlivening mantra. “I can be happy again,” Barthel repeats as guitars careen and crash. If days are only numbers, then how else can a person measure a life? On “Ashes,” the answer seems to be in moments of resilience. Based on the adage “you came into this world alone and you’ll leave it alone,” the throbbing production infused with elements of trip hop, shoegaze and indie accompanies Barthel as she reminds the listener: “Ashes rise, ashes rise.”

When they penned the lyrics, Phantogram thought of the mythical phoenix spreading its wings after catastrophe to take flight. The vulnerable, even despairing moments on Memory of a Day are stark, but they’re buoyed by a relentless optimism that has driven this project from the outset. In the Los Angeles studio where they recorded Memory of a Day, Phantogram often marveled at the distance they’ve come, both physically and spiritually, since they first started making music together in a barn in Upstate New York. “Tomorrow never knows,” Barthel nods to the Beatles on “Come Alive.” The accumulation of days together tell a story bigger than any finite lifetime, and Phantogram’s life calendar is only a fraction full.

8th&amp;M is following

8th&M is following