Tauchte gestern einfach so in der Schlucht auf, dachte ich hör nicht richtig. Souwgail! 

Artist: @autumns
Title: Annoying Fucker
Album: "DSS Dubplate"
Release date: November 05th, 2021
Label: @touchsensitiverecords
Format: 10" EP / Digital 
Buy links: 

https://touchsensitiverecords.bandcamp.com/album/dss-dubplate
https://boomkat.com/products/dss-dubplate
https://www.juno.co.uk/products/autumns-dss-dubplate/850175-01/

Hot on the heels of this year’s ‘Dyslexia Sound System’ album, Touch Sensitive is thrilled to share a three-track companion piece from Autumns - 'DSS Dubplate'.

Autumns is the solo project of Derry’s Christian Donaghey. With a relentless release rate that mirrors the energy and intensity of his live shows, Donaghey has submitted a selection of skewed star turns for the likes of iDEAL, Death & Leisure, and Opal Tapes since his debut on Regis' Downwards label in 2014.

Much like it's companion LP, 'DSS Dubplate' is heavily inspired by the On-U Sound label, the productions of Adrian Sherwood, and that cultural and musical sweet spot when the rockers met the post-punk crowd. 

Donaghey’s whip-crack beats, heavily effected vocals, shredded no-wave guitar, and clarinet squalls are shaped and shifted further into the endless expanse by his dubwise techniques on the board. 

As always with Donaghey's productions - these rhythms grip tight and don't let loose until the needle is on the run-out groove. 

Full-throttle! Autumns non-stop!

More information and promos: info@tforgotten.org
Follow us on Instagram: https://bit.ly/3dIwmu6
PayPal donations here: https://bit.ly/TFDonative

DISCLAIMER: All tracks are loaded in low quality for promotional purposes only and with purchase links to respect the label and the artists.

FOLLOW US: 

Website: https://www.tforgotten.org
Youtube: https://goo.gl/MNiXdG
Instagram: https://goo.gl/NwLscp
Facebook: https://goo.gl/DWJBmK
Twitter: https://goo.gl/b3TJgt

Autumns - Annoying Fucker [Touch Sensitive]

REFLECTIONS

Mick Wills is no stranger to Frigio Records, the German Dj and producer has turned his hand to edits and remixes on previous releases and now arrives with his own 12” of edits for the volumen 4th of the label’s Ecdisis series. The source material for the two pieces on offer comes from Brazil’s Simbolo, a band formed in 1988 and still active with a career spanning more than thirty years, was a central player in South America’s EBM and Synth scene.
Wills has selected two tracks from the Brazilian’s back catalogue, the first being “Mind.” Industrial influences come immediately to the fore, complex drum patterns give way to a juddering groove in which guttural vocals depict a scene of hurt and pain. “Synchrono”
occupies the flip. Taken from the 1995 album, In the Danger Zone, the original two minute piece is extended into a seven plus minute epic. Following on from “Mind”, “Synchrono” melts stuttering bass-lines and textured percussion with indecipherable lyrics counter-balancing heady strings. Two cuts of emotive and impacting electronics.

320k

PREMIERE : Simbolo - Mind (Mick Wills Edit)

RADKO - Leper Colony. Taken from the LP "The Dirt On Caligula" released on Gooiland Elektro/Enfant Terrible (ET071 / Gooiland 45). Released in September 2022. More information here: www.enfant-terrible.nl

RADKO - Leper Colony

Roberto Auser - Imperative. Taken from the split 12" EP with Melting Dogmas released on Gooiland Elektro/Enfant Terrible (ET070 / Gooiland 44). Released in September 2022. More information here: www.enfant-terrible.nl

Roberto Auser - Imperative

Premiere of the track "Tape I" by Max Schreiber, taken from his upcoming release on Confused Machines.
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Artist: @muledriver
Track: "Tape I"
Album: "Discreet 808 Music"
Label: @confused-machines
Format: Extra limited Lathe cut vinyl + Digital
Release date: August 8, 2023
Pre-order: https://confusedmachines.bandcamp.com/album/discreet-808-music-dm08

Mastering by Harel Schreiber
Artwork by Bar Faber

"Usually going under the moniker Mule Driver, Harel Schrieber has dedicated a great deal of his life's work to studying and exploring the wonders of the Roland TR-808 drum machine, celebrating its' rhythms to a large extent and since 2011 releasing exclusive material for the annual 808 day, which occurs every August 8th.
For the upcoming 808 "birthday", he'll deliver his gift, literally, as Max Schrieber - His alter ego for experimental and drone oriented works and therefore utilize and treat the 808 differently; zero beats whatsoever. Instead, late seventies Brian Eno inspired ambient soundscapes and atmosphere."

Premiere: Max Schreiber - Tape I [DM08]

BUY...
Limited GREY+WHITE MARBLE vinyl edition (200 copies):
https://suction-compilation.bandcamp.com/album/snow-robots-volume-4-limited-grey-white-marble-edition
Standard BLACK vinyl edition:
https://suction-compilation.bandcamp.com/album/snow-robots-volume-4-standard-black-vinyl-edition

Artist: [various]
Title: Snow Robots Volume 4
Label / CAT#: Suction Records / suction042
Format: 12” EP
Release Date: December 8, 2017

Formed in 1997, and inaugurated that year with a split 12” from new-comers and label founders, Solvent and Lowfish, this year Suction Records celebrates it’s 20th anniversary with the re-introduction of their famed Snow Robots series of compilations. While originally started as a North American answer to UK electronix labels like Rephlex, Skam and Warp Records, a sound that is still a staple of the current Suction Records catalog, Suction’s sound has also swerved into new territories, reflecting our love of dark ‘80s electronic music - synthpop, EBM, and beyond…. Snow Robots Volume 4 features an international array of artists, from Suction Records mainstays like Digital Poodle, June, Celldöd, and Ceramic Hello (with their much sought-after 1982 vocoder anthem), to label-favourites appearing on Suction Records for the first time: Beau Wanzer, Morah, and one of Skanfrom/Sleeparchive’s lesser known aliases, Civil Defence Programme. 

Deluxe packaging, limited to 500 copies, with 200 copies on GREY+WHITE MARBLED VINYL.

A1. Civil Defence Programme - Wrong Diagnosis (2010)
A2. Morah - Learned Robot (2017)
A3. Beau Wanzer - Dead Heads (2001)
A4. Celldöd - Pulsdisco 1.2 (2104)
B1. Ceramic Hello - Sampling the Blast Furnace (1982)
B2. Digital Poodle - Soul Crush (Manie Sans Délire revision) (2016)
B3. June - Idealized States Of Perfection (2016)

Ceramic Hello "Sampling the Blast Furnace" (suction043)

READ > https://inverted-audio.com/premiere-nick-klein-the-worst-band-in-the-world

It was only a matter of time until the parallel paths of NYC techno enfant terrible @nick-klein and @entrosenestre's boundary-pushing imprint @bankrecordsnyc drew closer and eventually gave birth to a collaborative effort - 'Bathroom Wall' - out 26th October.

Nick Klein - The Worst Band In The World [BANK Records NYC]

CHEN YI - THE 1978-1983 / LP
WVINYL 024 / Late Night Rec.
90%WASSER REC

side one
01 STAND UP – 1981
02 HAIL – 1982
03 COMMUNE #17.3.1979
04 RUG – 1982
05 WARGAME – 1983
06 CHENSESSION #6.4.1978
07. TAPE – 1979/80
08 HONEY MONKEY – 1980

side two
01 ROUNDER – 1981/82
02 HONEY MONEY – 1982
03 THE – 1979
04 CHENSESSION #20.5.1979
05 RAPE – 1981/82
06 POTATOHEADS #21.3.1980

Limited reissue of this obscure industrial-no wave record released in 2006. Due to reaction of people about "Rug", which fastly became an anthem for curious minds and unconventional dj's, both Robert Schalinski and Saulk from Mélodies Souterraines thought the rest of album should get more interest. 12 years later, we're happy to announce this reprint, which keeps original artwork and label design. Simon, The Exchange worked on remastering each tracks from original tapes. LIMITED TO 150.

The CHEN YI Commune (1978-1984)
The Chen Yi Commune was founded in 1978 by about 20 women & men from London & the surrounding area. The building of the commune, an old school in Chelmsford, was located on vast premises & was encircled by a wall. The aim of the commune was to create a closed subsystem, a kind of subsociety and to narrow down its contact to the outside world only on very few specific actions. Life in the commune was lead hermetically closed. All circuits, the food, culture and communication circuits had to be self-contained.
The influence of the outside world on the inner life of the commune & vice versa, was controlled. Actions aimed at the outside world were directed towards specific persons.
Due to the hermetically closed life within the commune during the first years, there were almost never problems with the local population. Not until 1982, after some members had intensified their public communication, it came to a brief, open conflict at the end of which stood the breakup of the commune and the destruction of the house in 1984.

About these recordings:
Most documents on this release were recorded in the Chen Yi commune with a Studer A80 MkIV2“ 16 track with Dolby SR.
These early tapes were never completed or mastered by Chen Yi. Partly they include unfinished session recordings or notes. That’s why a heavy post processing was necessary, sometimes even reconstruction. For years I was looking for the right equipment to listen to and mix the approximately 30 tapes. There were approximately 55 audio cassettes on top of that, with uncut recordings from the commune, from the so called „rounds“, the sessions and so forth. My father left me a tumultous accumulation of recordings, creasy & stuck together tapes that were for some curious reason been recorded using the most expensive studio technology you could get back then. However, none of the musicians had learn how to use it.
The Chen Yi commune never was interested in producing records, some of the members even refused any form of release whatsoever. In 1981 one member (Chen 8) released a tape edition called „Hanging“. The title referred to the first 3 english witches who were hanged in Chelmsford, where the commune house was located.
This cassette was sent to various record companies. John Peel saw a potential in Chen Yi which led to a recording contract in 1982/83 with CBS. About 7 tracks were produced for the first Chen Yi LP „The Rape“ in 1982. Basic lines were recorded at the Chen Yi studio in Chelmsford. For 2 tracks the end production was completed at the Trident Studios, London. More couldn’t be finalised, because CBS suddenly pulled out of the contract. This left unfinished tapes of an LP & an EP (3 tracks for a planned Peel Session, 1983), on which partly only drum computer & synthesizer can be heard as a basic pattern.
Chen 26

Chen Yi - RUG / 1982 (WVINYL 024)

Buy here:
https://pinkman.bandcamp.com/album/untouchable

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It's no secret we endorse the way Bandcamp supports artists and labels. Their unique approach on selling independent music is why we’ve opened an account 7 years ago and not even for a second did we regret it since.

On May 1, June 5, and July 3 Bandcamp is waiving their revenue share again (every first Friday of the month). It’s a reason for us to launch "Pinkman Digi Lab", our new digital only release series. Expect your monthly dose of experimental electronic albums served fresh and ready to download for a price you decide by yourself. That's right, pay whatever you want for a limited period.

First up, TYVYT|IYTYI. He previously released a cassette on Pinkman, and now the connoisseur of groove-fueled wave electronics returns with a 17-track album. Dark but not bleak, Untouchable is a rather mischievous dance with misery. Filled with coarse synth-lines, percussive kicks, pierced with eerie vocals and submerged into nostalgic ambience it’s a cinematic sound journey for those brave enough to take it.

Mastered by: Ruud Lekx
Artwork by: Lion Sauterleute

Chen Yi - RUG / 1982 (WVINYL 024)

90%WASSER

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