Name: Here I am, here I am, O my secret and my whisper by 90dB Project
Duration: 6 min 56 s
Description: لَبَّيكَ لَبَيكَ يا سِرّي وَنَجوائي

This person must have some potential, since the other side of this work must be successful.

لَبَّيكَ لَبَيكَ يا سِرّي وَنَجوائي

Here I am, here I am, O my secret and my whisper

140bpm piano sad

Une élégie suspendue entre deux mondes. Une guitare éthérée, un souffle fragile. Ici, le vent emporte les adieux et l’écho répond en silence. La douleur de l’absence devient mélodie, et le dernier regard un vers qui ne s’efface jamais.

Lyrics:
Pleure, car l’adieu est scellé
Pleure, si ton âme en secret se déchire, Car l’heure est venue où s’efface l’empire. Le vent s’est levé, le seuil est désert, Et l’ombre des jours s’efface en éclairs.
L’ami s’éloigne, le seuil se brise, Tout ce qui fut n’est plus qu’une brise. Oh, garde en ton cœur l’éclat du passé, Car nul ne retient ce qui doit s’en aller.

Pleure, car l’Adieu est Scellé (Original version)

Yamalki
A mind-expanding fusion of Malhoun poetry and warped electronic sound design. Chopped-up samples, hypnotic rhythms, and Hadri’s fearless manipulation of sound create a hallucinatory sonic experience.

pSYKOK is a groundbreaking DJ duo from southern Morocco, blending trap, dark trap, trip-hop, dark techno, electronica, and drum & bass, all infused with a deep psychedelic essence.
At the decks, Salah Hadri is one of North Africa’s most daring DJs—a fearless innovator who takes risks and pushes sonic boundaries. His sets are unpredictable, hypnotic, and electrifying.
Beside him, Mahmoud Hamdi, a multi-instrumentalist and trumpet virtuoso, brings an organic, melodic touch to their electronic soundscapes. Sometimes, Hamdi plays live alongside Hadri, creating immersive, real-time fusion sets where traditional and modern sounds collide.
Their music reshapes Arab, North African, and African sounds, transforming them into dark, psychedelic electronic journeys unlike anything heard before.



Yamalki

Tom Rasheed reinvents The Hill with raw emotion and haunting depth, blending his rich Americana vocals with the soul of African-Amazigh traditions. His interpretation strips the song to its bare essence, exposing its lyrical weight while layering in ghostly harmonies and hypnotic rhythms.
This cover breathes new life into The Bartenders’ somber ballad, amplifying its storytelling through Rasheed’s evocative voice, which echoes both longing and resilience. The fusion of folk, blues, and ancestral melodies makes this version not just a tribute, but a transformation one that lingers long after the final note fades.

The Hill (The Bartenders Cover)

"The Honeybee" Blending folklore with deep social commentary, "The Honeybee" paints a surreal yet poignant picture of corruption, resilience, and rebellion. The song’s protagonist, the honeybee, becomes a symbol of purity and resistance against the greed and tyranny of men. The chorus sways with anthemic grandeur, inviting listeners to fly high above the weight of history. The track thrives on its hypnotic rhythm, blistering blues licks, and smoky harmonies, giving it the timeless quality of a 70s outlaw ballad. Tom Rasheed’s voice moves fluidly from storytelling to lament, delivering each line with soulful intensity.


Lyrics:
The Honeybee

(Verse 1) The honeybee spoke, said, "I don’t trust no crooked man, No greedy hand to pull my wings, to claim my land." She told me, "Look now, child, and see the broken crown, A king that heals, a shepherd bleeds, but no word gets around."
(Chorus) Welcome, honeybee, fly high and free, Through the dust, through the trees, through the bones of history. Welcome, honeybee, oh, light on my hand, Sing your tune for the lost and the damned.
(Verse 2) Sing low by the river, by the roses and the thorns, Where the preacher’s voice is hollow and the gambler’s oath is sworn. Oh, mercy’s in the garden, but the field is soaked in blood, And the wind hums a sorrow no whiskey can flood.
(Chorus) Welcome, honeybee, fly high and free, Through the dust, through the trees, through the bones of history. Welcome, honeybee, oh, light on my hand, Sing your tune for the lost and the damned.
(Bridge) I asked her, "Why do your soldiers bow and break? No lies, no schemes, no poison in their wake?" She said, "I don’t serve no hollow king, no beast in silver chains, The weight of gold will drown a man before the flood or flame."
(Outro) The king may heal, the shepherd’s torn, The preacher prays, the thief is born. But the whisper in the fields, the fire in the sky, Says the honeybee lives, though the wicked may die.

Lyricsist: Johnny D. / Tom Rasheed / Nass El Ghiwane

The Honeybee

A hypnotic and immersive track blending modern electronic sounds with the organic touch of Jules Nizar's wind instruments (flute, clarinet, trumpet). A sonic journey filled with mystery, introspection, and pulsating energy.

Chafaq (ft. Jules Nizar)

A pulsating opening. Metallic synths bleed into crushed drums, like a warning from a forgotten AI. This is the ignition: industrial, hypnotic, and burning like neon blood.


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Hardstyle（Raw Style/Rawphoric Hardstyle）

HIGHER

In The Night is the first collaboration between Australian Music Producer Trill & Vocalist miikahchuu. The chemistry & synchronicity was like gin and juice, much like the song which feels like a throwback to a house party in the early 90s. 

Here I am, here I am, O my secret and my whisper

90dB Project

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