Wait… it’s the same, but it’s NOT the same?! 🤯

This hits totally different from v.1 and v.3

🔥🔥🎵🎶🎵🔥🔥🍭🍬 Awesome!

A powerful and immersive track where dark basslines and fractured percussion blend with futuristic synthetic layers. This piece evokes a crumbling city illuminated by flickering neon lights, remnants of a glorious past.

Wild Earl presents his groundbreaking new album titled "2070 Arabian Motor Man Playing Dangerous Distortion Game But Jumping And Enjoying Another Abstract Sunset Away At Ameder With Music". This ambitious project takes listeners on a journey through a futuristic, surreal, and emotionally charged soundscape.

Set in the year 2070, the album explores a dystopian world where humanity faces the consequences of its technological obsessions. Tracks like Arabian and Motor evoke the relentless hum of machines and the mystique of desert landscapes, while Man reflects on the human condition in an increasingly artificial world.

The energy shifts with Playing and Dangerous, capturing the thrill of risk and the tension of living on the edge, before plunging into the chaos of Distortion, where reality begins to warp. Game then pulls listeners into a labyrinth of choices, where every move carries weight.

The album’s emotional core lies in moments of introspection, like But, a pause between hope and uncertainty, and Jumping, a bold leap into the unknown. Tracks like And and Enjoying weave together fleeting moments of connection and joy amidst the chaos.

As the journey continues, Another opens the door to alternate realities, while Abstract and Sunset paint vivid, surreal landscapes of endings and new beginnings. Away offers a sense of escape, leading to At, the point of convergence where everything comes together.

The enigmatic Ameder stands as a symbolic destination, shrouded in mystery, while With and Music remind us of the universal bonds that transcend time and space.

Wild Earl’s "2070 Arabian Motor Man Playing Dangerous Distortion Game But Jumping And Enjoying Another Abstract Sunset Away At Ameder With Music" is a sonic adventure that challenges, inspires, and captivates, leaving listeners eager to explore its depths again and again.

2070 Arabian Motor Man Playing Dangerous Distortion Game But Jumping And Enjoying Another Abstract Sunset Away At Ameder With Music

MOTOR

Rif Kif Dubman - FKTML v.2 🎛️🔄
Same structure. Same flow. Completely different soul.
With FKTML v.2, Rif Kif Dubman continues his mind-bending trilogy, proving that music isn’t just about notes and patterns it’s about emotion. Just like FKTML v.1 and FKTML v.3, this track follows the same framework, but it’s not the same song. It’s a different feeling, a new state of mind, a fresh perspective on repetition and change.
This is the final brick in the FKTML trilogy. The ultimate proof that the way we feel a track is just as important as the track itself.

FKTML v.2

"When We Sit Upon the Veranda" is the latest release from The Bartenders and Emma Hope. This captivating track is an adaptation of the Persian poem "Man o To," seamlessly blending modern blues, soulful grooves, and rock elements with ethereal vocals and poetic depth. The song showcases the band's evolution and the enriching addition of Emma Hope, offering listeners a unique and transcendent musical experience.

The Bartenders and Emma Hope
Originally formed in Toronto, Canada, by Johnny D. and Stephaan Rayes, The Bartenders have been renowned for their modern blues infused with soulful grooves and a touch of rock. Their signature track, "Hey Bartender!", captivated audiences with its infectious energy and catchy riffs. Known for their captivating live performances, they transformed every stage into a vibrant mix of rhythms, blending classic influences with a refreshing modern twist.
The band's evolution took a significant turn with the integration of Canadian artist Emma Hope. Emma brings a graceful feminine touch to the ensemble, enriching their sound with her ethereal vocals and artistic depth. Her presence has added new dimensions to their music, leading to a harmonious blend of styles and a more dynamic stage presence.
Together, as "The Bartenders and Emma Hope," they continue to explore and innovate, creating music that resonates deeply with their audience. Their latest release, "When We Sit Upon the Veranda," is a testament to their collaborative synergy and artistic growth.

Lyrics: 
When We Sit Upon the Veranda

O sweet the hour when we shall rest, 
 upon the veranda, thee and I,
 Two figures drawn, two forms apart, 
 yet breathing in one soul, thee and I.
 Unburdened by the world’s cruel lore, 
 its whispered doubts, its wayward sigh,
 O free from fate’s entangled threads, 
 we shall be lost in rapture high.

O sweet the hour when we shall rest, 
 upon the veranda, thee and I,
 Two shadows cast upon the earth, 
 yet bound as one beneath the sky.
 No weary thought, no restless woe, 
 shall steal the hush of love’s embrace,
 For thee and I, yet not as two, 
 shall merge beyond both time and space.

Two figures drawn, two forms apart, 
 yet breathing in one soul, thee and I,
 Unburdened by the world’s cruel lore, 
 its whispered doubts, its wayward sigh.
 For thee and I, yet not as two, 
 shall merge beyond both time and space,
 O sweet the hour when we shall rest, 
 upon the veranda, thee and I.


When We Sit Upon the Veranda (Man o To)

A poetic reflection on nature's whispers, this song evokes imagery of trees communicating with the wind, symbolizing connection and longing.

Paroles :
Hey Grey

[Intro]
Hey Grey, j’ai vu la mer s’ouvrir,
Mais personne n’a voulu y courir.
Les vagues chuchotaient des secrets,
Et les poissons parlaient en anglais.

[Couplet 1]
Les arbres écrivent des lettres au vent,
Mais le vent ne lit jamais vraiment.
Il les déchire et les jette au ciel,
Et les étoiles en font des étincelles.
Les routes tournent sans destination,
Elles cherchent des pieds, des directions.
Les lampadaires pleurent des éclats,
Des bouts de lumière qu’on ne voit pas.

[Refrain]
L’artiste marche sur des fils cassés,
Il construit des ponts pour s’effacer.
Il parle aux ombres, il parle aux murs,
Et trouve des mondes dans les fissures.
L’artiste rit quand tout devient flou,
Il voit des couleurs là où c’est tout.
Il dessine des portes dans le néant,
Et rêve d’un feu qui brûle le temps.

[Couplet 2]
Les horloges tournent sans aiguilles,
Elles comptent les rêves qu’on gaspille.
Le silence danse dans les couloirs,
Il fait des échos pour mieux s’asseoir.
Les miroirs montrent des reflets absents,
Des visages flous, des corps tremblants.
Ils cachent des mondes qu’on ne connaît pas,
Et rient doucement quand on les croit.

[Pont]
Les étoiles tombent pour toucher le sol,
Mais elles se brisent avant leur envol.
Les nuages saignent des gouttes noires,
Et la lune s’efface dans le miroir.
Les mots s’effacent avant d’être dits,
Ils cherchent des bouches, mais restent en vie.
Ils flottent, perdus, dans l’air qui s’éteint,
Et laissent des traces sur les chemins.

[Refrain]
L’artiste marche sur des fils cassés,
Il construit des ponts pour s’effacer.
Il parle aux ombres, il parle aux murs,
Et trouve des mondes dans les fissures.
L’artiste rit quand tout devient flou,
Il voit des couleurs là où c’est tout.
Il dessine des portes dans le néant,
Et rêve d’un feu qui brûle le temps.

[Outro]
Hey Grey, le monde est un mensonge,
Un puzzle brisé, un rêve qui plonge.
Mais si tu regardes entre les lignes,
Tu verras des fleurs pousser dans les ruines.


Paroliers : 3SR / Lotus Pastel

Les arbres écrivent des lettres au vent

The forgotten gem finally returns.
“Le Mythe Oublié,” the French counterpart of “The Echoes of the Myth”, closes the circle of Lotus Pastel’s album with haunting grace.
It captures the essence of the entire project a melancholic celebration of stories buried by time and dreams that once burned bright, now whispered in shadow.
Sung in her native tongue, this track feels like a personal confession, a final sigh from the myth itself. A slow-burning echo, finally heard.

Le Mythe Oublié

Nabil C. delivers. A smooth Neo-soul / RnB take on Could it Be. A warm, intimate version that never made it to the official releases, hidden until now through rare_version.

Could It Be (Neo-soul Version)

Final boss of sweetness, system crashed. 

Candy Overload

The themes revisited from 'Light the Fuse' trying to find the groove. Keyboarded B3 with augmented effects in Studio One. Lap Steel run through virtual amps and pedals in Studio One. Midi built drum track voiced in Studio One.

FKTML v.2

90dB Project

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