Rif Kif Dubman

FKTML is Rif Kif Dubman's latest creation, a raw and hypnotic dubstep track that invites listeners to embrace the present moment. Without lyrics, the song speaks volumes through its bass-heavy rhythms and haunting melodies. According to Rif Kif, FKTML which stands for "F**k Them All" is his way of rejecting anything that doesn’t belong in the here and now. It’s a sonic declaration of inner peace, a moment of pure, existential clarity wrapped in deep, resonating beats.
This track is not just music; it’s a statement a reminder to let go of the noise and focus on the peace within.

Bio of Rif Kif Dubman :
Born and raised in the Rif mountains of northern Morocco, Rif Kif Dubman is a genre-blending DJ and producer who has carved out his own unique space in the global music scene. Proudly calling himself "the only Black man of the Rif," he challenges stereotypes in a region known for its European-like appearances, bringing a fresh perspective to Moroccan identity.
Rif Kif started his journey in the underground music scene, blending dub, reggae, dubstep, and downtempo into a hypnotic soundscape that reflects his roots and his vision of peace. In the 2010s, he was part of the multinational collective MasterOp Federation, where he honed his craft before embarking on a solo career. Over the years, he has traveled the world, carrying the sounds of the Rif, his dub-infused beats, and his message of unity and self-expression to audiences everywhere.
Through his music, Rif Kif Dubman has created what he calls his "Peace Universe," a sonic refuge where listeners can escape, reflect, and connect. His tracks are not just music they are experiences, deeply rooted in his heritage and his journey as an artist.

FKTML v.1

Wild Earl presents his groundbreaking new album titled "2070 Arabian Motor Man Playing Dangerous Distortion Game But Jumping And Enjoying Another Abstract Sunset Away At Ameder With Music". This ambitious project takes listeners on a journey through a futuristic, surreal, and emotionally charged soundscape.
Set in the year 2070, the album explores a dystopian world where humanity faces the consequences of its technological obsessions. Tracks like Arabian and Motor evoke the relentless hum of machines and the mystique of desert landscapes, while Man reflects on the human condition in an increasingly artificial world.
The energy shifts with Playing and Dangerous, capturing the thrill of risk and the tension of living on the edge, before plunging into the chaos of Distortion, where reality begins to warp. Game then pulls listeners into a labyrinth of choices, where every move carries weight.
The album’s emotional core lies in moments of introspection, like But, a pause between hope and uncertainty, and Jumping, a bold leap into the unknown. Tracks like And and Enjoying weave together fleeting moments of connection and joy amidst the chaos.
As the journey continues, Another opens the door to alternate realities, while Abstract and Sunset paint vivid, surreal landscapes of endings and new beginnings. Away offers a sense of escape, leading to At, the point of convergence where everything comes together.
The enigmatic Ameder stands as a symbolic destination, shrouded in mystery, while With and Music remind us of the universal bonds that transcend time and space.
Wild Earl’s "2070 Arabian Motor Man Playing Dangerous Distortion Game But Jumping And Enjoying Another Abstract Sunset Away At Ameder With Music" is a sonic adventure that challenges, inspires, and captivates, leaving listeners eager to explore its depths again and again.

2070 Arabian Motor Man Playing Dangerous Distortion Game But Jumping And Enjoying Another Abstract Sunset Away At Ameder With Music

ARABIAN

The aftermath of a devastating crash. Wreckage floats in zero gravity, sparks flicker in the void, and Earl struggles to regain control before it's too late.

Impact Aftermath Analysis

Communication is lost. The connection between Earl and his ship is severed. Alone on an alien planet, he must find a way to fix the signal or be stranded forever.

Telepathic Link Malfunction

Rif Kif Dubman - FKTML v.2 🎛️🔄
Same structure. Same flow. Completely different soul.
With FKTML v.2, Rif Kif Dubman continues his mind-bending trilogy, proving that music isn’t just about notes and patterns it’s about emotion. Just like FKTML v.1 and FKTML v.3, this track follows the same framework, but it’s not the same song. It’s a different feeling, a new state of mind, a fresh perspective on repetition and change.
This is the final brick in the FKTML trilogy. The ultimate proof that the way we feel a track is just as important as the track itself.

FKTML v.2

The track "Sijilmassa" by Sy Xavi, produced by the talented Spanish artist, is a unique and introspective musical piece. This song, however, carries an extraordinary twist: the melody of "Sijilmassa" was dreamed by Toofan, an artist known for transforming his dreams into music. A different follow-up to the previous title "Sanhaja", this composition explores a surreal dimension where time flows backward, inspired by a reversed dream.

Sijilmassa

Morning Arabica Blend

🌊 Rider in the Summer Storm 🌴
BlueDay is back with a refreshing summer version of their iconic track, Rider in the Storm. Dive into an electrifying vibe where deep house and house music intertwine to create the perfect soundtrack for your summer nights.
Let yourself be carried away by vibrant rhythms, captivating melodies, and an energy that captures the essence of summer storms. A track to enjoy under the stars or on the dance floor. 

Rider in the Summer Storm

An intimate moment of self-reflection, this track uses everyday imagery to convey deeper emotions and personal insights.


Lyrics : 

Titre : "Je suis là"
Je suis là… où la musique est plus belle que la Belly Dancer,
Où les guitares murmurent des secrets à l’univers.
Les tambours frappent comme des cœurs en colère,
Et les violons s’élèvent pour calmer la poussière.
Je suis là… où les murs racontent des histoires anciennes,
Où chaque note réveille une mémoire lointaine.
Les corps se croisent, mais personne ne s’arrête,
On suit le tempo comme si c’était une quête.
Je suis là… où même le silence a un goût de swing,
Où les âmes s’ouvrent et laissent entrer le feeling.
Si tu veux me trouver, écoute entre les lignes,
Je suis là, dans la musique, là où tout s’aligne.


Je suis là...

Come away with me for a while and forget your worries. A collection of rag tag songs finally organized, presented, and written by myself all for your enjoyment.  

April in Heaven

The latest full-length album from Memphis-based producer and musician DAMAGR, titled ‘REVIVER’, builds on his past works in the downtempo ambient-techno space while exploring new melodic and percussive textures that invites the listener to look closer. Built around the classic 303 sound and the Elektron Syntakt’s melodic and percussive textures, this album weaves a hidden language of symmetry and reflection that hints at deeper musical and historical cycles.

DAMAGER- REVIVER [FE045] is available now worldwide.
https://future-everything.com/releases/reviver

FKTML v.2

90dB Project

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