Sy Xavi

In Sanhaja, Sy Xavi takes listeners on a breathtaking two-minute journey through a fusion of cultures. This electrifying track blends the mysticism of the Orient, the depth of the Middle East, the rhythms of North Africa, and the ethereal sounds of Northern Europe. The result is a genre-defying masterpiece that feels both ancient and futuristic, a celebration of global music that transcends borders.

Sanhaja

"FKTML v.3" by RIF KIF Dubman takes his iconic track to new heights. While it may initially feel similar to previous versions, the artist sees it as a completely new transformation. This third iteration continues the journey of his signature bass and drum interplay, enhanced by unique sound effects recorded directly from the natural landscapes of the Rif mountains. A raw and organic experience where every sound resonates with the spirit of the region.

FKTML v.3

"Road to Tifelt" is an emotional and introspective detour in Sedna’s cosmic journey. Blending deep, rolling basslines with melancholic melodies, Dark Earl paints a sonic landscape that feels both boundless and deeply personal. The track carries a hypnotic groove, evoking the sensation of driving through endless roads physical or metaphorical toward an uncertain destination. It’s a moment of reflection amid the interstellar voyage, where memories and futures collide under the glow of distant stars.

SEDNA 0.1

Road to Tifelt (Remastered)

Strange entities lurk in the shadows of an unknown world. Their presence is felt before they're seen watching, waiting, whispering secrets from beyond.

Proximity Warning: Savage Entities Detected

Two forces within him battle for control: instinct versus logic, chaos versus order. The fight isn’t just physical it’s a war for identity.

Wild vs. Dark

A powerful and immersive track where dark basslines and fractured percussion blend with futuristic synthetic layers. This piece evokes a crumbling city illuminated by flickering neon lights, remnants of a glorious past.

Wild Earl presents his groundbreaking new album titled "2070 Arabian Motor Man Playing Dangerous Distortion Game But Jumping And Enjoying Another Abstract Sunset Away At Ameder With Music". This ambitious project takes listeners on a journey through a futuristic, surreal, and emotionally charged soundscape.

Set in the year 2070, the album explores a dystopian world where humanity faces the consequences of its technological obsessions. Tracks like Arabian and Motor evoke the relentless hum of machines and the mystique of desert landscapes, while Man reflects on the human condition in an increasingly artificial world.

The energy shifts with Playing and Dangerous, capturing the thrill of risk and the tension of living on the edge, before plunging into the chaos of Distortion, where reality begins to warp. Game then pulls listeners into a labyrinth of choices, where every move carries weight.

The album’s emotional core lies in moments of introspection, like But, a pause between hope and uncertainty, and Jumping, a bold leap into the unknown. Tracks like And and Enjoying weave together fleeting moments of connection and joy amidst the chaos.

As the journey continues, Another opens the door to alternate realities, while Abstract and Sunset paint vivid, surreal landscapes of endings and new beginnings. Away offers a sense of escape, leading to At, the point of convergence where everything comes together.

The enigmatic Ameder stands as a symbolic destination, shrouded in mystery, while With and Music remind us of the universal bonds that transcend time and space.

Wild Earl’s "2070 Arabian Motor Man Playing Dangerous Distortion Game But Jumping And Enjoying Another Abstract Sunset Away At Ameder With Music" is a sonic adventure that challenges, inspires, and captivates, leaving listeners eager to explore its depths again and again.

GAME

The track "Sijilmassa" by Sy Xavi, produced by the talented Spanish artist, is a unique and introspective musical piece. This song, however, carries an extraordinary twist: the melody of "Sijilmassa" was dreamed by Toofan, an artist known for transforming his dreams into music. A different follow-up to the previous title "Sanhaja", this composition explores a surreal dimension where time flows backward, inspired by a reversed dream.

Sijilmassa

The final chapter of Sy Xavi’s tribal odyssey.

After Sanhaja and Sijilmassa, Zenata closes the trilogy with a hypnotic blend of ancestral rhythms, deep desert vibes, and cinematic soundscapes. Inspired by the ancient Zenata people, this track echoes their nomadic spirit, warrior legacy, and golden age of North Africa.

A journey through royal pasts and endless dunes, where history meets sound, and tradition merges with the future.

Zenata

Lyrics: 
Pleure, car l’adieu est scellé
Pleure, si ton âme en secret se déchire, Car l’heure est venue où s’efface l’empire. Le vent s’est levé, le seuil est désert, Et l’ombre des jours s’efface en éclairs.
L’ami s’éloigne, le seuil se brise, Tout ce qui fut n’est plus qu’une brise. Oh, garde en ton cœur l’éclat du passé, Car nul ne retient ce qui doit s’en aller.

Pleure, car l’adieu est scellé
🇫🇷 Une ballade mélancolique où le vent emporte les souvenirs et scelle les adieux. La voix de Rachid flotte entre la tendresse et la résignation, tandis que la musique tisse un écrin pour ces adieux inévitables. Une chanson où chaque note semble caresser un dernier regard.
🇬🇧 Weep, for the Farewell is Sealed is a melancholic ballad where the wind carries away memories and farewell is inevitable. Rachid’s voice drifts between tenderness and resignation, painting a song where each note feels like a final glance before departure.

Pleure, car l’adieu est scellé

Lyrics:
Les ombres et l’éperon
Les ombres et l’éperon, la brise et la plaine, Murmurent mon nom dans l’ombre lointaine. La nuit me connaît, solitaire et fière, Comme un vent cavalier défiant la lumière.
Les monts et les cendres, le sable et l’éclair, Savent ma quête aux songes d’hier. Que m’importe l’oubli, que m’importe l’exil, Si l’écho de mon cœur enflamme l’argile ?
Ô cavale du sort, entends-tu ma voix ? Je poursuis l’aurore, je défie le froid. Et si l’heure est funeste, que tremble la terre, Car l’âme du juste est plus vive que l’air.


Les Ombres et l’Éperon (Feat Emma Hope)

PEOLE (1970)

"Drive 80’s: Synthwave Escape" is a neon-soaked journey through retro-futuristic cityscapes, inspired by the golden age of 80’s electronic music. Created by Polish producer AURΔ (Krystian Gacek), this album blends lush analog synths, pulsating basslines, dreamy pads, and shimmering arpeggios into a cinematic soundtrack for night drives, glowing skylines, and endless summer nights. Each track tells a story — from high-energy outrun anthems to atmospheric soundscapes — capturing the spirit of synthwave, retrowave, and outrun culture. Perfect for fans of The Midnight, Kavinsky, FM-84, and anyone chasing nostalgia on an open highway. This is more than music — it’s motion, memory, and the magic of neon dreams.

Pulse Desire

Listen NIGHTFALL
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Release date:
15 August 2025

P-line:
℗ 2025 RL / Mordex

C-line:
© 2025 RL / Mordex

Zenata

90dB Project

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