Second track on the Awaken the Dragon EP by djfu.

iTunes

Drat Ragon

A random path traced (upstream) through Bern on the river Aare. The melody is generated from each segment in order, with pitch based on the compass angle, and length based on the (arbitrary) length of the segment that was traced.

Composed, performed, and recorded by The Land:
Judith Klassen - Viola
Simon Neufeld - Computer and guitar loop

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More on this 445th weekly Disquiet Junto project, Disquiet Junto Project 0445: Aare Tribute — The Assignment: Read maps of a river as a graphic score — at:
https://disquiet.com/0445/

This is the second of three projects in collaboration with Musikfestival Bern 2020 which will take place in Bern, Switzerland, from September 2 to 6. More on the festival at:
https://www.musikfestivalbern.ch/
https://www.facebook.com/musikfestivalbern/

More on the Disquiet Junto at:
https://disquiet.com/junto/

Musik vom Aare Fluß by The Land (disquiet0445)

New Tunes from Amber!
Vocoder attack with industrial grade synth arp-arp. Bass underscore and a skipping hihat snare interface. Sci-fi sounds melt in to the core and lift out a driving peak time lo-tempo nodalong.

Welcome to Future Club

Welcome To Future Club

Gistrøm

2 Eggs, 100gr flour, a load of sugar and some chopped cherries. Bake for infinity and serve with a canny dolphin.

IAN Needs An Array

A collaboration with my "friend" Johnny Ennui. Modular synth and guitars. Obscured by something between the mirror and the wall.

The Black Paper (disquiet 0468)

Sexy Robot Entrance Sounds [disquiet0469]
The violet fog clears to reveal…. A fantasy of the aging sci-fi writer, pneumatic chrome…the similarity of filter sweeps to wolf whistles…Kiss me Deadly crime trash on the endless beach….one of the fleeting pleasures a cold war in the atomic age can allow you…a B-movie Harlow….the final commands of mission program withheld until the final reel….it is you who has been used.
The ship fires auxiliary rockets and departs that system. Leaving one fewer planet than when it arrived.
4 recordings using the Fundamental ‘test equipment oscillator’ plug in from sonic lab.

Disquiet Junto Project 0469: [Missing in Caption]
More on this 469th weekly Disquiet Junto project, [Missing in Caption] (The Assignment: Make music that pushes the constraints of descriptive television captions), at:
https://disquiet.com/0469/
More on the Disquiet Junto at:
https://disquiet.com/junto/
Subscribe to project announcements here:
https://tinyletter.com/disquiet-junto/
Project discussion takes place on llllllll.co:
https://llllllll.co/t/disquiet-junto-project-0469-missing-in-caption/
There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Sexy Robot Entrance Sounds [disquiet0469]

A set of modular synth pads in Fm7 / D# 7 for use as a background for a collaborative piece. 

More on this 472nd weekly Disquiet Junto project — Jam Time (1 of 3) / The Assignment: Record the first third of a trio that others will complete — at:

https://disquiet.com/0472/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0472-jam-time/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Meg Jones, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/mDRT9 1

https://creativecommons.org/licenses/by-nc-sa/2.0/

Disquiet0472 JamTimeBacking

Live electronics created in Pure Data. 
The tempo is 60 bpm (4000 ms & parts thereof).
In this version the right-hand stereo track has been panned toward the left. If required or preferred, this process can easily be reversed by re-panning it toward the right.

More on this 472nd weekly Disquiet Junto project — Jam Time (1 of 3) / The Assignment: Record the first third of a trio that others will complete — at:

https://disquiet.com/0472/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0472-jam-time/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Meg Jones, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/mDRT9 1

https://creativecommons.org/licenses/by-nc-sa/2.0/

Rhythm Sinister (disquiet0472)

(Ledwidge | Sharbaugh)
Chris Ledwidge [ https://soundcloud.com/chrisledwidge ]: (real) piano and recording production
Michael Ash Sharbaugh [ https://soundcloud.com/michael-ash-sharbaugh ]: synthesizers and recording production
Composed and Recorded ca. January 2021.
Disquiet 0473 [2 Of 3] [L - R Separated Mix] sm2.

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This disquiet junto 0473 [part 2 of 3] track, "The Wolf's Baleen," was inspired by the disquiet junto 0472 [part 1 of 3] recording by Chris Ludwidge [https://soundcloud.com/chrisledwidge ] called "No. 34 in Am" [ https://soundcloud.com/chrisledwidge/no-34-in-am-disquiet0472 ].

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"I was so overwhelmed by the work by composer, Chris Ludwidge, and his disquiet junto 0472 piece, "No. 34 in Am," that I promptly downloaded it and got to work for this week's Disquiet Junto assignment, 'Placebo Effect."

I had but three hours to compose my piece, "The Wolf's Baleen," and knew I would have to fly into it. What struck me about the floating fragments of Chris' piece was how much it reminded me of some of Brian Eno's piano fragments and treatments on "Ambient #1: Music for Airports"; thus, I set out instinctively to complement Chris' tinklings on the piano: I first learned his piano figures, mimicked them, and based emphatic stylings upon certain notes (namely the B-flat note), adding treatments, such as a rhythmic delay and erratic reverberation changes.

I would write more, but my time has run out at the studio.

Thanks, Chris!"

~ Michael

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More on this 473rd weekly Disquiet Junto project — Placebo Effect (1 of 3) / The Assignment: Record the second third of a trio that others will complete — at:

https://disquiet.com/0473/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0473-placebo-effect/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Israel Avila, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/5bFGMU

https://creativecommons.org/licenses/by-nc-sa/2.0/

The Wolf's Baleen

Buy on iTunes >>>

"The Wolf's Baleen" - Michael Ash Sharbaugh and Chris Ledwidge [disquiet0473 - part 2 of 3]

More on this 479th weekly Disquiet Junto project – Truck Radio Rain (The Assignment: Locate three sound sources and make something with them) – at:

https://disquiet.com/0479/ 1

More on the Disquiet Junto at:

https://disquiet.com/junto/ 1

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/ 1

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0479-truck-radio-rain/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by janwillemsen, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/mNaAmA

https://creativecommons.org/licenses/by-nc-sa/2.0/

E. Piano Radio Codes (disquiet0479)

Alice is angry. She has been lied to, and it's all their fault; there will be noise. At the same time Alice is happy. There is always something to ponder; there will be noise.

Gistrøm

A Cupcake for Alice