Phase 5 part 1.1V

*note of deep love*
Listen closely, listen deeply. Do it alone, or with those you can trust. Believe in nothing, accept everything.

*biographical info*
The Glad Scientist is a Puerto Rican artist, programmer, and VJ. He is considered among the pioneers of virtual reality music as an art form, and is a founder of the Art in Tech Atlanta community and VLSC Records.

Coming up in the Atlanta music scene, along with stints living in Spain, Ghana, and Turkey helped shaped his musical sensibilities as well as deformed them to a place of inner sanctum and outer glimpse. The interplay of visual art, design, code, and sound subtly flows through his multidisciplinary output.

In recent years, his work has been welcomed at international festivals and symposiums including ISEA (International Symposium of Electronic Art), SXSW (South by Southwest), Bass Coast Festival, VRHAM!, FILE (Festival Internacional de Linguagem Eletrônica), ACE (Advances in Computer Entertainment), and IAM Weekend, among others. It has been awarded placement in Oculus Launchpad, Art Omi:Music Fellowship, Berlin Sessions Residency, ARTnSHELTER AiR, and Zoo Labs Music Accelerator.

His creations, while heavily technical, seek to incite new questions about our futures and technology’s (in)ability to make us (un)expectedly more human.

*the last word*
smile.

Hardcore_Speedcore_Breakcore & Ambient music producer from France.
Complexe compositions & destruction of sounds.
Dark, experimental & extreme.
More & free download here :
https://diabolikbaze.bandcamp.com/

Home : https://ka-boomrecords.bandcamp.com/music

Dj and music producer (unsigned) // Booking :  kaboombook@outlook.fr // phone(fr)06 98 38 22 62&#13;
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Yannick discovered the electronic parties in the 90s. Some time later, without really having planned it acquired turntables. Following a friend gave me his atari, luckily with the floppy cubase .. The years pass and my passion for music is increasing. Various meetings have allowed me to evolve in the mix. so I spend more time searching for sounds ever more varied, exploring various musical styles&#13;
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Bandcamp&#13;
http://kyanelloco1.bandcamp.com/&#13;
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Soundcloud&#13;
<a href="http://soundcloud.com/yannick-ka" rel="nofollow" target="_blank">Yannick Ka (Kyan el loco)</a>&#13;
http://soundcloud.com/g-90 (Ghost skeleton) "Expérimental / Dark / Ambient "&#13;
http://soundcloud.com/dreadomix-weedbass "Dubstep / Drum'n Bass"&#13;
http://soundcloud.com/ka-boom-records "One day i Hope"&#13;
https://soundcloud.com/kyan-vs-machina "live performance / various styles"&#13;
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Soundcloud group&#13;
http://soundcloud.com/groups/children-of-the-doom&#13;
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Myspace&#13;
<a href="http://www.myspace.com/yannickkaa" rel="nofollow" target="_blank">http://www.myspace.com/yannickkaa</a>&#13;
<a href="http://www.myspace.com/kyanakaelloco" rel="nofollow" target="_blank">http://www.myspace.com/kyanakaelloco</a>&#13;
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Facebook&#13;
<a href="http://www.facebook.com/pages/Kyan-aka-el-loco/113850995314658" rel="nofollow" target="_blank">http://www.facebook.com/pages/Kyan-aka-el-loco/113850995314658</a>&#13;
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Youtube vidéo clip&#13;
<a href="http://www.youtube.com/user/Kyanakaelloco/videos" rel="nofollow" target="_blank">http://www.youtube.com/user/Kyanakaelloco/videos</a>&#13;
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Dailymotion vidéo mix&#13;
<a href="http://www.dailymotion.com/yannickka#videoId" rel="nofollow" target="_blank">http://www.dailymotion.com/yannickka#videoId</a>&#13;
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Mediafire link list - mix free dL&#13;
http://www.mediafire.com/?jv0ecfiwd6l88l6&#13;
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Mixpod &#13;
http://www.mixpod.com/user/5994117&#13;
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Mixcloud&#13;
http://www.mixcloud.com/Kyanelloco/&#13;
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Dyskinesie&#13;
http://dyskinesie.free.fr/records.htm&#13;
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Yannick découvre les soirées électroniques dans les années 90. Il s'oriente alors vers la techno minimaliste la hard techno et la trance core. La découverte de sonorités plus dures lui procure comme une révélation; Existerai t'il un coté obscur mais bien faisant? Mélangeant douceur musicale et rythmes endiablés. Quelques temps plus tard et sans vraiment l'avoir prévu il fait l'acquisition de platines. N'ayant pas de mode d'emploi pour apprendre le mix il se lasse quelques peu et décide de rajouter des sons. "C'est ainsi que j'ai acheté ma première machine. Celle ci étant fournie avec le minimum de base pour comprendre la musique j'ai pu commencé a apprendre. Dans la foulée un ami me confia son atari, par chance avec la disquette de cubase.. Les années passent et ma passion pour la musique s'accentue. Diverses rencontres m'ont permis d'évoluer dans le domaine du mix. Je consacre alors de plus en plus de temps à la recherche de sonorités toujours plus variées,explorant divers styles musicaux tels la techno,la spiral tribe,la drum'n bass et le hardcore"&#13;
peace

Who am I??? It’s very hard question… A musician, a composer, a criticist, a pianist? Yes, maybe… More correct to say I’m there are between these three ways. My musical career was began at 1999th onto the wave of totally occupation by Russian Rock after movies Brother 1 and Brother 2 (with Sergey Bodrov jr.) was been released. We had started with Dmitry Kolobkov and Mikhail Yaskin as trivial Jazz/Punk Rockers, but this idea was not liveable. Next time I have said “Fuck the rock’n’roll” and try my personal experiments with sound. Idea to start personal career was inspirated by taking special musical education. I have understood for myself Symphonical music had lambent past, but have no future because commercialization of culture kills good ideas. Where is politics and commerce there are no more culture. I don’t pretend to world-glorification! I just want to let humans thinking about their environment, about themselves, about their life. Maybe sometimes I bring fear by my music, but… it’s a method to stop humans which always in a hurry. Traditional methods impossible here. Thus, my choice is obliviously: Avantgarde genres. My scenical pseudoname is Moonsugar, I’m composing Electroacoustical Avantgarde melodies which remains Drone/Ritual/Industrial Ambient also I create Fortepiano pieces (education is able to do this). I’m always open for collaborations if idea seems well for my opinion. Please feel free to ask your questions to my E-mail gennadymoonsugar(at)gmail(dot)com. I never proclaimed satanism, nationalism or another destructive phylosophy like suicide, hate, misanthropy etc. I really suffer when I see tortures: morally, soul and physical. I wanna cry when see loneliness of little human between the swarm of people. I really cannot understand malice to children. I really cannot understand violation to animals. I really cannot understood when stronger is beating weaker. I really cannot understand when human want only take but not give back. By my music I tell you about my misunderstandings and about things which I cannot and don’t want to understand. My Electroacoustical music is only demonstrating how YOU MUST NOT TO DO. This is my  imperative!!! Why even so into my fortepipiano works almost all humans  is watching touch of evil? I didn’t thought about one. I painted by sounds romantic ambient landscapes and passages of senses like love, grief, friendship, belief, hope, pleasure and awaiting for miracle. At last, I send messages of sympathy by my piano works. I’m more romantical there… Or I’m playing pieces of my favourite composers… There are no reasons for me to offend or make damage somebody. I respect each of you. And if you feel yourself offended by me, just say about and I will make all possible to close conflict.

Au début des années 90, la mouvance" Industrielle Expérimentale" n'était encore connue que des aficionados à la recherche de sensations expérimentales ...

Le bidouillage sonore commençait alors à se faire ressentir et le bruit devenait alors audible mais pas encore assez pour les profanes ...

Passage obligé pour K- ... mais après quelques années déstructurées et une certaine lassitude, il délaisse assez vite l'empilage sonore " Indus " pour un tout autre registre bien moins apocalyptique ...

Adepte de films expérimentaux, les images ne manquent pas d'affluer dans cet esprit décalé ...

K. composera alors des pièces aux ambiances dites " Expérimentales Sombres " 


† Le premier opus "Pretium Doloris" est référencé dans le genre musical ”Dark-Ambiant-Experimental” , pour son ambiance, mais reste néanmoins "inclassable".

† Le second opus "Ad Patres" est quant à lui bien plus axé “Dark-
Industriel-Experimental”... Il semble être la face cachée de ” Pretium Doloris”, son faux jumeau en quelque sorte.

† Le troisième opus " Industry " semble bien plus axé "Electro-Industriel" ... Réflexions sur la peur de la possession, du formatage, de l’enrôlement …

† Le quatrième opus "Hypsis" renoue avec l'univers ”Dark-Ambiant-Experimental" ...
Naissance d’une collaboration avec l’artiste peintre HYPSIS …
L’univers musical sera directement inspiré des œuvres de ce talentueux artiste …

† Le cinquième opus "PostMortem" sera écrit en partie pour le court métrage "Please Breathe... Lucy " du réalisateur Canadien Kays Mejri ... Sombres ambiances au rendez-vous...

Phase 5 part 1.1V

A.n.K.h //