Perfect for savoring a lemon caramel with your eyes closed in the sea breeze...

You should definitely throw your shot out to drain gang. I can easily hear Ecco on this 

Tea Drips

Grid 6th release is a unique one from Londoner Joe Arthur AKA @kincaidofficial, comprising of six completely mind-blowing tracks, brimming with sublime sound design.

With everything from foley and footsteps, to tempo changes and analogue synthesis, there is a complete spectrum that is fully apparent here. Many styles that Kincaid has already demonstrated via labels like Well Street Records, Banoffee Pies & Accidental Meeting.

This release has a slightly deeper, introspective feel to it though. All the tracks were written within a week in February last year, deep in a lockdown. “It was a particularly difficult time for me, and the record reflects that, each track representing a catharsis with different issues”

It culminates into an incredibly personal and beautiful release, with frequent samples of memories featuring family & friends that relate to specific places and moments for Joe.

Welcome in the Cotswolds, near Bristol.

Tracklist :
01 Sudden Shifts In Perspective
02 Stretching Distance
03 Slowly Breaking Away
04 Fall On Your Sword
05 Dripping Back
06 More Good Than Bad

All tracks produced and mixed by Joe Arthur.
Artwork by Unité Studio.
Mastered by Krikor Kouchian.

Supported by : Ame, Antoine, Asok, Azu Tiwaline, Bake, Breaka, Ciel, D.Tiffany, Danielle, De Grandi, DJ Autumn, DJ Tess, Etapp Kyle, Gigsta, Grand River, Henzo, Huerco S, Ido Plumes, Jurango, Kaval, Martha, Marylou, Mish, Miss Jay, Nazira, Nico, Om Unit, Oceanic, re:ni, Resom, Roi Perez, Romy Mats, Ronan, Scott Young, Solid Blake, Synkro, Syz, Unperson, Upsammy, Wordcolour, Wrong Assessment, Yushh and more.

Kincaid - Slowly Breaking Away

monolake + ???(blackout soryryrrryyyrryyyrrr)

clonazepammix

To The Altar

Altar

Lonesome Travels

New full-length 'Perception' out 04.07 LR cassette + digital, cover art by Ahnnu.

Ahnnu - The Racer

piece for 5 Make Noise VCOs & lowpass gates. #4 in a series, recorded live.

study #4 11.18.16

The second single from BAT's forthcoming debut vinyl LP, Exposure Therapy, "Session 4190" finds the producer submersing his trademark, rough-edged sound into an electroforming bath of flickering chords, distant kicks and heat-treated bass notes.

Best Available Technology’s Exposure Therapy will be available on June 2, 2017 from Styles Upon Styles.

Buy Vinyl

Best Available Technology – Session 4190 (SUS022)

→ http://shelter-press.org/tomoko-sauvage-musique-hydromantique-sp087/

TOMOKO SAUVAGE 'Musique Hydromantique' (SP087)
SAMPLE MIX

Musique Hydromantique is the second solo album by Tomoko Sauvage archiving many years of her performance-based practice on the waterbowls - the natural synthesizer of her invention, composed with porcelain bowls filled with water and amplified via hydrophones (underwater microphones). While her first album Ombrophilia (released on and/OAR in 2009) was studio-recorded /composed work, «Musique Hydromantique» is about experimentation and improvisation with the environment - acoustics affected by the architecture, temperature, humidity and the human presence. 

For more than ten years, Sauvage has been investigating the sound and visual properties of water in different states, as well as those of ceramics, combined with electronics. Water drops, waves and bubbles are some of the elements she has been playing with to generate the fluid timbre. Since around 2010, hydrophonic feedback has been an obsession for the musician - an acoustic phenomenon that requires fine tuning depending on the amount of water, a subtle volume control and interaction with the acoustic space. 

Calligraphy was recorded in a genuine echo chamber, with about 10 second reverbs, situated in a former textile factory. Like an endless exercise to draw perfect curves and forms floating in the air, the subaquatic feedback frequencies are pitch-bended with the mass of water sculpted by a hand changing its quantity. Fortune Biscuit is about the singing bubbles emitted from the pieces of ‘biscuit’ (porous terra-cotta). Depending on the texture of the surface, each biscuit makes different sound : insect and animal voices in a forest, motors, crying babies changing pitches and rhythms while absorbing the water… Clepsydra (meaning water clock) features Sauvage’s classical technique, a random percussion with dripping water. She tunes the waterbowls by adding and removing water, making flowing glissando, to find the balance point in ever-changing tonalities. 

Just as the flow of water is subject to a number of variables such as temperature and pressure, water clocks mark a time that is shifting and relative. However, slowness dominates throughout the album as a result of favoring the full resonance of the instrument, leading to a path to experiencing timelessness. 

Hydromancy is a method of divination by means of water. Unpredictable bubbles and water ripples become oracles. Evaporation and acoustic space constantly play a chance operation. Through primordial materials and ritualistic yet playful gestures, Musique Hydromantique questions contemporary divination.

All the tracks are live-recorded without electronic effects or editing. They were recorded during the night or very early in the morning and the whole album is to be listened to during that period of a day. 

—
LP edition of 500 copies with reverse board-printed inner and outer sleeve. Digipack CD edition of 1000 copies. Mastered by Rashad Becker at Dubplates and Mastering.

TOMOKO SAUVAGE 'Musique Hydromantique' Sample Mix (SP087)

Fuck With Me

2018 repress of the debut full length LP from Spencer Doran and Ryan Carlile's Visible Cloaks project. Initially recorded in 2013 and issued on cassette by Sun Ark in 2014 (as Cloaks), this first offering uses conceptual processes to weave many of the same threads as their later work; synthetic FM tones, tuned mallet percussion, and electronically modulated voice, all arranged in a gossamer web, spun with neon electronics. On this release the duo set off on the sonic journey they are still on today, refracting their influences through East<>West feedback loops, augmenting traditions with technology. Remastered 45rpm DMM version with additional surprises!

BUY HERE: www.seance-centre.com/shop/visible-cloaks-st-lp

For EU distribution contact: info@rushhour.nl
For NA distribution contact: info@seance-centre.com

Repress by Musique Plastique.
Produced & Distributed by Séance Centre

Visible Cloaks - Escape Music From City To Paradise (excerpt)(MP001)

https://green-house.bandcamp.com/album/peperomia-seedling
Green-House is the project of Los Angeles based artist Olive Ardizoni.

Approaching the project with an intentional naivety, they craft songs that find freedom through simplicity. As a non-binary artist, they hope to create a space with fewer barriers as both a performer and a listener.

Their first release as Green-House, “Six songs for Invisible Gardens” (out Jan 15, 2020) was written with the intention of transforming the listening environment and augmenting domestic space. The music is designed as a communication with both plant life and the people who care for them.

Green-House - Peperomia Seedling

See here for more info: http://bit.ly/2T9VYI0

Recent Futures

Celia Hollander, 'Santa Ana Wind Burn' (2020). Leaving Records, Los Angeles.

warm light is green

just friends floom mode + mangrove as voices....same patch as this video here !

https://www.youtube.com/watch?v=VhkZ7DaWYB8

breakfast at night

andrew cs

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