love this song! awesome guitar sound and very good with Tess voice!

EPR Weekly Roundup 2016 #14 W/C 4th Apr 2016

“Star Crawl” appears on Nature Noir, Out Now

iTunes- http://hyperurl.co/naturenoir
CD/LP- http://bit.ly/25DAg0H

Website:  http://www.crystalstilts.com/
Facebook: https://www.facebook.com/crystalstiltsofficial/
Instagram: https://www.instagram.com/crystal_stilts/

TOUR DATES: https://www.facebook.com/crystalstiltsofficial/app/123966167614127/

Crystal Stilts - Star Crawl

December

• GET STONED with these 14 mindblowing psych rock versions of classic Rolling Stones songs performed by the newest leaders of experimental space rock! 

• Includes Clinic’s hallucinogenic take on “I Know It’s Only Rock & Roll (But I Like It),” The Vacant Lots’ stimulating version of “She Smiled Sweetly,” The Allah-Las’ gorgeous “Stoned,” Pure X’s haunting “Beast Of Burden” and many more!

• Available on both CD & vinyl!


Track Listing:
 ---------------------------------
1. Lorelle Meets The Obsolete - What A Shame
2. The KVB - Sympathy For The Devil
3. Shiny Darkly - Under My Thumb
4. Yeti Lane - Sway
5. Clinic - It’s Only Rock & Roll (But I Like It)
6. Sons Of Hippies - Gimme Shelter
7. The Vacant Lots - She Smiled Sweetly
8. Celestial Bums - Child Of The Moon
9. Tashaki Miyaki - Take It Or Leave It
10. Allah-Las - Stoned
11. Pink Velvet - (I Can’t Get No) Satisfaction [CD ONLY]
12. Pure X - Beast Of Burden [CD ONLY]
13. Cheval Sombre - As Tears Go By
Sonic Boom (Spacemen 3) produced 
14. The Tulips - Wild Horses



Please Subscribe to our channel for the latest Cleopatra Records releases @cleopatra-recs
http://cleorecs.com/ (P) (C) 2015 Cleopatra Records, Inc.. All rights reserved. Unauthorized reproduction is a violation of applicable laws
--------------------------------------
 [Tags: #CleopatraRecords #TheRollingStones #PsychRock #Psychedelic  #LorelleMeetsTheObsolete  #Tashaki Miyaki #AllahLas #TheOrchard #E1 ]

2. The KVB - Sympathy For The Devil

Title Track from Thee Tsunamis debut LP on Magnetic South. Released May 2015.

12 Saturday Night Sweetheart

Parquet Courts cover Pretty Girls by Joey Pizza Slice (Son of Salami) on the split 7" currently up for pre-order at www.wharfcatrecords.com.

Words:

Wharf Cat Records is excited to announce this split release by two of our very favorite artists, Parquet Courts and Joey Pizza Slice.  Each one has long admired the other's catalog through various incarnations and releases.  Now they get a chance to cover one another’s songs.  On the A Side Joey Pizza Slice (AKA Son of Salami) gives tribute to the angular guitar churn of the Parquet Courts' 'Picture of Health,' filling the vocals with helium and letting them loose like balloons into a hazy summer sky.  On the flip the Parquet Courts turn Joey's synth pop masterpiece, 'Pretty Girls,' into the perfect  summer jam that will get you stoked about cloudy days and being ignored all the time - it's just a matter of perspective after all!  This is a balanced and involving 7" comprised of 2 tracks sure to help keep you cool well into the dog days.  

Parquet Courts - Pretty Girls is a Motherfucker (Joey Pizza Slice)

'A Hunger Artist' is the second song to be taken from Girls Names third album, Arms Around a Vision, out 2nd October. 

Pre-order Arms Around a Vision
LP, CD or limited edition cream vinyl - http://smarturl.it/GirlsNames.ToughLove
iTunes - http://radi.al/AAAViTunes

Tickets to 100 Club, London - https://www.tickettailor.com/checkout/view-event/id/29623/chk/31da

PRESS RELEASE
Where 'Reticence' was all primordial clang and clatter, recalling the best moments of early '80s no wave and its forerunners - think Glenn Branca and Rhys Chatham's respective guitar ensembles - bookending one of the most immediate, accessible songs the band have ever written at its core, 'A Hunger Artist' is an altogether more colossal and meandering beast.

While its chiming guitar introduction might again bear passing resemblance to Branca's deft melodic interplay, its much quicker to cut to the chase. And what a chase it is: leading you over moonlit autobahns and down dark European back alleys. Drawing to mind Neu! and Roxy-era Eno, the Northern Irish quartet lay down a motorik groove that rarely lets up across its almost six-minute runtime, allowing gossamer synths and insistent bass to dance atop with aplomb.

Alongside this, the band are set to return to London for a one-off show this October (the 19th) at the historic 100 Club: a not-to-be-missed opportunity to see Arms Around a Vision brought to stunning life in the live setting. 
 
UK/EU Live Dates
July 16th | Bagnacciuga, Fano, Italy
July 17th | Bolognetti Rocks, Bologna, Italy
July 18th | A Night Like This Festival, nr. Turin, Italy
Oct 19th | 100 Club, London TICKETS

iTunes pre-order

Girls Names - A Hunger Artist

© 2016 Black Honey, All Rights Reserved.

Written, Recorded & Mixed by Black Honey.

Artwork by Olivia Savage - http://www.oliviasavage.co.uk/

Text us at: +447578 533359

Black Honey - All My Pride

The album 'Mirage' is OUT NOW pick it up here: hyperurl.co/MirageDigital

Follow Digitalism:

Facebook - www.facebook.com/digitalism 
Twitter - www.twitter.com/digitalism
YouTube - www.youtube.com/digitalism 
Instagram - www.instagram.com/digitalism 
SoundCloud - @digitalism_official
Spotify - spoti.fi/1D0mWk4

Mirage

Buy Now

Go Time

Taken from Kate Jackson's debut solo album, 'British Road Movies', out 20th May 2016 via Hoo Ha Records.
Pre order the album here:
on digital:
https://itunes.apple.com/gb/album/british-road-movies/id1085394690?app=itunes&ls=1
on vinyl:
http://www.roughtrade.com/albums/101470
http://www.amazon.co.uk/British-Road-Movies-VINYL-Jackson/dp/B01BVYNKVO/
on CD:
http://www.amazon.co.uk/British-Road-Movies-Kate-Jackson/dp/B01BVYNIVG/
http://www.katejackson.co.uk/home
https://twitter.com/KateJacksonWM
https://www.facebook.com/katejacksonandthewrongmoves/

The End Of Reason (Radio Edit)

Brian Jonestown Massacre - Fingertips

“The Mountain Will Fall” is available immediately with pre-order of the album here: https://DJShadow.lnk.to/TMWFSo
DJ Shadow, widely acknowledged as a crucial figure in the development of experimental, instrumental hip-hop, will return with ‘The Mountain Will Fall’ worldwide on June 24 via Mass Appeal Records [and Believe Digital in France], his first full length release since 2011.  The 12-track album finds DJ Shadow exploring new realms in addition to the deep samples and kinetic soundscapes that helped to launch his career 20 years ago.  On ‘The Mountain Will Fall’ he’s shifted further toward original composition, a vast experimentation of beats and textures, synthesizers and live instruments including horns and woodwinds.  The album features Run The Jewels, Nils Frahm, Matthew Halsall, Ernie Fresh and more. 

DJ Shadow will be touring through the year, tour dates below.

TRACK LIST:

1. The Mountain Will Fall
2. Nobody Speak feat. Run The Jewels
3. Three Ralphs
4. Bergschrund feat. Nils Frahm
5. The Sideshow feat. Ernie Fresh
6. Depth Charge
7. Mambo
8. Ashes To Oceans feat. Matthew Halsall
9. Pitter Patter feat. G Jones & Bleep Bloop
10. California
11. Ghost Town
12. Suicide Pact
13. Swerve (iTunes Bonus Track)
 
TOUR DATES:
June 24 – Artefact Festival – Strasbourg, France
July 2 – Pitch Festival – Amsterdam, Netherlands
July 8 – Les Ardentes – Liege, Belgium
July 14 – Super Bock, Super Rock – Sesimbra, Portugal
July 17 – Benicassim – Benicassim, Spain
July 23 – Blue Dot Festival @ Jodrell Bank – Cheshire, UK
July 28 – Island of Obonjan – Sibenik, Croatia

Pre-order

DJ Shadow - The Mountain Will Fall

We were all knocked out by the Frankie Rose and the Outs album from 2010, the effortlessness of its gorgeous girl-pop mantras, the intimate immensity of its Spector-esque walls of reverb, the beauty of a song sung sweetly over the most graceful two-chord vamps. But are you ready for the new Frankie Rose? – her transformation into a wholly other kind of pop, the reverie and revelation of "Interstellar," an album that floats free of its maker’s history – time spent with Vivian Girls, Dum Dum Girls, Crystal Stilts, and creator of one of the most breathlessly compelling girl-pop albums of the past few years – and offers the listener something strangely other, as alien as it is familiar, as compelling as it is enchanting.

Talking with Frankie about the record, it’s clear she was itching for a new start. The first big indication – production by Le Chev, remixer supreme (for Lemonade, Narcisse, Passion Pit, and Frankie’s own “Candy”), an ensemble member of Fischerspooner, etc. “We recorded the record in a private studio dubbed The Thermometer Factory in Park Slope. I wanted this record to be totally different and in so doing I knew I had to work with someone who would lend fresh ideas and know how to make sounds that I wouldn't know how to make. I wanted to make a particular record and I knew Le Chev would be the one who could help me do it.”

So, out with the reverb of the Frankie Rose and the Outs, and in with something altogether more glam, glittering, shivering. On "Interstellar" Frankie takes the lessons learned with her debut album – like reverb as the holy route to pop-grandeur, scaling a wall of teenage tears – fully digests, and transfers those skills into the brave new world mapped out by ten new songs. In its place is the confident swagger of a singer and auteur fully aware of how to build the simplest of pop moves into aching, full-blown melodramas, how to grab hold of an emotion and ride its darker waves. “I always have a big picture in mind,” Frankie reflects. “I knew I wanted a HUGE sounding record. Big highs, big lows, and clean. There is no fuzz on this record. I knew I wanted to make a streamlined, spacious record with big choruses that sometimes referenced 80s pop.” But that referencing never swamps the melodies: this record isn’t a retro trip. If anything, it liberates sounds familiar from that decade and gives them new context, breathes life into clay golems of sound that too often become basic, pre-set triggers.

On "Interstellar," Frankie Rose goes epic, goes widescreen.

Out February 21 on Slumberland Records in US, Canada, Asia, Oceania.
Out March 19 on Memphis Industries in Europe.


Frankie Rose - Night Swim

From the album Warrior, available April 6, 2018 from Western Vinyl

Bandcamp: https://airwaves.bandcamp.com/album/warrior
iTunes: https://itunes.apple.com/us/album/warrior/1337353378?ls=1&app=itunes
WV: http://westernvinyl.com/shop/wv167

The album cover for Warrior, the third full-length by Brooklyn-based band Air Waves, features a ominous, androgynous figure standing with a bicycle, wearing a gas mask adorned with a daisy.  The remarkable image was taken on April 22nd, 1970 at the inaugural Earth Day celebration in New York City by Nicole Schneit’s dad, Martin Schneit.  Forty-seven years later, artist Em Rooney hand-painted Schneit’s original black & white photo, resulting in an image that radiates with Warrior’s indefatigable spirit, strength, and love.

Like many queer women, Nicole Schneit is a warrior by necessity, fighting for basic rights, dignity, and acceptance.  Such determination in the face of hardship and injustice runs in Schneit’s family; her new album was inspired in part by her mom who was diagnosed with fallopian cancer last year.  As she explains, “The doctor told her she had a fifteen to twenty percent chance, and her response was ‘I’m going to get this mother fucker.’ So the title ‘Warrior’ and the song are about her. After chemotherapy,  surgery, and then more chemotherapy, all the cancer in her body has left and she's currently in remission. I feel like most of the people in my life, including myself, are warriors and have overcome obstacles that seemed impossible to defeat.”

The dignified fighter archetype referenced in the album’s title is explored on each of Warrior’s eleven pieces of bittersweet, empowering indie pop.  According to Schneit the song “Gay Bets”, written after the 2016 election is “about being gay and being proud and open. I was thinking about hate crimes spiking and the current state of the world. My friend Jennifer Moore, who sings on the track, was my partner a long time ago, so I felt like I was writing a fuck you to Trump, for trying to take away queer rights, women's rights, people's rights.”  The song “Tangerine” was inspired by the film of the same name in which two trans women try to make ends meet as prostitutes. This movie, a dark docu-comedy shot in the contrastingly sunny setting of L.A., reflects Schneit’s battle between identity and society via Brooklyn pop rock that swings between the pastel-tinged and the downright melancholic.

On the album’s gorgeous closer “Blue Fire,” (inspired by the Adrienne Rich poem "The Will to Change") Schneit equates her post-presidential-election anxiety to a flame that grows and recedes, as she pleads for herself and listeners to remain calm. Like its namesake, the track burns slowly and brightly into one of the most glowing points on the record, leaving the listener smiling with thoughtful hope.  Warrior’s highlights, and all of the unmissable, satisfying pieces that tie them together show Schneit’s perseverance and resilience through crumbling relationships, personal adversity, and the current political climate, all leading to her most powerful collection of songs to date. Understated, subtly sophisticated, and equally empowering and comforting, Warrior launches Air Waves above the apolitical complacency of too many of the group's contemporaries.  Schneit proudly declares her mission statement: “I want these songs to be heard by people in my queer community, but also by anyone that wants to feels strong, powerful, and included.”

Warrior

Air Waves - "Warrior" ft. Kevin Morby

Final mix? Yes? UNMASTERED? Yes. A version of this will be on an un-yet named or, scheduled LP.

MISPERCEPTION

Morgan Delt - Barbarian Kings

Gig loving music fan living in Newcastle Upon Tyne sharing music news, upcoming gigs, presale links & lots more. Protecting your ears from the bland, boring & the uninteresting.
 
The music I share is the music I love & enjoy. Hopefully you will too…. 


Brian Jonestown Massacre - Fingertips

a Records

Recent comments

grace_grimmett

Eike Ramba

ex Es

ade442

Related tracks