A S H & D U S T

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Blake Ewing's demo is a naked demo using only the sounds from Sonespheres 4 - Direction.

Sonespheres 4 - Direction is the next evolution of the series in collaboration with Film/TV composer Blake Ewing. This volume is an absolute inspiration machine for modern classical, ambient, and film score material.

Blake Ewing - Midnight Sun (Library Only) - Sonespheres 4 - Direction

sketch- recalling a faint memory, a feeling of saudade. 
it begins very delicately, stirred by a place or scent.
replay and repeat the strongest image/thought from the memory, sorting and arranging all the elements. 
emotion catches up at last, and the catharsis overwhelms. 

*photo: it was part of a board for a job, so i don't know who to credit. i tried searching around for it, no luck. sorry to the owner. it was a big part of process, and i had to include*

A L O F T - saudade

For those times when we just need to let go...

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Freefall

Sacred Score: A Truffle Odyssey, Leeuwenstein
A cinematic journey designed to gently guide a truffle ceremony from threshold to homecoming. Warm analog pads, cathedral-like choirs, and expressive orchestral themes (with a soft wink to Vangelis) rise and fall like breath, majestic one moment, tender the next. A five-note leitmotif appears throughout as a compass, returning you to center.
What to expect
This album moves in arcs: opening → descent → discovery → peak → release → integration. Massive drums and brass lift you when courage is needed; intimate felt-piano, handpan and strings hold you when the heart opens. Everything is wordless and ceremonial—crafted to support deep inner work without pulling attention away.
Best way to listen
Low or moderate volume, full-range speakers or good headphones, lights soft and warm. Breathe with the swells. Allow the spaces between notes to do their work.
Tracklist
Threshold of Light — 6:30
Descent Through Amber — 7:20
Cathedral of Ferns — 8:00
Mirrors in the Veil — 7:10
The Mountain Remembers — 9:00
Starlight Procession — 6:40
Heart Peak (Lux Intus) — 10:30
Tears Made of Dawn — 7:50
Integration Walk — 6:20
Home to the Infinite — 8:30
Instruments & palette
CS-80-style analog pads, felt-piano, strings & brass, handpan, frame drums, flugelhorn, solo violin, harp, subtle arpeggiators, and a luminous mixed choir (no lyrics).
For facilitators
Arc lengths are intentional; transitions have long tails for seamless cueing. Suitable for deep introspection, breath-led movement, and gentle integration.
Credits
Music, concept & production: Leeuwenstein
Artwork: “Sacred Score: A Truffle Odyssey”

Home to the Infinite

Ambient ethereal soundscapes for your enjoyment. Relax, chillout and float away.

NECRONOMICON DREAMS No55 HEAL THYSELF

Album art by Anders Lönnfeldt: www.anderslonnfeldt.com/

Buy here: www.blakeewingmusic.com/store/t-h-e-s-i-s
License here: www.musicbed.com/albums/thesis/3227
Stream: https://open.spotify.com/album/20R0HStGTaexp4Xusf4cYO
Stream: https://itunes.apple.com/us/album/thesis/1267950397

All songs © Copyright 2017 - Blake Ewing Music - ℗ 2017 Forthwest Music
All Rights Reserved

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Purpose

Old Days

Written By:  Brock Hewitt & Avery Schmalz
Produced By: Brock Hewitt

Photo By @arudz

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Last time we spoke you said you were going away
So I packed my bags and left the very next day
Oh honey, never had a reason to stay
But you're always on my mind

Years go by and your memory fades away
Do you remember the things that you used to say
Oh love, you don't know the half of it
You're always on my mind

You don't have to come my way, I don't wanna play your game
Looking back at the old days, should've known that you'd never stay
You don't have to come my way, I don't wanna feel the same
Looking back at the old days

Time has passed and we've both changed
But i know that we could start again
Oh honey, you know that would never last
But you're always on my mind

You don't have to come my way, I don't wanna play your game
Looking back at the old days, should've known that you'd never stay
You don't have to come my way, I don't wanna feel the same
Looking back at the old days

When we used to love, was when we had enough
When we used to love, was when we had enough
When we used to love, was when we had enough
When we used to love, was when we had enough

You don't have to come my way
Looking back at the old days 

You don't have to come my way, I don't wanna play your game
Looking back at the old days, should've known that you'd never stay
You don't have to come my way, I don't wanna feel the same
Looking back at the old days

Download

Old Days (w/ Avery Schmalz)

Prelude To Death

a more uplifting piece to rectify the most recent depressing sketches 

the P E N A N C E

posting large sections of score that have been requested by you all on youtube:
https://youtu.be/9vw9E1y7oYA
contact: thtcomposer@gmail.com

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