Wow, just found you via Twitter. Mad beats!I'd love to know your software setup - I've been using Linux for a few years now for tunes - Hydrogen, Ardour, LMMS, Puredata, AMS, ZYNaddsubFX etc..

@kellen-majcher-1: This was when my eurorack was brand new and very small. But the kick is braids and there's a synth lead through a wasp filter in the b part. All instruments (except the chopped up beat) were played by hand.

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Link to the video of the patch, recorded in one take here: https://vimeo.com/136165676

download to the .wav file :-)

Patch Notes:

Harmonic patch using the new MakeNoise tELHARMONIC is a Multi-Voice, Multi-Algorithm synthesizer, and 4ms Spectral Multiband Resonator. The master clock is the Tiptop Circadian Rhythms. Clock output running into the Modcan Touch Sequencer. Channel output one running into one intellijel Dixie (V1) for the bassline. Dixie output running into a Mutable instruments Ripples filter (LP4), triangle waveform. Second channel output sequencing quantized 8 note sequence to the telharmonic oscillator, creating the first lead sequence in the patch (major scale set). One Mult output taken and sent to the Strymon BigSky reverb pedal to create the delicate swarm pads that rise in and out at the builds. Amplitude control of the slow rises via the intellijel HexVCA, slow rate control from one Modcan Quad LFO. The other output is then taken and sent to the Qu-bit RT-60 reverb. Third output from the Modcan TS sending quantized CV to the MakeNoise STO oscillator variable SHAPE output then sent through lower section of the MakeNoise Optomix. The forth output from the Modcan TS is sending a 4 chord pattern (min9) to the intellijel shapeshifter module in chord mode. This output is then sent to another Qu-Bit RT-60 reverb algorithm. MakeNoise Mysteron plucking guitar like effect being triggered by a 4ms RCD, 5th trigger out. The Mysterson then is running out into a Strymon BlueSky pedal, reverb.

Drum sequencing from TipTop CR, channel one kick drum going to the Nord Drum 2. Second channel number 2 triggering a custom snare drum made on the Nord Drum 2. Channel 6 from the CR triggering a low bass drum, in the key of "C". Clock output from CR into the 4ms SCM being rotated by a intellijel dixie sine wave output running at a slow rate shifting the 16th's hi hat pattern. Noise source for hi-hats are the SSF quantum rainbow 2, purple output running into the MakeNoise Optomix. The high end snare clap sound is by the Synthrotek's DS-M drum module, then being lightly processed by the Synthrotek DLY, slowly CV controlled by a Modcan Quad LFO in random mode creating more glitchy effects. This is then being sequenced by channel number 2 from the tiptop CR. The first lower left side 4ms Spectral Multi-band Resonator processing 72 custom DSP samples, which are being played by one addac wave player. The output is then being sent to a intellijel uVCF filter (hi pass), for the light subtle glitch textures. The second 4ms Spectral Multi-band Resonator, processing another set of 32 samples (noise washes/slow rises/falls) via channel number 4 from the CR tiptop. From here the output is being processed by a Mutable Instruments Clouds (granular mode), being controlled by the Pittsburgh Modular Game System running "Meteor Shower" mode in which the explosion based gates and random control voltages are then being sent to 3rd Dixie, controlling the CV rate time then from there its sent to the "Freeze" input on clouds, processing small bits of audio coming from the second addac waveplayer, The second output coming from the gamesystem is going into the "position" input on Clouds, which is doing some additional glitching to the signal.Main output from a intellijel Mutagen mixer then ran through the Eventide space pedal for extra spatial atmosphere. :-)

Harmonic Symmetry - Modular Patch

Experimenting with generative patching via the krell patch. 

The Befaco Rampage is in cycle mode, modulating its attack and decay with two looping linear envelopes on the quadra, using the falling cycle indicator to trigger a slewed random sample and hold (Ultra random analog) which is VC attenuverted by an lfo clocked by the rising cycle of the same envelope.

The output of the attenuverter is being quantized by a uscale II, which is being shifted by the other sample and hold of the URA) The pitch output of the uscale is driving the v/oct of braids in CSAW mode, with timber and color being driven by trangle waves divided from the clocked LFO.  

Output of the braids is going into a polaris filter in LP mode, the output of which is going into Clouds.  Clouds position is being modulated by the URA toggle A/B output, size is being modulated by a mix of the attenuated LFOs, trigger is being triggered by the clocked square wave LFO that is clocked from the rampage rising cycle, clouds L and R output go to each channel of a uVCA2, which is being CV modulated by the rampage envelope mentioned above, with the outputs of the uVCA2 going into the computer.  

That audio is being routed through Valhalla UberMod and ValhallaVintage verbs, which are sidechain compressed with the incoming signal from the modular

Meandering Krell Patch

modular sketchbook 10-30-16

A live mix of a droney type improvisation using Buchla clones and Tom Whitwell's Radio Music eurorack module.

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