First single out of MORE EAZE, PARDO & GLASS - PARIS PARIS, TEXAS TEXAS forthcoming LP.

https://ooh-sounds.bandcamp.com/album/more-eaze-pardo-glass-paris-paris-texas-texas

OOH-sounds family members more eaze, pardo & glass join forces on a celestial album linking ambient neo-folk, fractured electronics and romantic escapism.

Referencing to Wim Wenders' 1984 road-movie drama masterpiece, ‘paris paris, texas texas’ is a strikingly cinematic tapestry of americana, resampled guitars, glistening electronics, subtle field recordings and processed vocals.

The beginnings of this project date back to the summer of 2022 when pardo and glass started recording some improvisations in a small studio with the aim of making an experimental guitar record. Over time, the drafts developed into mesmerizing slabs of guitar textures, simultaneously immense and intimate. No material was better suited for more eaze to add to the recordings her transversal and sensitive approach, linking the past and the present.

Ranging from gentle ambient folk to winding pedal steel passages, from twinkling electronics to distorted drones, ‘paris paris, texas texas’ is an album that’s not just “atmospheric”, it conjures its own unique atmosphere from thin air. Like a snake shedding its skin, the record slowly mutates from track to track - an epiphany, a transformation, a tangible and perceptible moment. Despite its distant trans- Atlantic origins, it evokes a warmth and intimacy that is hard to deny, an emotion that has perhaps been held back for too long. A landmark release in OOH’s catalogue, capturing the magic of its curation and sensibility in one sublime record.

paris paris, texas texas

A1. more eaze, pardo & glass - still part of the ceiling [OOH-038B]

Miradasvacas - IV (ISLE016)

MUTEK présente la performance live de l’artiste canadienne Carmen Jaci, enregistrée lors de la 24e édition du festival à Montréal en août dernier.

La performance de Carmen Jaci explore l'impact de la technologie sur nos identités à travers la visualisation de ses données personnelles collectées au fil des ans. Cette composition musicale hétéroclite et fantaisiste se tenant à la lisière du surréel a eu lieu en première canadienne au festival MUTEK le 23 août 2023. Initialement, c’est une performance qui combine le son avec les éléments visuels avec l'artiste Matthew Schoen.

Productrice et compositrice canadienne basée aux Pays-Bas, Carmen Jaci conçoit des univers fantaisistes où des sons caractéristiques de l’enfance s’enchevêtrent à ceux de la musique populaire et des compositions symphoniques. Exploitant les contrastes entre organicité et électronique, elle propose des assemblages hybrides où convergent instruments acoustiques, synthétiseurs et enregistrements vocaux. Ses projets récents s’inspirent des techniques de production en studio et des codes propres à la musique de danse que l’artiste déconstruit, donnant libre cours à son imagination.

MUTEK invite CARMEN JACI - 22 Novembre 2023

@vydokraj
@anklav-is
@georg-i


Greetings! Anklav re­ady to explore the captivating sound of Vydokraj (@vydokraj) with our late­st release "Blukauchiy". It's a me­smerizing blend of alternative­ rock, jungle, and D&B. And to add eve­n more depth, georg-i's (@georg-i) re­mix offers a whole new pe­rspective to the track. This rele­ase is sure to take you on an exciting journey!

Tracklist:
Vydokraj - Blukauchiy
Vydokray - Blukauchiy (georg - I Remix)

Buy & Support 🇺🇦

Vydokraj - Blukauchiy (georg-i's doldrums mix)

Giulia Rae “O”, her first release on Riforma, is a two-track EP emblematic of her approach to composition. Working by contrast, the sound materializes a dialogue between algorithmically sequenced synthetic melodies and hazy field recordings recalling a sense of place.

A detailed and immersive sound design, able to re-create environments in which we feel we once have been. Echoing emotional hallucinations, the melodies and textures wrap around the listener, and a sense of falling deeply pervades us. “2023” is atomised and totally reinterpreted by Elif Gülin Soğuksu, where each piece returns feverish, compressed in time, the voice marks a new pattern in the composition. “regolo” was displaced and degraded by going through the procedural machines of C3 S R crew.

Music by Giulia Rae
Reworks by Elif Gülin Soğuksu  and C3 S R
Mastered by Giuseppe Ielasi
Artwork by Luisa Badino

2023

Giulia Rae - 2023

DjSport brings you on the steep slope for an hour of intense ski jumping.

Tracklist: www.radioflouka.com/shows/ski-jumping-with-djsport-22-03-2024

Ski jumping with DjSport 22/03/2024

we're all we have

spectral juice

YOKEL - M3D

Life on wide mode.

[Soundcloud](https://soundcloud.com/gribsss). 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/gribs/episodes/gribs-2nd-april-2024

Gribs 020424

sinfonia fatata

Dane Law - Algorithmic Music for Synthesised Strings
APR124 | Out April 24

Out Now: https://astralplanerecordings.bandcamp.com/album/algorithmic-music-for-synthesised-strings

'Algorithmic Music for Synthesised Strings' is Dane Law's (@thedanelaw) first release for Astral Plane Recordings, born out of a guest mix for NTS in August 2017. Across prior releases for Conditional, Genot Centre and Quantum Natives, the London-based artist has crafted a sonic space that merges pagan folklore, tensile algorithmic production and hyperrhythmic dance forms.

That NTS mix, titled “Digital Paganism”, was composed of a distinctly uncanny assemblage that drew from Arvo Pärt and The Wicker Man soundtrack. 'Algorithmic Music for Synthesised String's furthers the ideas introduced in “Digital Paganism”, a simultaneously explication of and alienation from its naturalistic tones gone haywire.

Across Algorithmic Music’s 12 songs, Dane Law’s delicate approach to composition is laid bare. Individual sound objects are isolated in space and rotated, forming plastic points in a series of eerie hymns. Guitar and synthesizer sounds are present, distanced from their quotidian origin points by an ascetic utilization of spatial mixing.

Built on MIDI files processed through a second order Markov strong algorithm, songs like “Running Hill” and “Southbound to denshaw” impose a certain music box familiarity, opening a portal to a world of skewed geometries where known forms are not what they seem. Meanwhile, the two part “Delph” saga embraces a spectral queasiness, morphing the ear’s ability to locate the shape of sound in time.

'Algorithmic Music for Synthesised Strings' is out digitally on April 24 and will be followed by a cassette release once regular trips to the post office are logistically feasible.

Algorithmic Music for Synthesised Strings

Download

Dane Law - Michael [APR124]

say hello >
info (at) accidentalmeetings (dot) com

https://accidentalmeetings.bandcamp.com/

YOKEL - M3D

Accidental Meetings