Suena a un descenso. A la locura, a uno real. Qué escalofríos y qué buento está!.

Really didn't expect a full blown orchestra intro, very cool

Construction is intriguing and dramatically compelling!!

Tired of writing lyrics, we used the text of a well known The Verve song for this one.

Lyrics by Richard Ashcroft (1997)
Music by Interpret Unbekannt (2023)

No Change (Reimagination of a The Verve Song)

This is my independently-released, debut EP 'Covers EP'. This is a blend of piano covers, broken up with interludes and drumming. Hope you enjoy!

Thanks to Mike Hutchcraft, Daemien Warren, and James Hutchcraft for the help with creating this project, and motivating me along the way.

In memory of Teresa M Hutchcraft.

For Mum/Elastic Heart (Intro)

I'm Dreaming Of You

Horizon

Cinematic Composition for Sync

Composer: Andrea Pierantoni (100%), SIAE, IPI:1088848698
One Stop Clearance; singlehanded@neverenoughcowbellstudios.com; 100% master and 100% publishing control.

Dawn On The Dunes (Instrumental)

Bandcamp : https://myckalmarcovic.bandcamp.com/track/que-a-passe-vite
Spotify : https://open.spotify.com/album/3bQdysirKcIrgM4eyiBvqr?si=vYhzS5oSTlG_fwZOOZV_iw
Translation above

En hommage à Serge Lama
Paroles de Chansonatix, https://soundcloud.com/user-933839781
Voix et musique de Myckaël Marcovic, le 8 février 2023.
Lyrics by Chansonatix
Music and vocals by Myckaël Marcovic

Que ça passe vite

Tu ne te sens vrai que sur la scène
Tel père tel fils 
De Bobino et jusqu’à Rennes
C’est un délice
Et si le roi du café tabac
Ne t’attend pas
C’est qu’il y a longtemps qu’il n’est plus là
Tu t’sens tout p’tit

Refrain :
Ça fait soixante ans que ta carrière a commencé
Que d’émotions
Que de chansons
Ça fait soixante ans que ta carrière a commencé
Que ça passe (ter)
Que ça pass’ vit’

T’as pas compté toutes tes blessures
Ni tes efforts
Mais d’aventures en aventures
T’en n’es pas mort
Moi, j’ai connu le pont d’Arcole
Pas sa bataille
Contrairement à ton idole
Le Général.
(refrain)

À quatre-vingts ans bon anniversaire
Longévité
Et la santé
À soixante-six ans moi, je suis derrière
Moyennant quoi

Quand tu iras dans l’au-delà, 
Très vieux, j’espère
Au moins pour toi que ça ira
Quand viendra mon tour de parvenir au seuil charnière,
Moi j’voudrais (ter)
Que ça pass’ vit’

A tribute to Serge Lama

How fast it goes

You only feel real on stage
Like father like son 
From Bobino to Rennes
It's a delight
And if the king of the café tabac
Doesn't wait for you
He's been gone a long time
You feel so small

Chorus :
It's been sixty years since your career began
So many emotions
So many songs
It's been sixty years since your career began
How it goes (ter)
How fast it goes !

You haven't counted all your wounds
Nor your efforts
But from adventure to adventure
You're not dead
I've known Arcole Bridge
Not the battle
Unlike your idol
The General.
(chorus)

Happy birthday to eighty
Longevity
And good health
At sixty-six I'm behind
In return for which

When you go to the hereafter, 
Very old, I hope
At least you'll be okay
When it's my turn to reach the threshold,
I would like (ter)
How fast it goes !

Lyrics by Chansonatix
Music by Myckaël Marcovic, February 8, 2023.

Que ça passe vite (Chansonatix / Myckaël Marcovic)

Nice With Ice

THE DESCENT

Verkehr
In this track I am trying to fit together the sound of the Strat with the synthesizers available in the #AKAI #MPC. For example, the second verse starts with a #Strat arpeggio followed by a synth #arpeggio. 
An arpeggiated Strat is present also on the chorus, and it is stereo-balanced with the synth pads.

All the effects applied on the Strat are stock ones available in the MPC, and the pre-amp is done by the #Marshall DSL-1. The overdrive on the guitar is generated by the DSL-1 #tubes.

I am experimenting the usage of #synthbass, using two different tracks, for #subbass and for bass. I like the thick sound I get from this approach.

I doubled the melody on the chorus on different octaves to have a bigger sound, and I think it works quite well, please let me know what you think in the comments.

I like a lot the intro-outro which is harmonized using 11th chords with the synth - mainly #Hype - and and with the Strat.

The title Verkehr is a German word that means traffic. I shot the photos in the #Verkehrshaus museum - museum of transportation in Luzern, Switzerland.

Verkehr

A song about the impermanence of everything and the wanting to relinquish digital & electronic devices. Released on Suburban Bicycle Gang's album 'In The Cosmos' May 26th. 

Recorded live off the floor!

In The Cosmos

Candle Light

Suburban Bicycle Gang - Candle Light

What if sonic practice were not only artistic expression, but a mode of critical reflection — a way to generate knowledge about the positionality of both producer and listener?
To explore this, I invited the artists I interviewed to contribute sound samples — fragments from their production process — to build a collective sound “database.” With this samples gbw9, Melag0m, Kurzschluss, Mahée and HAUSVRAU produced soundpieces - which are released in the format of this compilation.
Here, sound is activated as a method: both a tool of knowledge and a relational medium. The resulting sample pack reflects diverse sonic practices and acts as a collaborative, affective archive.

Infestation as Sonic Resistance
I use the term infestation to describe how certain practices — deemed disruptive by dominant standards — disturb normative structures, much like weeds invading a manicured garden. Infestation stands for persistent, collective disruptions that challenge the status quo.
This concept ties into anti-capitalist modes of music production. By embracing collaboration, shared authorship, and relationality, the sample pack resists neoliberal values of individualism and competition. It becomes a sonic commons: a space for co-creation, not extraction.
INFESTATIONcan be thought of as a harmful seed, a seed that grows subtly, slowly. The sounds creep in sideways — rough edges, broken rhythms, distorted textures. Infestation is when sounds start growing in the cracks. Cultivated through collaboration, Infestation values disturbance, tension, connection, shared creation and finding new paths.
Some artists in this compilation are boycotting Spotify due to its investments in the arms industry. In solidarity, we are releasing the project exclusively via alternative platforms like SoundCloud and Bandcamp.

your seeds make gardens of doubt

https://linktr.ee/aggressivepets

"Welcome to my placid dreams and my suffocating nightmares!"

Antonio Zapata (Aggressive Pets) is a Spanish musician and bedroom producer who began his studies at the music school of Leganés and later at the Professional Music Conservatory of Getafe.

 Later he entered the school of modern music La Factoría where he received lessons from some musicians like Luis Cruz ( guitarist of the legendary Spanish rock band Topo).

After that he enrolled in CEV (Center for Video and Image Studies) he studied music production, live sound and radio with Nacho Legorburu (Dean in Spain at Audio Engineering Society).

 Antonio has played guitar and bass in several bands (Wildlovers, Sin un Duro, Criaturas Celestiales) and has produced several demos for local rock groups. 

He is currently working on his Aggressive Pets project, eclectic mix of styles created from his home studio, as well as creating soundtracks for short films ( he composed and performed the O.S.T. for the horror film Yuggoth, directed by Dani Lardon and produced by Arkham Contents,  Which can be viewed freely on YouTube).

THE DESCENT

AGGRESSIVE PETS

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