A smooth, mellow electronic track. The artwork makes me feel sad.

Best of March 2019

Artist: Night Windows
Track: I Believe in the Wind
Album: Musicassette/Magnetic Memory
Release Date: April 15, 2014
Label: Black Rd Records
Pre-order: http://nightwindows.bandcamp.com/releases

Bio:
Night Windows is a project started by Benjamin Hughes. His self-engineered/produced album (Musicassette/Magnetic Memory) was crafted from the perspective of a young man facing a reality far different from the one promised him in his youth. 

     A 26 year-old with a bachelor's degree worth of debt and a series of unrelated day jobs to pay it back, Hughes is a poster boy for the bursted-bubble millennial generation. He sings about being part of a downtrodden blue-collar work force, helping loved ones through hard times, and clinging desperately to his musician dreams which ebb to the margins of his days. With his acoustic guitar, a hand-me-down drum kit, and an array of gritty lo-fi instruments and effects, Hughes shaped this seamless 12-track debut album in his bedroom. 

All of this can be seen through Night Windows.

For more information:
contact@blackrdrecords.com

Night Windows - I Believe in the Wind

When she impacts your life more than she knows... :)

DO YOU KNOW

Death Star Cadillac

Moving from the darker themes & 80’s influence of their previous releases, Lone Wild dive into the vast soundscape of the 90’s with their latest song, Up With The Sun. Inspired by a dream had by lead singer Ashkan Karimi, Lone Wild tell a story of love intertwined with the bittersweet challenges that come from pursuing your passions. Familiar vocal melodies greeted by washy music themes become the backdrop as lyrics, ‘Now, come be with me now, I’ll be up with the sun where it feels like home’ serve as a reminder of the comfort found in love & the things that are sure to us everyday while we embrace the waves that life throws at us - allowing them to take us where they may.

Up With The Sun

Crack Baby Panic Attack

Castaway

First single from new album "Every Evening, Sunset Crooks its Thumb Across the River", out March 29, 2019.

ABOUT THE ALBUM

"A lot of stuff was going on in my life during the writing process of Every Evening, the Sunset Crooks its Thumb Across the River. In the midst of the tropical Swedish summer of 2018, my wife and I decided to take a break in our relationship after 9 years. Simultaneously, we were busy planning a move to another country, so things weren’t exactly stable in our lives.

However, the creative process surrounding this album was relatively easy as the project served as a safe haven from my otherwise tumultuous life at the time. That’s often the tradeoff you’re doing when you’re facing hardships in your life: your personal issues might be weighing you down, but it always comes with an immense charge of creative energy, at least for me. The songs were written fast and chronological as they happened in my life, from the middle of July to October 2018.

Eventually, my wife and I reached some common ground and decided to stick together. Given that turn of events, the album starts off pretty grim but eventually ends up in a more positive and redeeming place. The album, which was recorded in Malmö, Sweden, and Lisbon, Portugal, in a short period of time, is very personal, but the overall theme could universally serve as a document for when a person’s life turns upside down for a period of time.

Musically, I didn’t even think of artistic inspirations this time, I just let the songs come to me and used whatever piano, guitar, organ or string sounds I found beautiful and moving at the time of recording. I guess the end result became a digitalized version of 70’s chamber pop.  My new adapted town of Lisbon also served as a major source of inspiration in terms of being someplace new, providing me with a fresh perspective on life in the end."

Tracklist:
1. Destroying the Love
2. The Break
3. A Vessel State to Your Matriarchy
4. Cheers
5. Portela 1540
6. Deep Talk at Time Out Market
7. True Angel
8. Stability
9. For the Oblique Minds
10. Alcantara After Party

Destroying the Love

written/performed/produced/mixed/mastered by John War
~~~
face me, baby
can’t you take away the looking glass
you’ve got a head-pointed rifle
tied to feed refresh cycles
you won’t let the moment pass by
why do i even try

Feels like we flew too close to the sun
Meet me back then
Where would you run?
Suck on deceptive memory of
See me back then
Where was I running?
How are we so close
If we’re not in love?

all tomorrow’s parties will feel the same as today’s 
and no new configuration will abate 
this feeling we're too late, so we strive to separate
if I really were your creature
you’d adore my double features
you wouldn’t need to stray from my domain
it's why i keep my cloak and dagger
creep in here, boasting, flattered
and leave my letter jacket in the rain
by now we should know better
but there’s so little left to say

Feels like we flew too close to the sun
See me back then
Where would you run?
Stuck on deceptive memory of
See me back then
Where was I running?
How are we so close
If we’re not in love?
I’ll learn to accept
Plurality of love
Feels like we flew too close to the sun
Meet me back then
Where was I running?
How are we so close
If we’re not in love
I’ll learn to accept
Plurality of love

Plurals

snow day

Debut EP for my new band Weekender. check us out at weekenderband.com and at facebook.com/wkndrband

Spanish Peaks

Aadams is Andrew, a singer-songwriter from New Jersey.

Fresh pressed indie music. 
http://obscuresound.com

Castaway

Aadams

Recent comments

Allergic to Time

Related tracks