ça, c'était pas très compliqué à faire :-)

Microchipped

🎬 "LIFE IS ON BELIEVE" — Une expérience cinématographique à fleur de peau.

Plongez dans un voyage sonore où chaque note est une émotion à vif.

🎹 Un piano murmuré tisse une mélodie hypnotique,
🎻 Le violoncelle déchire le silence de sa mélancolie profonde.
🗣️ Une voix saturée de réverb flotte comme un souvenir fantôme, entre lumière et ombre.

Le morceau s’élève, tension dramatique intacte, les silences pesant aussi lourd que les notes.

Ce n’est pas une chanson.
C’est une catharsis.
Un duel entre désespoir & espoir,
Une invitation à croire, même dans l’obscurité.
✨ Écoutez "Life Is On Believe"


Vous désirez utiliser ce titre pour vos projets commerciaux, envoyez moi un petit message 👉 ✉︎

www.sambox-music.com
www.anitabarbereau.com

Live is one believe

Bloom in Winter

'WE ARE ALL VERY ANXIOUS' by SUE ZUKI.
DEX003 

Pro dubbed c60 cassette with digitally printed artwork to be released in March 2017. 

Design by Jason Kerley.

boring af

LIES-114
MAXXXBASS-Untitled 8
from the upcoming "Gone Fishing" lp
to be released June 15th 2018

Gone Fishing

Buy Direct

MAXXXBASS-untitled 8 (LIES-114)

Purchase: geographicnorth.bandcamp.com/album/catch-a-blessing
Catalog #: GN52
April 5, 2019
LP+DIGI

Matthew Sage is a composer, producer, label owner, and publisher based in Chicago, IL. Since his earliest recordings, Sage has carefully considered and crafted each of his various approaches to experimental music. His debut LP A Singular Continent was an endless epic that charted imaginative aural cartography and seemed to soundtrack actual worldbuilding. Now, after five years personal changes and growth, Sage returns with his tried and true sonic trademarks, but with a noticeably liberated approach to his brand of experimental studio music.

Catch a Blessing shows Sage in a much more impulsive light. Where past work existed in space that was cerebral, meditated, and composed, the music here is more natural, playful, and effort-less.

Opting for chance and the unknown rather than rules and conceptual rigor, Sage "practiced" an amorphous technique that led to profound moments of accidental, unplanned beauty. And the perks were plenty. As Sage explains: "Learning to know less and to just feel more about what I am making has become important to me. I like, or am learning to like, the possibility of that openness, that uncertainty. Not knowing. It is uncomfortable, but it is nourishing."

Recorded over a summer in a tiny room on the second floor of a 120-year-old apartment in Chicago, 'Catch a Blessing' is the result of and the meditation on the exquisite exhaust and lavish lushness of his crumbling (and rebuilt) locales. 

Presented as a collection of ornately expressionistic portraits of Chicago, Sage approached the album more as paintings or sculptures than musical compositions. Album opener "Avondale primer Gray" unfurls a calm but vibrant quasi-melody that dissolves into a blur of found sonic objects both familiar unknown. "Lions to Baffle" is a semi-synthetic symphony of muted, sax-laden alien jazz, while "Elevator Straffing" maintains a whirling, glittering hum of echoed dissonance. "Claiming Air Rights" could be the literal sound of a piano floating through space, levitating despite an impossible weight. "Michigan Turquoise" brings an exquisitely eerie hymn with the same ghastly grace of Sparklehorse. Album centerpiece "Window Unit +Three Flat" is an open-ended epic of texture and ambiguity, immediately followed by the warped and trickling elegance of "Polish Triangle". "Wolfe Point Fog" closes 'Catch a Blessing' with peculiar focus, departing with an open-ended and wholly optimistic focus.

The moods and modes are constantly, entirely at odds with themselves: private vs. public, abject vs. profound, rural vs. urban(e), and so on. Where other players of experimental studio music take a more high-minded, often stuffy approach, Catch a Blessing floats in airier, more refreshing modes. It’s endlessly lush but sincerely marked by decay. This is naturalism in the truest sense.

M. Sage - "Polish Triangle"

@harmoniousthelonious
Unidentified Ensemble Plays... Harmonious Thelonious

A1. Women's Chorus From The Region Of...
A2. Halb Ding
B1. Delusion (Version II)
B2. Unidentified Soundtrack

TTT073

Unidentified Ensemble plays... Harmonious Thelonious

TTT at Honest Jon's

Harmonious Thelonious – Women's Chorus From The Region Of…

Moltres

Sea Urchin - Natal Uranus, Il Corpo Sotto La Sabbia (Single Edit)
From Commend 005: Sea Urchin and Aki Goto's Shirotento Orchestra - Natal Uranus, il corpo sotto la sabbia / Birthdays

Learn more here: https://smarturl.it/cmmnd005


Mastered by Jack Callahan.
Artwork by Aki Goto. 
Design by Will Work For Good.

Natal Uranus, il corpo sotto la sabbia / Birthdays

Sea Urchin - Natal Uranus, Il Corpo Sotto La Sabbia (Single Edit)

Composed by Agnė Matulevičiūtė 
Recorded & produced by Agnė Matulevičiūtė, Edvinas Kopcevas 
Mixed & Mastered by Julius Aglinskas 
Leto (Shkema remix) by Karolis Drėma
Live versions recorded and mixed by Pranas Gudaitis

Produced by Agnė Matulevičiūtė
Photography & light porn by Visvaldas Morkevičius
Design porn by Aurelija Slapšytė

2021 Agnès M

Outro

Track commissioned for the exhibition ‘Now Accepting Contactless - Design in a Global Pandemic’ V&A Dundee as part of a mix by David Blamey for British Earways to be played on a loop in the gallery.

- - 

A couple of months before lockdown, the housing block where Tom White lives got covered in scaffolding. Residents were left in a building veiled by translucent white netting for months on end. This composition was made in this specific urban lockdown context: the fridge whirs, birds chirp on scaffold poles, electromagnetic activity & tape loops reverberate on the eardrums, within the home and out into the world.

Composed of archive and site specific sounds. 
London Spring 2020

Medina Vibrations (2020)

sound artist/composer currently based in Vilnius, Lithuania/contemporary music/theater/cinema

Outro

Agnès M

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