Worlds Collide

Nocturne 2099

Solo un ejercicio de samplear "Mi Guitarra y Vos" de Jorge Drexler y synthwave.

Synthwavy Drexler

Cascade

The sound material presented are copyright to its respective owners/composer(s) and/or release/publishing company(s). If you intend to use the sound material commercially,
please ensure you go through the effort to get the rights to use it.

If you enjoyed this track consider to support Maxx Parker, At 1980!
https://soundcloud.com/theofficialmaxparker
https://soundcloud.com/at1980music
https://maxxparkermusic.bandcamp.com/music
https://www.instagram.com/maxxparkermusic

released November 7, 2024

all rights reserved

Maxx Parker - After Dark Ft. At 1980

An instrumental composition opening with lush ambient textures and classical strings layered over a pulsating synthwave bass. The track morphs into IDM glitch beats and sliced vocal chops mimicking laughs. Sections intensify with trap metal drums and distorted synths, weaving dense, evolving soundscapes. 

Morphing Landscapes

Harold Spence is a new detective in crime-ridden Los Angeles, 1984.

New Detective

Detective Spence arrives at his first drive-by shooting to piece together the evidence...

Drive-By

Caught up in the crime underworld, she was too young to die.

Too Young to Die

Zhumyr and Kylash - Modern Reimagining of Ancient Kazakh Heritage
This instrumental cover transforms the legendary Kazakh kui "Жұмыр, Қылыш" (Zhumyr and Kylash) by the 19th-century composer and revolutionary Makhambet Utemis-uly into a sonic journey bridging centuries. The original piece, created in 1838 as a tribute to two brave warriors who saved Makhambet.
Story: In 1838, after the death of Isatay, Makhambet found himself alone but determined to seek revenge against the khan. He traveled to the Baibakty lands along the Zhayik River, where he met and befriended the warriors Zhumyr (real name Sadyr) and Kylash. During a dangerous encounter in a Baibakty village where Sultan Baimaganbet Aishuakov attempted to capture him, these loyal companions rescued Makhambet from his enemies. In gratitude for their bravery and friendship, Makhambet composed this kui in their honor.
The track opens with lush ambient textures and classical strings layered over pulsating synthwave bass, morphing into IDM glitch beats with sliced vocal chops that echo like distant laughter. Sections intensify with trap metal drums and distorted synths, creating dense, evolving soundscapes that honour both the warrior spirit of the original and the innovative possibilities of modern sound design.

Warriors (Kazakhstan historical music cover)

A place to share my mostly unfinished (are they ever finished?) ideas.

Everyday i scroll through new releases i got a feeling a lot of synthwave sounds the same and is generated with AI. I hate it!

In love with the 80s. I always try to cover all of you with the newest tunes and artists in the synthesizer universe. Thx for the comeback! 

Stay a while... stay forever!

I like video games and music and I want to make music for video games. Musical brain worm go brrr

Electronic/synth stuff - synthwave, retrowave and anything I'm experimenting with. I have two ongoing music projects - check out my links!

Working in the tech industry for many years, I have a passion for music production.
I am personally inclined into listening to piano music, classical and contemporary. 
But I love a lot electronic music in all its varieties: EDM, Fonk, Downtempo, Future Bass, etc. 
I also like rock and jazz music genres.

New tracks tagged #synthwave