made with sounds from HARDER - Sabateur - P0rn to R0ck (1999)
(unmastered version)
mixxxtapes s00n (???)

180bpm HARDER (Sabateur hardc0re mixxx) Mixxx-1 July-6-2021

MC Yallah - No One Seems To Bother (feat. Lord Spikeheart)

what da snail doin?

vocals from 
* @underscores - second hand embarrassment
* @porter-robinson - shelter

caracol

Letra de Renata Mizrahi
Música em 15-EDO Blackwood [10]: Löis Lancaster
Interpretação: Cláudia O'Connor
_____________________________

Eu tô com uma angústia no meu peito 
Dizem que alguém ta me seguindo
Invado os templos sem respeito
Eu rezo pra quem não tá ouvindo

Eu sigo falhando pela vida
Sem medo de ser de outra corrente
Sou buda, sou padre, sou ferida
To longe, to perto, to ausente

A morte me chega e eu  to cantando
A vida ta indo e eu faço arte
O mundo passou me visitando
Espalho meu som por toda parte 
 
Eu ando nas ruas um talento
Tentando encontrar a minha história
Sou pedra, sou caco, sou tormento
Sou gente perdida na memória.

Escrevi o meu nome na calçada
Delataram como pichação
Perturbei meus vizinhos na noitada
Fui destaque da televisão

Tentei libertar meus conhecidos
Falaram que eu to condenado
Fugi pra um lugar desconhecido
Deixei um poema inacabado
Deixei um poema inacaba...

Samba da Imperfeição - voz: Cláudia O'Connor

Study on High Frequencies Nr. 2

The Stern Brocot Band perform Yak Butter. Inspired by Tajik Yak herder melodies, this piece is in a microtonal temperament called porcupine. It is played by Vassilis Angelis (drums), Maxime Canelli (guitar), Simon Holland ('cello), Andrew Milne (QWERTY). The engineering and mixing was done by Jim Hoyland at the Music Research Studio of The Open University, UK. You can watch the video version of this piece at http://www.youtube.com/watch?v=oNJr1YOOqF8.

Technical details: The tuning is period = 1196.9c, generator = 162.3c, scale = 1L, 6s MOS scale. Dynamic tonality synths were 2032 and TransFormSynth, played through Relayer (all software is freely available from www.dynamictonality.com).

Yak Butter (studio version) (2012)

Carve

LOS CONDENADOS is Walter Wright (analog electronics), Jules Vasylenko (bamboozle & saxophone) and myself (voice and electronics) 

LOS CONDENADOS live @ 119 Gallery - 14IX2012

album scummunity released 13/12 on bandcamp
.lrc file:
[00:00.00](Feedbacky noise)
[00:03.00](Abrupt Synth Chord Stabs)
[00:06.00](Evolving Bassline)
[00:18.00](Synth tone undulates in response to music)
[00:24.00](Weird ``drum beat'' that sounds more like a truck reversing sound with a distorted elephant breathing)
[00:32.00]"How much can one freaking girl take?
[00:39.00]Even an enormously freakin' popular one..." (sample of Quinn from Daria)
[00:49.00]How much can one girl take?
[00:51.00]For god f*cking sake!
[00:57.00]You covered me in metal chain
[01:01.00]Rosie cheeks heavy armor make
[01:07.00]You gave me so many defenses
[01:11.00]Ended friends on sdupits pretenses
[01:16.00]For god fucking sake!
[01:19.00]"How much can one freaking girl take?"
[01:23.00]Rosie cheeks heavy armor make
[01:27.00]"Even an enormously freakin' popular one..."
[01:33.00]AAAAAH!!!
[01:35.00](Drum beat stops)
[01:36.00]OOOAAAHHHH!!
[01:39.00]HOW MUCH CAN ONE GIRL TAKE!!!
[01:53.00]FOR GOD FUCKING SAKE!!!!
[01:57.00]FOR GOD FUCKING SAKE!!!! (With modulated delay glitches)
[02:00.00](Vocal samples get stuck in a loop) 
[02:22.00](Noise washes over the music)
[02:30.00](More vocal samples get stuck in short repetitions)
[02:50.00](Washing machine sound reaches fortissimo)
[03:09.00](Feedback sound returns and slowly diminishes)
[03:27.00](Truck reversing beep sound returns out of silence)
[03:47.00](Crackling)

02 Quinn

bitter screaming noise Songs, and some old stuff I made when i was a kid too

message me for collabs, shows etc idk. unless ur a spambot then fk off

02 Quinn

Amamanita Axaxaxanax Glass Seer

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