A live recording from my headlining set at Braket's sold-out Flinta techno party, Recohernece, as direct support for Evelyn.

ʟɪᴠᴇ ᴀᴛ ʀᴇᴄᴏʜᴇʀᴇɴᴄᴇ [sf 19.07.2025]

Kopflos

Love for Trance - Live @ Objekt.Klein.A Dresden am 21.06.25 (Pride Afterparty)

Ich kann es immer noch nicht fassen, wie unglaublich dieser Abend war. Danke für den Vibe und dieses unglaubliche Erlebnis. Was für ein krasser Gig - Beste Crowd! Einfach unglaublich viel Liebe geht raus ❤️‍🔥

Gebt gern Bescheid für Booking und Co 👉🏻👈🏻🫡

Love for Trance @ objekt.klein.a Dresden

less.on 4 me

It took me five years to release this because in the process of healing the internalised homophobia, shedding masks, and embracing my own queerness, I discovered the beauty and softness of being gay that was waiting for me past the difficulties and hardship. 

That being said, this song wants to be released, so here it is, 5 years later, to honour the process and the beauty in which I found myself in, by taking accountability and learning to love myself more deeply.

Thank you to all the souls and spirits that guided me in this most loving way

To the creator for communicating with me, to Billie for the inspiration and motivation lol, and for me for sticking around, woohoooooo!

And a wee reminder to me and anyone who wants it, when things get tough it's a okay to just float on your back, enjoy the view and/or get through the rough waters until you have the strength and moment to swim to safety.

Churrrrr



Kia ora and ngā mihi nui



You were giving me a bellyache but really it was my mistake
my mistake
my mistake
get you off my mind
I was feeling a bit like Billie kinda wish you were…

You were giving me a bellyache but really it was my mistake
I know stakes were high
so was I
just trying to get you off my mind
still I was feeling a bit like Billie 
kinda wish you were 
kinda wish you were 
kinda wish you were…

Wait slow down
Please don’t be a clown
I know it’s hard to not fall apart
But you know hard things can help you swim
Better in the end
Couldn’t just give in 
It would show
Had to do the hard yards you know
Or drown
no no no 
You know feelings can’t always be trusted
But how else would I grow?
Must it be so difficult to show you heart?
No
So I’ll listen to it ohhh
Busted! I know you were hiding in the…
Flustered
Corrupted
needed to draw the line
If this doesn’t stop now…
Not sure I’ll be fine
Needed divine intervention
prevention
Please just help me strengthen my ability to sort out all that might potentially ruin me
I must be the exception
You and me 
All this ambiguity
Yet all I saw was you lying right here next to me
Please see

All the hate that I was spitting didn’t think I’d see the day the tables turned
Then your lips the ones I yearned
Wait, is this the point of no return?
lesson learnt

You were giving me a bellyache but really was it my mistake?
You were giving me a bellyache but really was it my mistake?


Get you off my mind 
I was feeling a bit like Billie
Kinda wished you were

less.on from mi.stake



Ref:
Uff
Ich fühl mich wie bei 7vs.wild
nur bin ich allein
Nächste Haltestelle
Raus hier
Raus hier
Ich musste Emo werden glaub mir

Vers 1:
Mein größter Feind ist der Entwerter im Bus
Wo ist mein Ticket hin?
Mein Handy ist kaputt

Versuche böse zu schaun
Doch sehe cringe aus
Battlerap: Ich gegen mich:
Ich geh K.O.
Shoutout

War nie einer von den Cool Kids
Hab die Schule zwar geschwänzt
Oder zählt das nicht,
Wenn man stattdessen bei der Therapie sitzt?
Ich hatte nicht nur Mood-Swings

Der Bus fuhr nur einmal in der Stunde
Zum nächsten Kaff
Selbst wenn ich hingefahren wäre
Was hätte es mir gebracht?
Die queeren Kids chillen alle in der Stadt

Aber hey..
Hier gibts nen Einradverein
Und zum Schützenfest ne Tequila-Party
Eintritt frei
Und ich beschwer mich noch
Gefangen aber ner straight pride
All year long

Ref

Vers2:
Glaub mir
Manche Sachen recycelt man besser nicht
Biomüll
Wo ist jetzt euer lächeln hin?

Cosplay als Hete
I was born naked and the rest
and the rest was drag

Sie sagten lächel doch mal
Denn ein Lächeln kostet nichts
Du bist so serious
Und außerdem kriegst du sonst Falten
Und das willst du sicher nicht. Hä?
Das willst du sicher nicht

In der letzten Reihe sitzen die cool Kids
Oder die die nen scheiß drauf geben
Nicht wie ich
Ich war immer zu bemüht
Immer in der ersten Reihe
Und immer zu früh

Ich ging feiern und rauchte zu viel
Halskratzig
Denn euer Gelaber steckte tief
Wie bei nem all you can Buffet voller Fleisch
Doch du bist veggie
Was ein scheiß


EmoO

Чук и Гек

Ridiculous songs by ridiculous people for ridiculous times.

Die Sozialdemokratie, live@cocoon_bln

Crave is not just about desire. It’s about the moments that follow — the silence, the ache, the longing to be seen beyond the skin.

At its core, this song explores what it means to want more than physical intimacy. To reach for connection in a world that often settles for convenience. To carry the weight of past betrayals while still daring to hope that someone, someday, might actually stay.

Written from the perspective of someone who has been used, lied to, and left behind, Crave is a raw confession. It captures the collision between lust and loneliness, and the human need for something real.

This song stands on its own, but for those listening closely, there may be echoes of something larger just beneath the surface.

Play it in the dark. Let it pull you under. You might find a piece of yourself in it.

Crave - Single

What began as a theme song for a haunted docu-series has morphed into a nostalgic ride through the sparkling touch of The Golden Age of Wrestling. Retro touches carry Boulanger's airy voice through a haze of Stranger Things. It's dark and uplifting all at once. Edging the entire time to break out into a banger. Both Boulanger and TGAOW's Cancade grew up on Vancouver Island, Canada but both moved to Vancouver. The two have a shared affinity for sparkles and darkness and infuse these two elements into the west coast music scene of Canada

Spirit Seekers (The Golden Age of Wrestling Remix)

Tono modificado para evitar copyright. En la desscarga tenéis el mashup sin modificar.
Pitch modified by copyright. In download isn't.

Bad Romance x Du Hast (Pitch mdfd) (Lady Gaga, Rammstein Mashup) Harex Mashup.

queer producer & dj girl from Leipzig 🏳️‍⚧️👩🏻‍🍳😶‍🌫️

contact me for booking, collabs and unreleased tracks or if you want your Tracks mastered 💪🏻
sound.weave.le@gmail.com or via DM

Contacto y links: https://linktr.ee/harexdjprod
HÄREX es el alter-ego de Alejandro, dj y productor que durante sus 10 años de carrera ha podido actuar en algunxs de lxs salas y festivales más importante del país como Low Festival (Benidorm), Warm UP (Murcia), Fan Futura (Murcia), Café La Palma (Madrid), Stereo (Alicante), La Haus (Murcia), además de ser residente actualmente de una de las salas más punteras del panorama electrónico nacional; Sala REM (Murcia).

Rap & Hyperpop
🏳️‍⚧️ + neurodivergent = 😈

DIY von Beat & Bars bis Mix & Master
Just getting started – always down for feedback 💌
Booking & Collabs? Slide in my DMs 📩

Queer Cabaret Pop-Chanson aus Berlin-Wedding. Oder: Ridiculous songs by ridiculous people for ridiculous times.

Echo Fever is a dark, synth-driven project with Joseph Matthews as its creative engine, dedicated to exploring the intersections of trauma, desire, memory, and survival. The music blends lush, pulsing electronic landscapes with raw, confessional storytelling, inviting listeners into a world that is both painfully intimate and cinematic in scale.

This is not safe, casual listening. Echo Fever’s work confronts subjects many would rather avoid. Tracks delve into lived experiences of grooming, sexual violence, addiction, dissociation, hypersexuality, and the long, uneven process of reclaiming selfhood. The intent is never to exploit or shock for its own sake. Each song serves as testimony, giving voice to what is often left unsaid and illuminating realities rarely addressed in art.

The debut album, TRIGGERS, functions as a psychological experiment framed by music. It begins with hypnotic, club-ready production that gradually fractures into vivid portraits of mania, overdose, sexual violation, and survival. Every beat seduces and destabilizes, pulling the listener deeper until they are immersed in a narrative that refuses to look away.

The follow-up, CUT, is a conceptual narrative album chronicling one boy’s experience from the moment of coercion at fourteen through years of silence, displacement, rage, and relapse. Each track builds on the last, creating an unrelenting emotional and psychological arc grounded in brutal realism. CUT does not offer comfort or closure. It stands as a work of witness, giving voice to survivors who have endured in silence and revealing the long shadow of post-traumatic life with stark clarity.

Echo Fever is currently developing even now, a project that turns its focus to fragile queer adolescence and the bruised beauty of trying to understand love, identity, and self-worth. Still in progress, it promises to add another layer to the evolving narrative of trauma, tenderness, and reclamation that defines Echo Fever’s body of work.

These albums are not abstract. They are rooted in authentic human experiences and created with deliberate emotional intent. While financial constraints have necessitated the use of AI-generated and or AI-assisted vocals on the recordings, every lyric and composition is original and deeply personal. The urgency to give these stories voice has always outweighed the need for perfect tools. At the center of Echo Fever is a commitment to telling the truth, however fractured or uncomfortable that truth may be.

Content includes explicit themes of trauma, abuse, and survival. Listener discretion is advised.

Echo Fever does not aim to provide sanctuary from hard realities. Instead, it offers an unflinching reflection of what it means to endure, to break, and to find uneasy moments of beauty in the aftermath. This is music for late nights and vulnerable spaces, for anyone who needs art that does not soften or lie.

Soon discover more at echofevermusic.com (under construction) and connect through Spotify and Apple Music.

looking for slim bro 🌈
dates, long term relationships 🇪🇬 NL
easy, open, non-toxic, feel free to msg me 💙💛
made in Enkhuizen, North Holland

𝖙𝖊𝖈𝖍𝖓𝖔 𝖙𝖍𝖎𝖓𝖌𝖘

bookings: dj.cmd.ctrl@gmail.com

Elise Boulanger is a sweet darkness wrapped in orchestral instrumentation. Hailing from Vancouver, Canada, this operatically trained Orchestral-Pop artist completely captivates audiences with her haunting avalanche of a voice. This July she releases her first remix with The Golden Age of Wrestling (Jeff Cancade of DEVOURS). It recreates her self-produced track, “Spirit Seekers” into dewy glambience for our summer sensuality.

What began as a theme song for a haunted docu-series morphs into a nostalgic ride through the sparkling touch of TGAW. Retro synths carry Boulanger's airy voice through a haze of Stranger Things. It's dark and uplifting all at once while constantly edging to break out into a banger. Both artists grew up on the Island but now live in Vancouver which brought Boulanger to connect with Cancade. 

When not electrifying her sound, the bilingual Boulanger is advocating for the environment and creating cinematic dreamscapes atop strings, piano, drums and ukulele. Her angelic yet raw dramatic artistry is reminiscent of Kate Bush. She is both bold and beautiful. Boulanger has performed for some of Western Canada’s largest events including Canada Day Victoria and composes for film and TV.

“Spirit Seekers” (2024) showcases an electronic entrance for Boulanger. This composition is for the seven part docuseries Spirit Seekers that shares the rumoured ghost stories of locations around Vancouver Island. What’s more is Director and Medium Paula DeMontigny's special ability to sense and communicate with the Spirits who roamed the areas.
Performing for over 15 years, she began touring in 2021 to Western and Eastern Canada as well as Vancouver Island and the Kootenays as she continues to grow in the Canadian market. Boulanger is sonically reminiscent of Kate Bush with her angelic yet raw dramatic artistry and has been deemed as "definitely one to watch" by the Times Colonist. Her actions are bold and beautiful as she takes advantage of the stage to teach audiences how to adapt to climate change. 


She has played shows with Carmanah, Tanika Charles and Etienne Fletcher. Notable performances include Canada Day Victoria (2023), the Honda Celebration of Lights (2022) and numerous festivals, concert series and theatres including Jeux Franco-Canadiens du Nord et de l'Ouest (2023), Filberg Festival (2022), the Banff Gondola (2022), the Tidemark Theatre (2021,2023), Port Theatre (2021), Evergreen Cultural Centre (2023) and Orange Day in the Bay with Snaw-Naw-As First Nation (2022).

New tracks tagged #queer