made with sounds from HARDER - Sabateur - P0rn to R0ck (1999)
(unmastered version)
mixxxtapes s00n (???)

180bpm HARDER (Sabateur hardc0re mixxx) Mixxx-1 July-6-2021

MC Yallah - No One Seems To Bother (feat. Lord Spikeheart)

what da snail doin?

vocals from 
* @underscores - second hand embarrassment
* @porter-robinson - shelter

caracol

Letra de Renata Mizrahi
Música em 15-EDO Blackwood [10]: Löis Lancaster
Interpretação: Cláudia O'Connor
_____________________________

Eu tô com uma angústia no meu peito 
Dizem que alguém ta me seguindo
Invado os templos sem respeito
Eu rezo pra quem não tá ouvindo

Eu sigo falhando pela vida
Sem medo de ser de outra corrente
Sou buda, sou padre, sou ferida
To longe, to perto, to ausente

A morte me chega e eu  to cantando
A vida ta indo e eu faço arte
O mundo passou me visitando
Espalho meu som por toda parte 
 
Eu ando nas ruas um talento
Tentando encontrar a minha história
Sou pedra, sou caco, sou tormento
Sou gente perdida na memória.

Escrevi o meu nome na calçada
Delataram como pichação
Perturbei meus vizinhos na noitada
Fui destaque da televisão

Tentei libertar meus conhecidos
Falaram que eu to condenado
Fugi pra um lugar desconhecido
Deixei um poema inacabado
Deixei um poema inacaba...

Samba da Imperfeição - voz: Cláudia O'Connor

Study on High Frequencies Nr. 2

The Stern Brocot Band perform Yak Butter. Inspired by Tajik Yak herder melodies, this piece is in a microtonal temperament called porcupine. It is played by Vassilis Angelis (drums), Maxime Canelli (guitar), Simon Holland ('cello), Andrew Milne (QWERTY). The engineering and mixing was done by Jim Hoyland at the Music Research Studio of The Open University, UK. You can watch the video version of this piece at http://www.youtube.com/watch?v=oNJr1YOOqF8.

Technical details: The tuning is period = 1196.9c, generator = 162.3c, scale = 1L, 6s MOS scale. Dynamic tonality synths were 2032 and TransFormSynth, played through Relayer (all software is freely available from www.dynamictonality.com).

Yak Butter (studio version) (2012)

Carve

LOS CONDENADOS is Walter Wright (analog electronics), Jules Vasylenko (bamboozle & saxophone) and myself (voice and electronics) 

LOS CONDENADOS live @ 119 Gallery - 14IX2012

album scummunity released 13/12 on bandcamp
.lrc file:
[00:00.00](airplane sound cut up to sound like a hihat, echoey)
[00:10.00]ministers are violent thugs who take out toxic insecurities
[00:13.00](beat coming up soon playing through a radio while I say) on others like its their
[00:15.00]god given right
[00:16.50]is peter dutton evil?
[00:18.00]i mean he acts out power fantasies over thousands of people
[00:22.00]why do they get a loyal army of fighter jets and cops and shit
[00:26.00]colonial violence isnt justified but killing colonialists sure is
[00:35.00](10/8 beat with sliding distorted kicks and fast synth bass, broken printer prints a bit at the end of each bar)
[00:54.00](nother japanese woodblock sound to end the bar)
[00:55.00]why cant i have a mech
[00:55.00](bass replaced with seriously spooky ambient sound) with missiles and lasers for destroying statists
[00:59.00]why cant i act out the bloodshed back on them cunts
[01:01.70]acting it out on my friends
[01:04.00]why cant i blow them to smithereens covering the city in blood graffiti
[01:09.00]why cant i act justly to help enact the world
[01:12.00]of our collective fantasy
[01:13.90]why cant i have a mech
[01:15.00]with missiles and lasers for destroying statists
[01:20.00](10/8 beat with sliding distorted kicks and fast synth bass, broken printer prints a bit at the end of each bar)
[01:40.00](bass stops, distorted kicks get a bit more intense and printer really fucks up and spits out ink everywhere)
[02:02.00](horror ambience returns... I can hear a robot speaking quietly)
[02:20.00](daxophone briefly groans)
[02:25.00]why cant i act out the bloodshed back on them cunts
[02:30.00](breakdown of beat to half speed, with steel drum in background) acting it out on my friends
[02:29.90]why cant i blow them to smithereens
[02:32.00]covering the city in blood graffiti
[02:35.00]why cant i act justly to help enact the world
[02:37.00]of our collective fantasy
[02:46.00]why cant i have a mech with missiles and lasers
[02:49.00]for destroying statists
[02:55.00](daxophone announces next section)
[02:57.00](very slow doomy gabber kicks, echoes of screams in background, disturbing noise snares)
[02:59.00]ONE BEING
[03:01.60]vibrant love emerging
[03:06.00]ONE BEING
[03:11.00]skreem in harmonee
[03:16.00]ONE BEING
[03:20.00]feeling peachy
[03:26.00]ONE BEING
[03:36.00]ONE BEING
[03:46.00]ONE (back with those spooky robot noises in the background)
[03:50.00]BEING
[03:56.00]ONE BEING
[04:01.00](repeated "sna" voice loops, daxophone starts to breathe conspicuously)
[04:18.00](doom drum section repeats quietly, processed with multiple filters for movement, ambience gets more distorted until it sounds like noise)
[05:00.00](drum filters move rapidly)
[05:10.00]("sna" also filtered becomes loud)
[05:25.00](cymbal wooshed by a brush, daxophone speaks at once)
[05:40.00](cymbal rings out and a woodblock)

07 One Being Momo

bitter screaming noise Songs, and some old stuff I made when i was a kid too

message me for collabs, shows etc idk. unless ur a spambot then fk off

07 One Being Momo

Amamanita Axaxaxanax Glass Seer

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