Anthony Rother is described as an influential visionary, an electro pioneer and one of electronic music’s most prolific producers. For more than two decades Rother aggregated a vast musical canon that reflects his unique career as a sound researcher exploring the aesthetics far beyond the boundaries of electro, techno and pop music.

Starting his recording career in the late ‘80s, the Offenbach-based producer established himself in Germany’s electronic music scene with his first two releases, "Sex With The Machines" (1997) and "Simulationszeitalter" (2000). In 1998, he founded his label Psi49Net, allowing him to keep his artistic independence and showcase his vision of electro music that cultivated a unique storytelling approach, guided by dystopian future visions on societal changes due to technological progress. The vocoder-driven vocals and the dark dystopian synth sound with machine-like beats have become Rother’s trademarks, even before he found international recognition as a science-fiction avant-gardist with the virtual electro-pop project "Little Computer People" (2001) and his 3rd solo LP "Hacker" (2002).

In 2004, Rother created the Datapunk imprint to evolve an immediate, more song-orientated language that used simple melodies and even autobiographic anecdotes collected on "Popkiller." Perceived as one of his most venturous endeavors, yet his sonic shift had a decisive effect on many artists' careers: The Hacker, Boys Noise and Terence Fixmer published on Datapunk in its early days. While some of the experimental ambient recordings for Pete Namlook’s infamous label Fax +49-69/450464 reflects Rother’s prolific output, he also worked and co-produced with several prominent artists such as from former Kraftwerk member Karl Bartos, Sven Väth and DJ Hell.

After its success, Datapunk turned into an enlarging business which devoured both time and creativity to make music. In 2013, Rother decided to let the project rest and took a break that he used to move his studio while only producing music for his HYBRID sets. Through his self- contemplative retreat, he eventually rediscovered the artistic instincts that brought him back to his roots; both in terms of his renewed independence as well as how he channels creativity as a producer. In late 2017, Rother resurfaced with an EP on Danny Daze’s Omnidisc and contributed the track "Technic Electric" to Fabric 96 mix by DVS1. Last year, Rother returned to his Psi49Net label with a new album "3L3C7RO COMMANDO" that transports a clear message: Anthony Rother not only lives in and through his pure electro music, he still has something to say – here and now. The past represents the future!

In April 2019, Rother will release two 12’’ on DVS1’s Mistress Recordings followed by another EP as well as a conceptual LP for Psi49Net in fall. Moreover, Rother will drop a 12-inch on Radio Slave’s Rekids offshoot Stranger In The Night.

For DJ or Live bookings email: 
dezwilliamsmusic@gmail.com


Holy Island, an island off of the coast of North Wales is where Dez Williams begun spinning wax at an early age and now maintains his humble analogue / digital studio. Isolated from the marketing, fashion and pretentious attitudes that plague the music industry, Dez is free to express himself through his machines. Safe from this environment he is unconstrained and has no urge to conform with any ideal or aesthetic and thus his electronic music is pure self expression. A window into his soul. His sound is perhaps a product of his daily grind with boredom, escapism, events in his life and a long term passion for technology, horror and science fiction. Inspired by many of the classic Chicago / Detroit / electro / techno producers, like the finest, his sound is unique, uncompromising and unpredictable. His vision of techno is deep and futuristic with a heavy dose of funk. Dez's passion for sound and the darker side of the human spirit compels him to create tracks on an almost daily basis and he sits on an incredibly vast archive of cassettes, mini-discs and CD's of his work. Yet his reclusive nature dictates that his release schedule remains sparse. His tracks can range from driving techno, to melancholy and dark synthesizer orchestrations, ghostly deep listening, straight up electro cuts and beyond. Sometimes simple, sometimes complex, within his sounds are vast amounts of detail for the listener to decipher. Emotions transmitted through mathematics and code. Williams' tracks have found their way into the sets of DJ's like Dave Clarke, Adam X, John Peel, Ellen Allien, Mike Dred and Rob Hall. He has constantly retained an underground / cult fanbase. His debut LP 'Elektronik Religion' for the SCSI label was hailed as "One of the very few truly great electro albums of the new century". Dez remains true to the underground and simply creates for the love and need to do so. The mark of a true artist. He continues to DJ and play live sets across the world and has had releases on a variety of labels including Acruacreee, Ai, Cheap, SCSI-AV, Blase, Voodoo, Minimal Soul & Earwiggle...

From the early 90's to the present, Selway has built a high-quality catalog of productions, both on his own and as a collaborator in various artist and label projects. This has included his contributions to early Deep Dish productions, success as part of the seminal New York hard techno duo Disintegrator, his electro productions and partnership with BPMF for their Serotonin label, and his most successful of collaborations as part of Smith and Selway, along with numerous remixes over the years.  Selway is also a resident artist, instructor and cirriculum desinger for 343 Labs music production school in NYC.

http://solventcity.com

http://facebook.com/solvent

http://discogs.com/artist/Solvent

For over a decade, Jason Amm’s work as Solvent has neatly defied categorization. His music is too sweetly melodic for techno or acid, his compositions too fiendishly detailed for synth-pop. He was too steeped in the sounds of the ‘80s to participate in the incipient IDM scene; he was briefly lumped in with the short-lived electroclash movement, only to outlive it; he’s played “minimal wave” parties and goth clubs, indie-rock shows and techno all-nighters. But even as words fail in the face of Solvent’s music, its pleasures are anything but elusive.

Today, Zimbabwe-born Jason Amm lives in Toronto, ON, where he spends his time obsessively grappling with an outsized collection of vintage analog synthesizers, samplers, and sequencers. Solvent first materialized in 1997 with a string of singles and full-lengths (1998’s Solvent, 1999’s Solvently One Listens) on Amm’s own Suction Records, the Toronto-based label he founded with Lowfish’s Gregory DeRocher. The watershed release Solvent City (2001) on Berlin-based Morr Music introduced Amm’s sound to a wider audience, and Apples &amp; Synthesizers (2004) marked Solvent’s move to Ghostly International. Along with notable remixes of artists including Soft Cell, Alter Ego, and Adult., Solvent tracks have appeared on high-profile DJ mixes and seminal compilations.

Solvent’s most recent record on Ghostly International, 2010?s Subject to Shift, marks a turn for the darker as Amm embraces his love of the abrasive sounds of acid and industrial. And while a sinister tone or two now dances among Solvent’s sparkling hooks and bright streaks of synthesizer, and while Amm’s music drifts even further from accepted genre-specific reference points, Solvent’s sound has only deepened. After more than ten years of composing love songs for robots, Amm sounds like nothing more than himself.



° Owner of YUYAY ° ° Part of Clear Memory °
° Co-Owner of Sleeve++ Record Store °
– Questions/Booking:
robyrthecht(at)yuyay-records(.)de

Info and Bookings: crobotmuzik@gmail.com
Electro Techno artist | Co Founder of Crobot Muzik and Elektrotehnika Records.
crobot-muzik.com
Base: Zagreb, Croatia & London, UK

Bojan Jascur aka N-TER has been producing music since 1999 and is a true Electro Activist. His debut release @ "Egoboo Bits Label" was the first record of its type to come out of Croatia and led to the creation of the Crobot Crew. Originally formed with his partner DJ Xed, the Crobot Crew and Crobot Muzik were founded  with mission to promote Electro and Techno sounds throughout Eastern Europe.
Crobot Muzik found immediate success through their critically acclaimed releases and garnered the attention of the Heavyweights in the industry who continuously play and chart their music. Since then, N-TER has released his original music on some of the world's leading record labels. From his legendary A.U.X. 88 remixes on Puzzlebox Records to his original work on Twilight 76, Databass Records, Naked Lunch, Street Sounds, Drivecom Records, Bass Agenda, Dominance Electricity, Fundamental Records to name a few, N-TER's production work is in high demand. He has done remixes for A.U.X.88, DJ Godfather, Exzakt, Carl Finlow, Sbles3plex, Debonaire, Will Web, Paul Blackford, T.Linder and many other electro and techno artists. He shared decks and live performances with The Advent, Dave Clarke, Aux 88, Anthony Rother, Detroit Techno Militia, Umek, DMX Crew, I-F to name a few and also played LIVE at DEMF Festival in Detroit, WMC in Miami and many events from Americas to Asia.

This is Electro
https://www.instagram.com/elektrotechnik_official/

https://www.beatport.com/artist/elektrotechnik/1026722

https://elektrotechnik.bandcamp.com/

Central Processing Unit.

I'm an Electronic Artist with an Album release Trifolium on CPU Records. 

Inspired by my love of Detroit Techno, I started Djing in the North East back in the late eighties at the height of the Madchester rave scene. Eighteen years on, I began producing my own electronic music in 2003, whist still DJing and promoting Soundscape, my own electronic club night in the city. Aphex Twin’s Didgeridoo E.P was the catalyst for my transition from DJ to producer and my love of electronic music has inspired a number tracks such as Amme Dot and The Flex.

I’m passionate about music and love nothing more than watching live electronic acts, whether it’s the latest local talent or my idols, who I’ll travel far and wide to see. I’ll listen to anything by Warp, Skam and Rephlex, and I’m particularly influenced by Aphex Twin, LFO, MR 76ix, Quinoline Yellow, Arovane, Squarepusher, Boards of Canada , Scrubber Fox, plus Jega, DDamage, U-ziq just to name a few.

If you would like to book me for a live gig or Dj slot contact me at carboflex1@gmail.com


https://itunes.apple.com/gb/album/id888034705

http://www.amazon.co.uk/gp/search?ie=UTF8&tag=kudoreco-21&keywords=Carbo+Flex+Trifolium

http://cpurecords.net/

http://www.kudosrecords.co.uk/release/CPU00001100/Carbo_Flex_Trifolium.html

http://boomkat.com/downloads/1032505-carbo-flex-trifolium-album

https://bleep.com/release/52206-carbo-flex-trifolium

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