'Somebody's Beloved' ft. Bipolar Sunshine out 10/15. Pre-save now: https://milck.lnk.to/SomebodysBeloved 

For Los Angeles-based singer and multi-instrumentalist MILCK, music is a sanctuary. In her words, “Music is the one place where I can simply be me. When I’m singing my lyrics, I don’t have to be feminine enough, strong enough, American enough, or Asian enough—I can just be a soul that yearns to feel free.” 

MILCK’s life took a 180 degree turn after a cell phone video of her performing her song “Quiet” with a choir of 25 strangers at the 2017 Women’s March went viral. Soon it was being echoed and interpreted by groups around the world, from the US to Sweden to Ghana. “Quiet” was named Billboard’s #1 protest song of the year and earned distinction as part of NPR’s “American Anthem” series. And in 2018, it brought MILCK to the March’s main stage in New York City, where she performed alongside the legendary Yoko Ono. 

Having “cemented her status as one of music’s voices for the women’s movement,” MILCK continues to use music as a means to work towards social justice. Written amidst protests for Black Lives Matter, MILCK’s timely and poignant new song “Somebody’s Beloved” (Ft. Bipolar Sunshine) chronicles the life-shattering effects of systemic racism in America. In partnership with writer/director, Tom Shadyac and his Tennessee-based non-profit, One Family Memphis Foundation, MILCK has created a deeply moving narrative video that will arrive alongside the song on October 15th.

Email cameronrath@gmail.com for inquiries.

Singer, songwriter, and visual artist vōx (Latin for “voice,” pronounced “wokes”) approaches all of her projects holistically—creating an engaging and thought-provoking audio-visual world where viewers and listeners can feel safe and find power in vulnerability.

As a teenager, vōx turned to songwriting as an escape from her small, conservative town. Years later, it became a therapeutic vehicle—helping the Portugal-based artist confront years of trauma and transform shame into strength. 

Drawing comparisons to such pioneering artists as Björk, Kate Bush, and Tori Amos, vōx recorded her debut EP, I Was Born, alongside co-producer Josiah Kosier in 2017. Soon after, she signed to Arts & Crafts and followed with 2019’s I Am Not a God and 2020’s This Body—both of which she co-produced with Alexander Vincent.

Inspired by the human experience, This Body is perhaps the most complete manifestation of vōx’s creative and spiritual evolution thus far—on an emotional, philosophical, and physical level. The five-song EP, which has drawn praise from the likes of Billboard, Paper, and Dazed, showcases vōx’s captivating voice and thoughtful words—accompanied by sparse, electronic notes, ethereal beats, and gentle, multi-tracked harmonies. The songs include an anthem for self-worth (“Be Bigger”), a confrontation of ancestral trauma (“How Do I Connect to the Spirits?”), and the title track, in which vōx reclaims her body with the formidable lyrics, “You were not here first. I was.”

"Reminiscent of Madonna's imperial pop phase, or even Kate Bush at her most direct" - Clash

“Equal parts charty and arty” – The Guardian

"Calvin Harris would probably kill for this tune (Save It)" - Record Of The Day

“Breathy vocals, haunting melodies and an erotic sense of darkness on the dancefloor” – Attitude

pete@ripmanagement.com
www.recordinpeace.com

kyle miller has been making too much noise for 24 years. little nothing is the latest chapter in that rowdy saga. songs about friends. songs about lovers. songs about a homeless prostitute cum rock star (relax, that was latin). listen up.

i  do dJ mix by a vinyl  and enjoy it and do it.
i do Play in Socond Life !
favorite dj likes labels of High Contrast 
and Armand in Rank 1.
in trance, symphonic  has good sound letting you feel it.
please call out to me if i see me in Second Life. im pleased very much.


aAir is following