Fiat LuXx likens his techno aesthetic to standing in the middle of a running engine. It’s an apt metaphor. Beyond music alone, the Denver DJ and producer has set in motion a creative vision consisting of countless moving parts.

His impeccable taste as a selector has earned him the respect of notable figures in the worldwide house and techno community. Perhaps equally compelling is his constantly evolving INTIMäT concept: an abstract artistic ideal that has manifested as a creative space, live stream podcast, clothing label and print shop at various points since its inception.

The Colombian DJ/artist launched his music career in Colorado, where he played an integral role in the inception of EKŌ HOUSE, an after hours venue that evolved into a multi-purpose creative space. It was in this liberated environment that the seeds of INTIMäT were planted, and he’s tasked himself with developing the brand in the time since.

As spread out as his ambitions may seem, Fiat LuXx’s abundant creativity becomes apparent as soon as you see him behind the decks. A true student of techno who derives inspiration from the likes of Jeff Mills, Oscar Mulero, Etapp Kyle, Jonas Kopp, (among others) he keeps his DJ sets unpredictable by taking calculated risks. He also continues to incorporate new equipment into his repertoire, as well as challenging himself to rewind time and appreciate the art of vinyl and more elementary accessories.

Over the years, Fiat LuXx has opened for such renowned DJs as Chris Liebing, Alan Fitzpatrick, Adriatique, Sian, John Acquaviva, Roger Sanches, Francesca Lombardo, Wehbba, Sergio & Benoit, Oscar L, BLOND:ISH, Anthony Attalla, Quiver, Robert Armani, Frankie Bones, Hyperactive, Nigel Richards, Paul Johnson, Akufen, Nitin, Gene Farris, Edu Imbernon, Shaded, Rodriguez Jr and Asher Perkins to name a few. In addition to gigging in Miami and throughout Colorado and Texas, he has also performed in New Orleans, Washington D.C., Croatia, Spain, the U.K. and his nation of ancestry, Colombia. He has recently moved to Barcelona, Spain where he is seeking to expand the INTIMÄT brand.

The year is 2016. Britta Arnold, space-girl, love child and musical jetsetter meets Unders, world-traveller, mad scientist and former Tin-Tin impersonator. It was here that two mirrors met, two ambitions joined and two styles merged to create what is now known as Britta Unders. Whether playing music to weekend ravers, swinging in the studio shaping emotions into sound, or casually planning their creative futures involving bus trips, mobile studios, remixes, releases and beyond, these kindred spirits are inhaling and exhaling each moment like the full moon does the tides. It’s natural. After their auspicious meeting at Britta’s Grrr Mit Brrr party in the magical country of Kater Blau on the banks of the river Spree, much was to happen for our spirited duo. In a matter of months, the chemistry between them had already created an EP for Katermukke, a remix for Jonas Saalbach on Einmusika and remixes for Nico Stojan & JAW, Be Svendson and Arman Miran. 

For Britta, who co-founded and managed the Bar 25 label, and
Unders, with twenty years of experience in the electronic industry as both DJ, producer and promoter, this combined love of music, life and international globe-trotting created an unstoppable flow. Soon they were playing at some of the most reputable gatherings around the flat earth: Bachstelzen stage at
Fusion Festival, Shoeless parties in Old Mokum, Woomoon in Ibiza — then Burning Man and New York through to South America, Africa and their home stomping grounds of Europe. Together, their productions and DJ sets are spacious, tripping, techy and transportive. But somewhere, there is also a bearded shaman in neon playing the Glockenspiel while channeling the spiritual music of the world. Simply put, this is the sound of an extremely bright future.

Aaron Kshvsky is following