Islandman - Khepre (Ariadne’s Violin & Vocal Mix)

"Procellous" (Arms & Sleepers Remix) off of Caspian's upcoming EP Hymn For The Greatest Generation out 11/11/13 on Triple Crown Records

Buy on iTunes - https://itunes.apple.com/us/album/hymn-for-greatest-generation/id726656004

Official Site - http://caspianmusic.net/
Facebook - http://www.facebook.com/CaspianTheBand
Twitter - https://twitter.com/Caspian_


Caspian - "Procellous" (Arms & Sleepers Remix)

Aaron Martin "Chapel Floor":

Credits:

Side A

1. Piece 5
2. Autism
3. Sugar and Dirt
4. Wheat Beetle
5. Karl Rove
6. Piece 3
7. Pepperbox

Side B

1. Branch Wheel
2. Lightning in Meadow Grass
3. Orchard
4. Le Bateau-Mouche
5. Trees Are Smoke

All music performed live in studio and on stage by Aaron Martin.
Side A recorded and mixed in Amsterdam on May 22, 2009 by Berry Kamer at VPRO. 
 
Side B recorded live in Amsterdam on May 23, 2009 at Dwars Festival.

Cover painting "The Exile's Song" by Richard Moult.

Design and layout by Justin Wright.

Orchard (live)



Buy Infinity Pools EP: smarturl.it/buyipools

Debuted on Stereogum here: bit.ly/1DAC8ZQ

What does the future of peace and quiet look like? Is it possible for someone to find serenity in a world where population mushrooms and buildings continuously jockey for the best possible view? With Kael Smith’s (Mombi, Khale) Mute Forest this dichotomy is at the epicenter of his 'Infinity Pools EP' due April 7th via Lost Tribe Sound.

To coincide with visuals courtesy of Gregory Euclide (Bon Iver, Erased Tapes), Smith’s debut EP fuses acoustic sounds, mangled electronics and provocative lyrics across four meditative yet mesmerizing tracks.

Serving as a companion piece to his expansive and sonorous LP, 'Deforestation', due later this year, Smith’s 'Infinity Pools EP' was actually written as a reaction to that material but will be released first.“ 'Deforestation' will in a sense be a prequel to the EP,” explains Smith. “And for listeners who follow along, should provide an interesting reverse narrative,” he concludes.

“Crypt,” the EP’s opener, contains oscillating vinyl-sampled rhythms, chiming electric guitar and gently struck nylon guitar. Following that is the sparce and haunting “Volcanoes Flowing,” which traces a melancholy beat and slow, lovely piano crescendos to its heartbreaking conclusion.

Darker in tone, title track "Infinity Pools" has a commanding presence using ominous electronics and damaged samples of Le Creuset pots being struck. Heavily processed and featuring vocals from Smith’s longtime girlfriend Kelly O’Brien, the track unfurls into a hypnotic groove over the chilling words “You’ll feel like an ember trilling/out in space.”

Washing over the listener to conclude the EP, “Eat the Skin” originally started as an A Winged Victory for the Sullen remix of a song off of their recent LP, 'Atomos'. As the track progressed though, all of the layers performed by AWVFTS were eventually stripped leaving only acoustic guitar and Smith’s voice. “I like to pretend we wrote that song together, hopefully someday they will hear it” desires Smith. He uses the big, cavernous sound of acoustic guitar as base for unhurried, dulcet vocals and airy electronics. “I’ve always loved the big, acoustic sound of Seafood’s “Desert Stretched Before the Sun”“ explains Smith. “I really tried to emulate that deep resonate tone where the acoustic sounds like a tidal wave.”

All songs written, performed, recorded and mixed by Kael Smith (kaelsmithmusic.com)
Kelly O'Brien backing vocals on "Infinity Pools."
Mastering by Taylor Deupree at 12k Mastering
Production assistance on "Crypt" & "Volcanoes Flowing" by Matthew Herron

Original artwork by Gregory Euclide (gregoryeuclide.com)
Copyright 2015 Lost Tribe Sound (losttribesound.com)
Published by Settled Scores 2015 (ASCAP)


Mute Forest - Eat The Skin (from Infinity Pools EP)

Taken from the album 'Vertical Land' out now.

DL : https://itunes.apple.com/gb/album/vertical-land/id989259810

CD/LP :http://www.amazon.co.uk/s/ref=nb_sb_noss?url=search-alias%3Dpopular&field-keywords=vertical+land&rh=n%3A229816%2Ck%3Avertical+land


Vertical Land

David John Sheppard - Seconds, Minutes, Hours

2. track of my upcoming debut "Window Gazer" to be released 18th of september via Hellbig Music



Afloat

沈黙の奥に封じられた禁忌の記憶が、密かに震えている。

YouTube : https://youtu.be/9sOpzuSF6u0

05. 禁忌の記憶 | Taboo Memories

04_Shadows on the Ridge

Taken from his forthcoming album 'Spells' out June 10 on Erased Tapes.

Pre-order the LP/CD/DL here: www.erasedtapes.com/store/index/ERATP085
iTunes: http://snip.ftpromo.net/spells Spotify: http://snip.ftpromo.net/goldentimes
Bandcamp: http://snip.ftpromo.net/spellsbc or any other good record store worldwide

"A soothing piece of delirious sound" – Clash
"Strangely upbeat nocturnes" – The Wire
"It's just incredible" – Mary Anne Hobbs, BBC 6 Music

‘Spells’ merges programmed piano pieces with live instruments, combining the controllable technical world and the often unpredictable aspects of live improvisation. In some ways it continues where his underground debut ‘Gravity’ left off, though a lot of weight is lifted, making room for a lighter and more energetic listen. Friend and fellow Erased Tapes artist Nils Frahm mixed and mastered both albums. Ben is not a master pianist like his dear friend, but his sound collages are so meticulously designed that after hearing the result an impressed Nils declared: “from now on, if anyone asks – this is a real piano”. 

His intricate, humanised programming – enhanced by drummer Achim Färber, cellist Anton Peisakhov and harpist Lara Somogyi, and a considerate selection of echoes, delays and compressors – has been used to create a hybrid sound that intends to deceive, question and challenge existing listening habits. Utilising the contrast between reduction and decoration, ‘Spells’ can be seen as a quest to find out how much or how little composition is required to constitute a song. Why the ear can and should be deceived about the authenticity of instruments. What significance these instruments have within this process, and why the personal perception of balance and sound exclude ultimate truths. 

Linking the two albums are the four movements of ‘Nocturne’, an ever-developing conversation that on occasion flirts with the grandeur of compressed rock drums. The first single, ‘Golden Times 1’, received a world premiere by BBC 6 Music’s Mary Anne Hobbs, proclaiming it as "incredible." An alternative version of ‘Sleepers Beat Theme’ – composed for the soundtrack to a short film about the Trans-Siberian Express – opened Jon Hopkins’ Late Night Tales album from 2015, who noted “I thought it was such a calming and sensitive piece that sounded to me like the beginning of something...the warmth and depth of the sound entrances me every time”. 

Though ‘Spells’ and ‘Gravity’ are his first albums recorded under his own name, as acclaimed electronic producer HECQ he’s released nine albums since 2003, exploring everything from ambient to breakcore. He has simultaneously established himself as a trusted composer and sound designer, working for a wide array of clients including Amnesty International and Marvel Comics; composing for feature films, games, art installations and convention opening titles.

After embracing this demanding line of work, in 2010 Ben felt the need to explore his roots and early education, which inspired these albums under his own name. Born in 1981 as the third child of opera singer Deirdre Boysen and actor Claus Boysen, his classical music training on piano and guitar began when he was seven years old; the works of Bruckner, Wagner and Bach laid an important foundation. Rediscovering this music shared with his parents – united with the sounds of Autechre, Cristian Vogel and Jiri.Ceiver to Pink Floyd and Godspeed You! Black Emperor – brought back an understanding of why he wanted to write music in the first place.

“Finding my views understood, reflected and welcomed by Erased Tapes was an encouraging experience, crowned by the offer to release ‘Spells’ and re-issue ‘Gravity’ with them. Through many caring conversations with Robert I felt that there’s no better home for the existing ideas and no better cradle for new ones.”  – Ben Lukas Boysen

Spells

Buy LP/CD/DL

Ben Lukas Boysen – Nocturne 4

Carlos Cipa & Occupanther - Branches (Original Mix)

Cat Clyde's "The River" available now.

Stream & download here: https://catclyde.lnk.to/TheRiver

Follow Cat:
Facebook: www.facebook.com/catclyde
Twitter: twitter.com/CatClyde
Instagram: www.instagram.com/catclyde
Website: www.catclydemusic.com
Spotify: spoti.fi/2cUw3iV
Tumblr: http://catclyde.tumblr.com

The River

Ayahuasca is sonic alchemy from Brazilian born artist Poranguí Carvalho McGrew. Blending field recordings from the Amazon rainforest with native instruments from around the world, the music builds a bridge to the consciousness of the master plant medicine. 

Each track can be traveled singularly or woven together to take you on a seamless journey to the deepest parts of your psyche. 
Whether you are listening for relaxation, stress relief, meditation, ceremony, or to help with focus while you work on a project, the music is like tropical rain for your ears. 

A portion of proceeds from this album will be donated to community projects supporting Amazon tribes near the Rio Momón who inspired this music, including the Yahua, Bora, Quichua Alamas & Huitoto Muruy. 

We encourage you to purchase the entire album (provided in High resolution audio) so you can get the Seamless version of the tracks as a bonus. This bonus track is carefully mixed so you can enjoy the continuous journey of this album the way it was intended to be experienced ~ like sitting in your own ceremony.
credits
released May 11, 2016 

All music composed, performed & produced by Poranguí 
Special guest performance with Kaval by Eric Zang on SachaMama 
Executive Producer | Aubrey Marcus 
Mixing | Poranguí & Eric Zang 
Mastering | Eric Zang & Cory Allen 
Album artwork | Eddie Vasquez 
Photo Credit | Luke Danton 
Recorded at Sol Creation Studio | Sedona, Arizona

Ayahuasca (Original Motion Picture Soundtrack)

Iluminar

Two By Four is Piano Interrupted first full length record, compiling the work of three years of collaboration between laptop / electronician Franz Kirmann and pianist and composer Tom Hodge. 


You Don't Love Me Yet

want to download this track?..
go to https://www.instagram.com/haito_berlin/
and follow and pm with " I want that edit, pls!"

The fame and all credits go to Mazzy Star - Rhymes of an hour.

Mazzy Star is the greatest!



www.spagatmusicberlin.com

Rhymes of mi Swan - Haito Rebirth Edit

“Early spring of 2005 I was teaching myself piano. This song was a meditation on a dream I had the night before. The lyrics were a stream of consciousness to try and shake a sadness over a stagnant place I’d let myself wallow in for too long. Recorded on a four-track in my living room, you can hear the windows are open—buses, kids playing outside and car horns. The main difference between my songwriting now and this time period is having a complete support system in Andy. He really gave me confidence. We grew together in our musicianship. I am forever grateful for how we continue to teach each other.”—Jessica Larrabee

http://www.pastemagazine.com/blogs/lists/2012/10/eight-musicians-share-their-first-demo.html?p=5

Blackout (2005 Demo)

Out now as MUTED002 on a very limited 12" white vinyl.

https://soundcloud.com/muted/muted-muted-world-lp-test-press-rip

Orchard (live)

Aaron Martin

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