Vival-departures for string orchestra is inspired by the music of Antonio Vivaldi. Although there are no direct quotes of Vivaldi's music in Vival-departures, there is a Vivaldi-like interlude that appears in different forms and becomes a point of departure for musical development. In addition to the influences of Vivaldi's music, you'll hear influences of blues and rock music also.

This track is from the commercial recording "LVIV 1" by the Lviv National Philharmonic Orchestra of Ukraine on the Phasma-Music label. 

Vival-departures (inspired by the music of Antonio Vivaldi) for String Orchestra is published by Universal Edition. For scores and parts, please visit:
https://www.universaledition.com/en/Works/Vival-departures-inspired-by-the-music-of-Antonio/P0207088

For more information on Vival-departures and other works by Aaron Alter, please visit https://aaronalter.com/compositions .

Vival-departures (inspired by the music of Antonio Vivaldi) for String Orchestra

There is a great community here. I really enjoy listening to your music. I'm also happy when someone listens to mine :)

🎶 About My Music — DestKorn

My music tells stories without words—rooted in emotion, shaped by melancholy, quiet strength, and cinematic depth.
With piano, strings, understated electronics, and expressive vocals, I craft soundscapes that move you and leave space for your own thoughts.

Every piece is handcrafted: I write, arrange, and produce using professional virtual instruments and real elements.
I work with Spitfire Audio, Virharmonic, Kirk Hunter Studios, Native Instruments, EastWest, and 8Dio, combined with my own recording and sound-design workflow.

I use voice synthesis (ACE Studio) only in rare cases—specifically when no suitable singer can be found.
Whenever synthesis is used, I state it clearly in the track description.
It’s a subtle color, never a substitute for composition or expression, and always within a framework I fully compose myself.

The creative vision, the musical structure, and the emotion are 100% mine.
I believe in music that sounds real—because it is real.

Thank you for listening—and for feeling.

– DestKorn 🎶❤️🎶

هر نغمه‌ای که از دل برخیزد، بر دل نشیند
(Every melody born of the heart speaks to the heart.)

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
Unauthorized use, reproduction, modification, or distribution of these works is strictly prohibited and will be prosecuted under applicable law.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord — established 2012

Aaron Alter is a composer from Carlsbad, California. His music is published by Universal Edition and Silverwinds Publishing. Aaron calls his new music his "New Beginning" because it is an exploration of a new style and energy that defies categorization.    

A native of Chicago, Aaron Alter's musical background was a product of the rich musical life that he found growing up in the Windy City. Aaron received his Bachelor of Music degree from Northwestern University, where he studied piano with Frances Larimer and Gui Mombaerts, and composition with Lynden DeYoung and David Noon. He received his Master of Fine Arts Degree from Princeton University, where he studied with Milton Babbitt and James K. Randall.  

Aaron’s new music was first performed in 2015, with the performance of “Homage to Josquin” for two flutes, piano, electric bass and drum set by The New Mexico Performing Arts Society in Santa Fe, New Mexico. “Homage to Josquin” received an Honorable Mention in the 2016 American Prize competition for Chamber Music Composition.  

Works such as "Solar Rays" and "Vanilla, Chocolate and Strawberry" defy genres and exist in Classical ensemble and Jazz Big Band versions. Both the classical piano trio (piano, violin and ‘cello) and Jazz Big Band versions of “Solar Rays” have received Silver medals at the Global Music Awards. Aaron’s Introspective Blues #1 for Flute and Harp has become his most popular work, with over 16,100 plays on SoundCloud and over 5,200 plays on Jango Internet Radio. Aaron’s music has been featured on the albums “One Minute”, “Two Minutes”, “Gimel” and “Daleth”, by the flutist Iwona Glinka on the Sarton and Phasma Music labels, all of which have won Silver Medals at the Global Music Awards.  

Aaron has received two commissions in the past two years for choral works with an instrumental ensemble from The New Mexico Performing Arts Society.  The first commission, “Together We Create and Sing! (inspired by the music of Franz Joseph Haydn”) was a semi-finalist at the 2018 American Prize competition for Choral Music Composition and received a Silver Medal at the August 2019 Global Music Awards.  The latest commission, “Lo Lanu Ha-Shem” (a setting of Psalm 115) received a Silver Medal from the March 2019 Global Music Awards.  

Aaron is a regular contributor of compositions to the repertoire of the flutist Iwona Glinka, the pianist and Steinway Artist, Susan Merdinger, the pianist Vania Pimentel, The New Mexico Performing Arts Society and Composers Concordance in New York.  

Aaron also serves as an Executive Board Member of the Carlsbad Friends of the Arts.

Neo-classical composer crafting modern interpretations of timeless musical forms on the slopes of the majestic active Kilauea Volcano on Big Island of Hawaii. Irminsul's compositions range from intimate piano etudes to sweeping orchestral works, each piece carefully constructed to balance technical mastery with emotional resonance.

His music has been performed by professional pianists and orchestras, bringing these contemporary classical works to life in concert halls and recital venues. Recent highlights include the contemplative "Etude No.6 for Piano" and the epic "Three Virtues of Zarathustra" series.

Whether you're a classical music lover, performer seeking new repertoire, or fellow composer, welcome to this musical journey.

🎵 Weekly uploads of new compositions 🤝 Open to collaborations with performers 🌺 Composing from Volcano, Hawaii

Vival-departures (inspired by the music of Antonio Vivaldi) for String Orchestra

AaronAlterComposer