Wonderfully economical use of material and instrumental resources, and a beautiful surface!

this piece reeeeeaaaalllly blows my mind. and i don't even like music or pieces.

i love it i love it good job this is like legit one of my favorite pieces. veerrry interested to know more about the programmatic element

Contrabass Clarinet

What Voyager 1 Heard in Interstellar Space

FREC (2012-2013)
Dur. 50:00 Amplified Piano
Premiere : Agustí Fernández. Huddersfield Contemporary Music Festival 2013. Phybbs Hall.

FREC (fragments). Agustí Fernández, piano. Ferran Conangla, live amplification.

Ensemble Dal Niente:
Alejandro T. Acierto, contrabass clarinet
J. Austin Wulliman, violin
Jesse Langen, guitar
Gregory Beyer, percussion
Winston Choi, piano
Dan Nichols, recording engineer
Recorded on Without Words. Carrier Records 022, 2013.

Post-Paleontology for contrabass clarinet, violin, guitar, percussion & piano

Décombres(2006) for contrabass clarinet and electronic. Alain Billard, clarinet

UPDATE (20 Aug 2015): What made the comet sing? Scientists working on Rosetta's RPC instrument have found out why 67P/C-G was singing. Via http://wp.me/p46DHN-1nN
==
ORIGINAL Citation (Oct 2014): Rosetta’s Plasma Consortium (RPC) has uncovered a mysterious ‘song’ that Comet 67P/Churyumov-Gerasimenko is singing into space. The comet seems to be emitting a ‘song’ in the form of oscillations in the magnetic field in the comet’s environment. It is being sung at 40-50 millihertz, far below human hearing, which typically picks up sound between 20 Hz and 20 kHz. To make the music audible to the human ear, the frequencies have been increased in this recording. This sonification of the RPC-Mag data was compiled by German composer Manuel Senfft (www.tagirijus.de).  Read full details in ESA's Rosetta blog: http://wp.me/p46DHN-Li 

Copyright Notice

Original Data Credit: ESA/Rosetta/RPC/RPC-MAG
Sonification: TU Braunschweig/IGEP/Manuel Senfft, CC-BY-NC-SA 4.0 http://creativecommons.org/licenses/by-nc-sa/4.0/

Thumbnail image credit: ESA/Rosetta/NAVCAM – CC BY-SA IGO 3.0

A Singing Comet

performed by Quatour Diotima

commissioned by DAAD Artists-in-Berlin Program and Bludenzer Tage zeitgemäßer Musik

live recording by Elektronisches Studio der TU Berlin
at the Mikromusik festival, Berlin, 27.08.2015

Maps of non-existent cities. Bludenz

Metal contrabass clarinet : Alain Billard
Ensemble intercontemporain conducted by Susanna Mälkki
Electronic : Yann Robin / Robin Meier / IRCAM


Art of Metal III (2008, 25'), for metal contrabass clarinet, ensemble and electronic

Metal contrabass clarinet : Alain Billard
World premiere 
Espace de Projection, Ircam, Paris

Art Of Metal II (2007, 11')

Live in Freiburg 08 Septembre 2016

for Soprano and Contrabass Clarinet

Live in Freiburg

Mélodie / Marc MONNET

“Cluster” is a music series devoted to sound investigation with a particular focus on contemporary languages, new music and extended techniques. “Cluster” supports the collaborative work and aims to offer an exchange platform for musicians, composers and electronic music performers in Berlin-Treptow.

Composed by Franco Donatoni
Performed by Ingólfur Vilhjálmsson
Recorded on November 11 2018 at Labor Neunzehn in Berlin

Franco Donatoni, Ombra II (for contrabass clarinet)

wolves howl's orchestration test with orchidea.
instruments : bass clarinet, baritone saxophone, accordion, piano and violin.

target sound file : https://fbwat.ch/1Onn0uU94ssQnlRG?fbclid=IwAR1SEwZA0sKk8lKF3mXX0ISg2SudXOxaB0xFkgLnSATOUq1hZ7Ziyg7CZEg

orchidea by carmine-emanuele cella : http://www.orch-idea.org/?fbclid=IwAR3QcJQzy8gTxRMhNzK9P9O_MOTqD2CinAF9aj24my6R5gLl-cjNEw2iOc4

wolves at the door...but it's orchidea

Aaron Einbond’s work explores the intersection of instrumental music, sound installation, field recording, and technology, bringing the spontaneity of live performance together with computer interactivity. Recently Chicago-based Ensemble Dal Niente released his portrait album Without Words on Carrier Records, and SWR Experimentalstudio produced his Giga-Hertz prizewinning Cartographies for piano with two performers and electronics for the 47-loudspeaker Klangdom at ZKM in Karlsruhe. He teaches Music Composition, Sound, and Technology at City University London and is Co-Artistic Director of Qubit New Music Initiative with whom he curates and produces experimental media in New York.

Post-Paleontology for contrabass clarinet, violin, guitar, percussion & piano

aaroneinbond

Recent comments

when u shovel (n u also -ing)

when u shovel (n u also -ing)

Zoë Birtwhistle

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