Listen to latest track: https://orcd.co/rpm277
@repopulatemars @southofsaturn @north-of-neptune
Few DJs have made such a dramatic impact on the underground house and techno scene over the last two years as Hot Creations label owner Lee Foss. Described by DJ Mag as “one of the most talented new forces in modern dance music today” and by fellow future house innovators Art Department as their favourite producer, Lee has quickly catapulted himself into dance music’s collective consciousness. 



Lee and his Hot Creations label co-owner Jamie Jones currently spearhead a whole family of like-minded producers that includes Robert James, Russ Yallop, Richy Ahmed, Danny Daze and most recently wAFF who are currently re-writing the rulebook of how to make evocative and emotive house music. His latest Hot Creations release ‘Electricity EP’ features collaborations with legendary producer MK and hot new vocal talent Anabel Englund, which will be followed this summer by the hotly anticipated Hot Natured album and live tour.

Hi the name is  Stacey I live and breathe music bye ;) 

Selector from Dublin originally. Living in Sydney . Currently in Bali 😊

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

Edu Imbernon is a unique force in driving melodic, emotive and energetic electronic music, through his productions, DJ sets, his Fayer and Eklektisch labels and his Fayer event series.

Management: javier@imbernonmusic.com 
Worldwide Bookings: darren@fmly.agency 
Spain & Portugal, South America Bookings: fran@b4bookings.com
North America: melissa@armige.com

ZSA ZSA @zsazsarecords
Resident at Robert Johnson

Bookings: 
kompa@zsazsa-records.com

2025:
18.01. Robert Johnson, Offenbach
25.01. TapTab, Schaffhausen (CH)
14.03. Moloko+, Frankfurt
28.03. Refuge Worldwide, Berlin
11.04. Robert Johnson, Offenbach
30.04. Off-Location, Berlin 
10.05. TapTab, Schaffhausen (CH) 
12.05. Mutant Radio, Berlin
07.06. Sleeve++, Leipzig
13.06. Yachtklub, Frankfurt
29.06. Plötzensee, Berlin
19.08. Mutant Radio, Berlin
05.09. Robert Johnson, Offenbach
07.09. Crack Bellmer, Berlin
27.09. Lokhalle, Freiburg
19.10. 90mil, Berlin
15.11. Moloko+, Frankfurt 
19.11. Refuge Worldwide, Berlin
27.11. Operator Radio, Rotterdam (NL)
27.11. San Francisco, Amsterdam (NL)
06.12. Arkaoda, Berlin
26.12. Robert Johnson, Offenbach

2024:
05.01. Radio X, Frankfurt
06.01. TapTab, Schaffhausen (CH)
02.02. Radio X, Frankfurt
16.02. Salon des Amateurs, Düsseldorf
24.02. Tanzplattform, Freiburg
29.02. Refuge Worldwide, Berlin
01.03. Radio X, Frankfurt
28.03. TapTab, Schaffhausen (CH) 
05.04. Radio X, Frankfurt
12.04. Robert Johnson, Offenbach
20.04. AMP, Frankfurt 
25.04. Romantica, Stuttgart
27.04. ZSA ZSA Pop-Up, Frankfurt
03.05. Bike Jesus, Prague (CZ)
04.05. Muli, Potsdam
11.05. Rathaus-Pavillon, Offenbach
24.05. Radio 80000, Munich
02.06. Emma Metzler, Frankfurt
07.06. Radio X, Frankfurt
08.06. Bürro, Mainz
15.06. TapTab, Schaffhausen (CH) 
21.06. Robert Johnson, Offenbach
05.07. Radio X, Frankfurt
15.07. Radio X, Frankfurt 
21.07. Waggon am Kulturgleis, Offenbach
02.08. Radio X, Frankfurt 
15.08. ALTER, Mannheim
23.08. AMP, Frankfurt 
07.09. Romantica, Stuttgart
14.09. TapTab, Schaffhausen (CH) 
22.09. Salon des Amateurs, Düsseldorf
04.10. Moloko+, Frankfurt
25.10. Robert Johnson, Offenbach 
02.11. Lokhalle, Freiburg
14.12. Grün & Gold, Heidelberg
17.12. Radio Radio, Amsterdam (NL)

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