My original compositions are my copyright. Scores available on request by messaging me here, or available on Sheet Music Plus or Musica Neo (some items free) websites. Liturgical works (x2) are published by Paraclete Press.

Polish Composer (M.A., 2002, "F. Chopin" Academy of Music in Warsaw,  Prof. Zbigniew Baginski's class), music theorist (M.A., 2000, "F. Chopin" Academy of Music in Warsaw, under Prof. Maria Piotrowska), musicologist (Ph.D., 2005, University of Warsaw, under Prof. Zbigniew Skowron), researcher, lecturer.
So far he has written 128 pieces: 12 symphonies (2017-2024), 3 symphonic poems (2001-2011), 4 concertos with orchestra (organ, piano, two pianos, flute, 2002-2025), 22 string quartets (2001-2025), 17 sonatas for different solo instruments with piano (violin, cello, oboe, trombone, etc.), chamber music as Piano Trio (1998), Piano Quartet (2021), Piano Quintet (2003), String Trio (2021), numerous songs for voice and piano, sacred works, e.g. Mass for soloists, choir, organ and orchestra (2002, rev. 2024), and electronic music.  
The stylistic and technical parameters describes the text below:
https://pawelstrzelecki.wixsite.com/music
The author of the crucial, first and original book (used as academic manual and present in many libraries) on "New Romanticism" in Polish music after 1975, containing interview of the author with Krzysztof Penderecki (2022, English Language Edition).
https://www.peterlang.com/document/1282565?fbclid=IwAR1Pm40flHnsqH07OsvXdXwV1ZwLeVLOmfrxkqe3wxL5rsJioluBL-2FQ9M#document-details-anchor
Polish edition (2006):
https://mi.pl/pl/p/Pawel-Strzelecki-Nowy-romantyzm-w-tworczosci-kompozytorow-polskich-po-roku-1975/59

The book was quoted in: Andrea Bohlman: "Musical Solidarities. Political Action and Music in Late Twentieth-Century Poland". Oxford University Press, 2020, pp. 208, 266. The link to the quotation (p. 208):
https://books.google.pl/books?id=uNnBDwAAQBAJ&pg=PA208&dq=bohlman+nowy+romantyzm&hl=en&sa=X&ved=2ahUKEwjoyL-x-Lf4AhXOk4sKHUWMChUQ6AF6BAgEEAI#v=onepage&q=bohlman%20nowy%20romantyzm&f=false

Aaron King is a composer, conductor and performer based near London. He is currently studying an MA in Composing for Film and Television at the National Film and Television School, having graduated in 2017 from Hertford College, University of Oxford, with a 1st Class  degree in Music. 

Aaron was the winner of the 2019 Sir David Willcocks carol competition and in 2017 he won the Oxford University Music Society Composition Competition. He enjoys writing works in a variety of genres but his main focus is on music for film.

Singer, composer and director Esmond Cordingley-Poole is reading for a degree in History at The University of Oxford, where he holds a choral exhibition in the Choir of The Queen's College. Prior to coming to Oxford, he sung as a Choral Scholar at Guildford Cathedral, before focussing increasingly on solo singing, under the tuition of Penny Jenkins. Alongside his commitments with Queen’s, he currently sings with London-based chamber choir, the Iken Scholars, and Theatron Oneiron. As a soloist, Esmond has sung for performances of cantatas and oratorios by Schütz, Purcell, and Handel, as well as various solo recitals. Recent opera roles include Caronte and Spirito (Monteverdi’s L’Orfeo; Theatron Oneiron) and Shepherd, Huntsman and one of the three Graces (Blow’s Venus and Adonis; Benslow Baroque Opera).

Esmond is the artistic director of Theatron Oneiron, an early opera and early music production company founded by current and former students of the University of Oxford. In 2016, he produced and was the artistic director for Theatron Oneiron’s production of Monteverdi’s L’Orfeo, having previously directed Cantanti di Monteverdi, a vocal quintet specialising in secular Italian Renaissance music. He has particular interests in opera and in early music and historically informed performance. He has received coaching in Baroque gesture and historical stagecraft from Dionysios Kyropoulos and Katerina Antonenko, and sung in early music masterclasses with Michael Fields, Steven Rickards, Robert Hammersley, and Nathan Medley.

Esmond is also a composer, whose work has been performed by artists including the BBC Singers. Recent works include settings of poems by Christina Rosetti; a dramatic scene, Orpheus in Hades; a setting of Natsume Sōseki’s haiku, Over the Wintry Forest; and a piano sonata, Portraits of a Ballet of two Puppets.

https://www.google.com/search?q=silvius+boby+silva&oq=&aqs=chrome.0.69i59i450l5.-1j0j7&client=ms-android-jaina&sourceid=chrome-mobile&ie=UTF-8

Followers of Aaron King